Producer
A former war photographer tries to ward off his personal ghosts by taking pictures of trees only. He lives alone among olive trees in southern Italy. One day he decides to cross the sea. Once in Albania, he goes near the location where he had made his last war picture, as if he was retracing his steps. He finds a tree he wants to photograph. He is just about to do so, when he discovers a runaway girl hiding in it with the sole objective of crossing the sea and getting to the other side. The man has no choice. He has to flee with her, follow her and guide her along until a storm separates them.
Co-Producer
연상의 상사인 ‘헬레나’를 유혹해 자살로 몰고 가는 젊고 매력적인 캐릭터 ‘시그리드’ 역으로 단숨에 세계적인 스타가 된 마리아 엔더스(줄리엣 비노쉬). 그로부터 20년 후 마리아는 자신을 톱 배우로 만들어 준 연극의 리메이크에 출연 제안을 받지만, 그녀에게 주어진 역할은 주인공이 아닌 나이 든 상사 ‘헬레나’다. 리허설을 위해 알프스의 외딴 지역인 실스마리아를 찾은 마리아는 관객들의 기억 속에 영원히 ‘시그리드’로 남고 싶다는 욕망에 사로잡히고, 잔인하고 이기적인 ‘시그리드’보다 솔직하고 인간적인 ‘헬레나’가 더 매력적이라 주장하는 매니저 발렌틴(크리스틴 스튜어트)과 끊임없이 충돌하는데... 급기야 ‘시그리드’ 역을 맡게 된 할리우드의 스캔들 메이커 조앤(클로이 모레츠)의 젊음을 동반한 아름다움마저 질투하기 시작한 마리아. 과연 그녀의 무대는 무사히 막을 올릴 수 있을까?
Producer
Producer
Composer Johann Sebastian Bach is introduced to King Frederick II of Prussia in 1747. The aging composer and the young monarch clash and a battle of egos ensues.
Co-Producer
A young woman tries to ease herself out of the closet without terrifying her parents in the process in this comedy-drama. The year is 1969, and Sacha (Marie Bunel) is a young Belgian woman living in Canada. Sacha's family sent her to Canada to attend medical school, but she hasn't had the heart to tell them that she's dropped out of college to devote herself to her new interest in photography. Sacha also hasn't told her parents that she's a lesbian -- and that she has a new girlfriend, Odile (Macha Grenon). Odile is tired of being kept a secret, and insists that Sacha tell her parents the truth before American astronauts land on the moon in a few months -- or else. Sacha flies home to Belgium for a visit, planning to come clean to her folks, but she discovers they've arranged a huge welcome home party for the entire neighborhood. With everyone so excited that the soon-to-be-doctor is paying them a visit, Sacha wonders when the time will be right to give her family the news.
Producer
It’s December 1999, and 25-year-old Jonah has just graduated from film school. As the new millennium begins, Jonah marries his longtime sweetheart Lila. Over the course of six months, the couple meet a number of interesting people, including Irina, an exiled Russian actress, as well as spending their time with Jonah’s sister Cecile and his filmmaking mentor Anziano. The discussions Jonah has with these friends and strangers help him to gain some perspective on his life and the new millennium.
Associate Producer
30대의 매력적인 여성 베티는 프랑스 한 지방도시 호텔 카지노에서 세미나 참석차 들른 기업체 간부 샤티용을 유혹한다. 음료수에 몰래 수면제를 타서 샤티용을 잠들게 한 베티는 자기 아버지뻘 되는 동료 빅토르와 함께 그의 지갑을 털어 달아난다. 캠핑카를 타고 프랑스와 인접국들을 누비며 각종 학회 및 세미나장을 방문해 참석자를 대상으로 사기·절도를 일삼는 베티와 빅토르의 다음 무대는 치의학 세미나가 열리는 스위스의 휴양지 실스 마리아. 그러나 베티는 빅토르에게 예고도 없이 범죄조직 자금운송책인 모리스와 함께 그곳에 나타난다. 스위스 은행에서 거액을 인출해 카리브해 서인도제도로 운반하는 중책을 맡은 모리스는 그 과정에 베티를 방패로 활용할 작정인 반면 베티는 그런 모리스의 환심을 산 후 돈 가방을 빼돌릴 작정이다. 당초 계획에 차질이 빚어져 당혹스러운 빅토르는 평소의 활동 반경을 넘어서는 일에 연루되는 것에 겁을 먹지만 결국엔 베티의 뜻을 따르기로 한다. 모리스와 베티는 예정대로 돈 가방을 들고 서인도제도 과들루프 행 비행기를 타고, 빅토르는 신문지로 채운 가방을 들고 기내 화장실에 숨는다. 베티는 실은 자신과 빅토르가 돈 가방을 바꿔치기하여 훔쳐갈 계획을 세웠다고 모리스에게 미리 실토하듯 언질을 준다. 그러나 실제로 화장실에서 접선한 베티와 빅토르는 가방을 바꾸는 시늉만 한다. 베티의 말을 곧이곧대로 믿은 모리스는 착륙 후 빅토르를 만나자 자신의 가방(돈 가방)과 그가 들고 있던 가방(신문지 가방)을 바꿔 들고 떠난다.
Executive Producer
In 19th century, a disillusioned priest helps a young boy drifter who's a chess wunderkind to move on up in life and social structures using his talent. Years later, he's a success, but game of life and love has higher stakes than chess.
Writer
Three years ago Ariane left Antoine, sending him a postcard announcing her departure for the mountains with a certain Alexandre. After a long journey abroad, Antoine returns to the site of his former relationship, where he meets Alfred, recently abandoned by Ariane.
First Assistant Director
Although there are women in the lives of the three main protagonists -- a middle-aged architect, his construction designer, and a journalist -- the women are not as crucial to the men's search for an identity as the title might suggest. When the three men run into a former professor of the architect and designer, they are inspired by his fanfare and expansive nature. Still in search of solutions to their particular problems, the men head out to visit the professor and get to the bottom of their own issues. Unfortunately, the professor turns out to be more "loco" than otherwise, and the three men watch their hopes burst like a popped balloon -- it seems like their ability to assess human character should now be added to their list of problem spots.
