Storyboard Designer
The boys are rehearsing a dance for their traditional initiation ceremony into adulthood; their teacher instructs them. A girl observes the scene but is not allowed to join in. When one of the boys chases after a strange bird, she follows him without knowing why. One day, the boy will no longer be able to see the bird either.
Editor
The boys are rehearsing a dance for their traditional initiation ceremony into adulthood; their teacher instructs them. A girl observes the scene but is not allowed to join in. When one of the boys chases after a strange bird, she follows him without knowing why. One day, the boy will no longer be able to see the bird either.
Director
The boys are rehearsing a dance for their traditional initiation ceremony into adulthood; their teacher instructs them. A girl observes the scene but is not allowed to join in. When one of the boys chases after a strange bird, she follows him without knowing why. One day, the boy will no longer be able to see the bird either.
Director
A boy is doing his exercises with his dog.
Director
Dear Mr. Vivaldi, I apologise for setting your music to animation without your permission. But I wanted to depict “autumn” in my own way with various animals. Thank you for understanding. Yours sincerely, AW.
Animation Director
A Japanese-produced animated film using Antonio Vivaldi's Four Seasons as its soundtrack. The four seasons all have separate animation directors. Its production was partly crowdfunded. The film premiered in Kitakyushu in 2017 along with a live performance of the Four Seasons and this performance was recorded and distributed to supporters of the project.
Director
The activities of cats, kobito, carp, and an uncle dressed as a woman on a swamp.
Director
Astonishing, mysterious, eccentric, adorable, melancholic, sensual and delightful - the Volume 2 of the weird and fascinating world of Japanese independent animation which has been flourishing and stronger than ever.
(voice)
Everybody is excited to see the arrival of spring. This film tries to depict the excitement spring brings.
Everybody is excited to see the arrival of spring. This film tries to depict the excitement spring brings.
Animation
Everybody is excited to see the arrival of spring. This film tries to depict the excitement spring brings.
Sound Recordist
Everybody is excited to see the arrival of spring. This film tries to depict the excitement spring brings.
Editor
Everybody is excited to see the arrival of spring. This film tries to depict the excitement spring brings.
Script
Everybody is excited to see the arrival of spring. This film tries to depict the excitement spring brings.
Director
Everybody is excited to see the arrival of spring. This film tries to depict the excitement spring brings.
We try to enrich ourselves through prayer, faith and devotion to someone or something ‘other’. Similarly, we believe in the existence of ‘anomalies’, such as unknowable and uncontrollable monsters. But can such beliefs advance us?
Editor
We try to enrich ourselves through prayer, faith and devotion to someone or something ‘other’. Similarly, we believe in the existence of ‘anomalies’, such as unknowable and uncontrollable monsters. But can such beliefs advance us?
Animation
We try to enrich ourselves through prayer, faith and devotion to someone or something ‘other’. Similarly, we believe in the existence of ‘anomalies’, such as unknowable and uncontrollable monsters. But can such beliefs advance us?
Screenplay
We try to enrich ourselves through prayer, faith and devotion to someone or something ‘other’. Similarly, we believe in the existence of ‘anomalies’, such as unknowable and uncontrollable monsters. But can such beliefs advance us?
Director
We try to enrich ourselves through prayer, faith and devotion to someone or something ‘other’. Similarly, we believe in the existence of ‘anomalies’, such as unknowable and uncontrollable monsters. But can such beliefs advance us?
Once we called the noble, profound and mysterious existence The Great. We have moved with the time, our thought and consciousness has changed. And yet what makes us still keep calling it The Great?
Animation
Once we called the noble, profound and mysterious existence The Great. We have moved with the time, our thought and consciousness has changed. And yet what makes us still keep calling it The Great?
Editor
Once we called the noble, profound and mysterious existence The Great. We have moved with the time, our thought and consciousness has changed. And yet what makes us still keep calling it The Great?
Script
Once we called the noble, profound and mysterious existence The Great. We have moved with the time, our thought and consciousness has changed. And yet what makes us still keep calling it The Great?
Director
Once we called the noble, profound and mysterious existence The Great. We have moved with the time, our thought and consciousness has changed. And yet what makes us still keep calling it The Great?
Director
Michiko lost her dad in a car accident when she was 10 years old. After the car accident, Michiko has lived with her mother Kyoko. Michiko, now in her 2nd year of high school, gets a cell phone from her mother as a birthday present. Michiko is so excited to have her very first cell phone. Soon afterwards, she is forced into joining social networking site "AvaQ" by classmate, and queen of the classroom, Taeko.
Writer
A huge pig lies by a house. The family of the house go about their everyday life, pretending to ignore the pig’s existence.
Director
A huge pig lies by a house. The family of the house go about their everyday life, pretending to ignore the pig’s existence.
Director
How was this made? Why? For what purpose and using what materials? What is this anyway? There are lots of things we need to find out about.
Director
A series of 16 "short stories" created by the creator's group Images Forum.
Director
If there is a fixed number of words that a person speaks within his/her lifetime, and if that number is controlled from somewhere by someone, then it would probably be like the story in this film.
Animation
A lot of wrong may happen, but no problem. A whistle, a bird, a stone, a human, they are gentle.
Sound Recordist
A lot of wrong may happen, but no problem. A whistle, a bird, a stone, a human, they are gentle.
Editor
A lot of wrong may happen, but no problem. A whistle, a bird, a stone, a human, they are gentle.
Script
A lot of wrong may happen, but no problem. A whistle, a bird, a stone, a human, they are gentle.
Director
A lot of wrong may happen, but no problem. A whistle, a bird, a stone, a human, they are gentle.
Animation
A haptic animation with comfortable noses.
Sound Recordist
A haptic animation with comfortable noses.
Editor
A haptic animation with comfortable noses.
Script
A haptic animation with comfortable noses.
Director
A haptic animation with comfortable noses.
Director
A worm in this river looks shiny to me.
Animation
A clerk has his own duty. A clerk does his own work. This is what a clerk should do.
Sound Recordist
A clerk has his own duty. A clerk does his own work. This is what a clerk should do.
Editor
A clerk has his own duty. A clerk does his own work. This is what a clerk should do.
Script
A clerk has his own duty. A clerk does his own work. This is what a clerk should do.
Director
A clerk has his own duty. A clerk does his own work. This is what a clerk should do.
Animation
For whom does a girl keep rotating? A story of a weird relationship between a child and adults.
Sound Recordist
For whom does a girl keep rotating? A story of a weird relationship between a child and adults.
Editor
For whom does a girl keep rotating? A story of a weird relationship between a child and adults.
Script
For whom does a girl keep rotating? A story of a weird relationship between a child and adults.
Director
For whom does a girl keep rotating? A story of a weird relationship between a child and adults.
Animation
Everybody wants to be fashionable and praised. So do grandmothers.
Sound Recordist
Everybody wants to be fashionable and praised. So do grandmothers.
Editor
Everybody wants to be fashionable and praised. So do grandmothers.
Script
Everybody wants to be fashionable and praised. So do grandmothers.
Director
Everybody wants to be fashionable and praised. So do grandmothers.
Animation
Based on a poem by Sakutaro Hagiwara. A child and an adult have different troubles.
Sound Recordist
Based on a poem by Sakutaro Hagiwara. A child and an adult have different troubles.
Editor
Based on a poem by Sakutaro Hagiwara. A child and an adult have different troubles.
Script
Based on a poem by Sakutaro Hagiwara. A child and an adult have different troubles.
Director
Based on a poem by Sakutaro Hagiwara. A child and an adult have different troubles.
