Iris Ng

폰허브의 성공과 추문에 대해 깊숙이 파헤친다. 배우, 운동가 그리고 전직 직원들의 인터뷰로 이루어진 다큐멘터리.

After a Haitian-born youth is racially profiled at an Indigenous basketball tournament, he wrestles with his shaken sense of belonging in his Indigenous adoptive family while attempting to heal from his past.

Cats might be cute but they are decimating the environment just like other invasive species. As ecologists and activists try to control outdoor cat populations, not everyone is on board. Especially in Cornwall, Ontario, where advocates are fighting for humane solutions. Finding a fix won't be easy in this small city with a big cat problem.

Bugs and Beasts Before the Law explores the history and legacy of the “animal trials” that took place in medieval Europe, in which animals—and other non-humans, such as insects and inanimate objects— were put on trial for various crimes and offences, ranging from trespassing and thievery, to assault and murder. This history of colonial law-making forged political and sometimes profane relation- ships between humans and animals. Bambitchell’s essayistic film reimagines common perceptions of legal history and, in doing so, produces a world where past and present, fiction and non-fiction, human and animal fuse.

Housing prices are skyrocketing in cities around the world. Incomes are not. PUSH sheds light on a new kind of faceless landlord, our increasingly unliveable cities and an escalating crisis that has an effect on us all. This is not gentrification, it’s a different kind of monster.The film follows Leilani Farha, the UN Special Rapporteur on Adequate Housing, as she’s travelling the globe, trying to understand who’s being pushed out of the city and why. “I believe there’s a huge difference between housing as a commodity and gold as a commodity. Gold is not a human right, housing is,” says Leilani.

In this evocative meditation, a disturbing link is made between the resource extraction industries’ exploitation of the land and violence inflicted on Indigenous women and girls. Or, as one young woman testifies, “Just as the land is being used, these women are being used.”

1992년, 십 대 소녀 샌디 탄은 친구들과 싱가포르 거리에서 영화를 찍는다. 그리고 필름이 사라진다. 어디로, 왜? 잃어버린 필름과 기억을 찾는 여정을 그린 다큐멘터리.

Paraiso, an all-seeing drone spirit, is summoned every Sunday into the heart of Hong Kong where Filipina migrant workers gather to socialise. As the women claim the public space, Stephanie Comilang’s sci-fi documentary considers social connections in today’s age of economic migration and modern technology.

Join a grassroots collective of volunteers as they search Winnipeg’s Red River and its banks for clues to find out what happened to their missing family and friends. The documentary demonstrates the devastating experience of searching for a loved one who didn't come home with profundity and humanity.

When Umi and Dwipa left Indonesia to work in an Ontario greenhouse as part of Canada's Temporary Foreign Worker Program, they hoped the jobs would provide the opportunity and income for a better life. They didn't expect that fixers and false promises would lead to deception and exploitation. Sadly, their story is not uncommon. Min Sook Lee continues to speak truth to power with her commitment to providing a voice to the silenced, fulfilling documentary's capacity as a powerful tool for social change.

Director Phyllis Ellis's television program argues that pop culture and alcohol company marketing have created a binge drinking problem for some young women.

League of Exotique Dancers explores vintage Burlesque's world of fun, frolic, and feathers, yet also turns the spotlight on the poverty, racism, and sexism that were rampant under all that glitter.

Through the heart and photographic lens of international photographer Jo-Anne McArthur, 
we become intimately familiar with a cast of non-human animals. The film follows Jo-Anne over the course of a year as she photographs several animal stories in parts of Canada, 
the U.S. and in Europe. Each story is a window into global animal industries: 
Food, Fashion, Entertainment and Research.

사라 폴리는 돌아가신 어머니 다이앤에 대해 그들이 알고 있는 모든 걸 얘기해달라며 아버지 마이클 폴리와 가족들을 카메라 앞으로 초대한다. 그들이 기억하는 다이앤은 밝고 생기 넘치는 사람이었으며 자유분방하고 개성강한 배우였다. 몇 번의 결혼 실패 후 운명의 상대 마이클을 만나게 되고, 고요히 침잠하는 물과 타오르는 불처럼 서로 정반대의 성격이던 두 사람은 42살의 늦은 나이에 사라 폴리를 낳는다. 그리고 어느 때부턴가 사라가 아버지를 닮지 않았다는 우스개 소리가 가족의 비밀처럼 자리잡게 된다. 다큐멘터리를 만들고 주변사람들을 인터뷰하면서 탐정처럼 자신이 모으게 된 모든 조각들을 펼쳐 보이던 그녀는 어느덧 자신의 출생의 비밀을 둘러싼 진실에 다다르게 되는데…

The thrilling story of Verity Lambert and her struggle to get Doctor Who on the air. The legendary producer's amazing story, written by Thomas Cowell and Joey Guy, is a must-see for both fans of the show and those who aren't so keen.

This short documentary offers a portrait of a group of women who led their community, the largest reserve in Canada, Six Nations of the Grand River Reserve, in an historic blockade to protect their land.

Men Without Jobs is a comedy about Ish and Oz - best friends and roommates whose main goal in life is to avoid work at all costs. Ish is a graffiti artist who dreams of starting his own hip-hop band. Oz is an obnoxious loudmouth, addicted to gambling and cooking shows. When Ish collects several thousand dollars in a lawsuit settlement stemming from a childhood accident, Oz tries to convince him to invest the money in a pyramid scam in order to help him pay off a debt to a sadistic loan shark. The stakes are raised when Ish's girlfriend Veronica gives him an ultimatum to either get a job or get lost. Ultimately, the two eccentric slackers are forced to wake up and realize that sooner or later, everybody has to get a job! Written by Matthewz, Mad

The Perfect Story offers a riveting, intimate look at the ethical and moral challenges sparked by the relationship between a foreign correspondent and a young Somali refugee. By revealing the boundaries of journalism and filmmaking, the film questions what stories are told, why, and who gets to tell them.

Purfled Promises was a work of expanded cinema. Two neo-drag entities entered the cinema and held a screen in front of the auditorium's red curtain on which a video was shown that consisted entirely of zooming shots of veils revealing more veils, increasingly baroque in nature until a voice over addressed the audience directly. As we'd been watching these 'reveals' it told us that what we hadn't noticed was the screen itself which was moving slowly closer towards us. At which point we did notice this and the screen kept on coming, its supporters clambering over the cinema's seats and audience's heads, finally laying it down on top of half a dozen of them who had to struggle out of it as the cinema lights came on.