Giorgos Panousopoulos

Giorgos Panousopoulos

출생 : 1942-01-01, Kifisia, Athens Prefecture, Greece

약력

Giorgos Panousopoulos (Greek: Γιώργος Πανουσόπουλος) is a Greek cinematographer, film director and screenwriter. He worked on 37 films between 1964 and 2004. His 1985 film Mania was entered into the 36th Berlin International Film Festival. His 1988 film Love Me Not? was entered into the 46th Venice International Film Festival.

프로필 사진

Giorgos Panousopoulos

참여 작품

METAXA: listening to time
Color Grading
Starting with doctors and staff of the Metaxa anti-cancer hospital who suffer from cancer themselves, we follow this special group of people as they continue to work in the hospital. From the shock of the first time one hears it, to the experience of "… I learnt to listen to time" cancer transforms from a death-threat to a life teacher for these people, not only adding years to their lives, but also adding Life to their years.
우는 법을 모르는 자들의 땅
Writer
때는 2021년 여름, 유럽연합 국회의 일원인 펠릭스는 미래 발전을 모색할 새로운 지역 탐색을 조사하기 위해 그리스 재무부 직원 등으로 구성된 조사단을 꾸려 에게해 탐색에 나선다. 그들이 처음으로 도착한 것은 아르메나키섬. 독자적인 규율과 도덕을 가진 이곳 사회는 65세 이상 노인은 모든 것이 공짜고 아픈 이들은 무료로 병원을 찾아가는, 이른바 돈이 필요 없는 땅이다. 펠릭스와 그의 일행은 이 낯설지만 평화로운 아르메나키 주민들의 삶에 천천히 동화되어 가는데...
우는 법을 모르는 자들의 땅
Director
때는 2021년 여름, 유럽연합 국회의 일원인 펠릭스는 미래 발전을 모색할 새로운 지역 탐색을 조사하기 위해 그리스 재무부 직원 등으로 구성된 조사단을 꾸려 에게해 탐색에 나선다. 그들이 처음으로 도착한 것은 아르메나키섬. 독자적인 규율과 도덕을 가진 이곳 사회는 65세 이상 노인은 모든 것이 공짜고 아픈 이들은 무료로 병원을 찾아가는, 이른바 돈이 필요 없는 땅이다. 펠릭스와 그의 일행은 이 낯설지만 평화로운 아르메나키 주민들의 삶에 천천히 동화되어 가는데...
Directing Hell
A Documentary about Nikos Nikolaidis' work. Nikos Nikolaidis was an acclaimed film director and author from Greece. He is famous for creating controversial characters in his films that have a rebellious attitude towards the social and political status quo. He illustrates a dark and pessimistic present and future, but also providing ambiguous hope for the end when his heroes find their escape in death. His films are shocking and contentious, raising questions during times when political visions start to fade away. His filming was poetic, dynamic and aesthetically beautiful in order to present situations on edge and elicit his audience's feelings. The aim of this project is to transfer his dynamics in a documentary that will convey some of his messages and create a platform for exchanging opinions among filmmakers from all over the world, in an effort to decipher his universe and his symbols as reflections of his unique and rare personality.
Testosterone
Idea
Peter, the hero, aged 20, finds himself on a deserted Greek island with no other men in sight. The women of the island, regardless of age harass him sexually. What starts off as a typical male sexual fantasy turns out into a nightmare
Testosterone
Director of Photography
Peter, the hero, aged 20, finds himself on a deserted Greek island with no other men in sight. The women of the island, regardless of age harass him sexually. What starts off as a typical male sexual fantasy turns out into a nightmare
Testosterone
Director
Peter, the hero, aged 20, finds himself on a deserted Greek island with no other men in sight. The women of the island, regardless of age harass him sexually. What starts off as a typical male sexual fantasy turns out into a nightmare
Athens Blues
Writer
A group of men in their sixties that spend the August nights in Athens outside a pharmacy during night shift, an ambulance driver who has an affair with a younger girl, a middle-aged couple who have invented a lie to renew their passion for one another, a child pretending to sleepwalk in the streets of Athens, two younger people who are tied together in an office after a burglar attack, and other amorous encounters during the same night.
Athens Blues
Director
A group of men in their sixties that spend the August nights in Athens outside a pharmacy during night shift, an ambulance driver who has an affair with a younger girl, a middle-aged couple who have invented a lie to renew their passion for one another, a child pretending to sleepwalk in the streets of Athens, two younger people who are tied together in an office after a burglar attack, and other amorous encounters during the same night.
Ο Εργένης
Thanks
The story of a thirties bank employee whose wife becomes a luxury prostitute. The same would happen with the next woman who knows. Xouan a promoter says he belongs to a particular class of people and asks him to work together.
Love Knot
Writer
Olga is a young pharmacist whο lives in the country in Chania, Crete in a confine and claustrophobic environment. Married and the mother of a child she will one day fir herself face to face with her childhood sweetheart, Lefteris who has returned to his place of birth after a long absence, full of ambitions... They both share a tragic sec without, however, confessing, it to each other: they are brother and sister from a different mother. It was the reason they had broken up when they were in love. But now it is not just Olga who goes after Lefteris but Vicky, a young woman who is the complete opposite of his old love. What would love be if it couldn't waste a man!
Love Knot
Director
Olga is a young pharmacist whο lives in the country in Chania, Crete in a confine and claustrophobic environment. Married and the mother of a child she will one day fir herself face to face with her childhood sweetheart, Lefteris who has returned to his place of birth after a long absence, full of ambitions... They both share a tragic sec without, however, confessing, it to each other: they are brother and sister from a different mother. It was the reason they had broken up when they were in love. But now it is not just Olga who goes after Lefteris but Vicky, a young woman who is the complete opposite of his old love. What would love be if it couldn't waste a man!
Crystal Nights
Thanks
In this supernatural-themed romance, a German woman in the between-wars period is being initiated into some kind of esoteric/psychic order and learns at that time that her ideal mate won't even be born for quite a few years. By 1936, she has moved to Greece with her Greek husband, and there she meets Alberto, a very young Greek man, a Jew, who is evidently the man she has been seeking. They are able to read each other's thoughts and do so in the midst of a sexual encounter. Despite the boy's attraction to her, he spurns her due to her age (she is forty). She commits suicide and is born almost immediately as someone able to protect her ideal mate from the Germans. Later, as a young woman, she again has a liaison with Alberto, who again spurns her due to their age differences. Flashbacks indicate that this situation has been part of their lives for many incarnations.
Love Me Not?
Photoscience Manager
Spying a lissome young woman standing topless on a nearby balcony, Giorgos (Andreas Barcoulis) climbs up onto a nearby rooftop to get a better look. At a critical moment in his climb, his family and friends call out to him and he falls, suffering a terrible blow to the head. Ineed, at the hospital, the family is told that he is brain dead, and that if they like, his heart can be given to someone else as a transplant. Giorgos' grieving wife (Betty Livanou) agrees to this arrangement. The film now follows the recipient of the dead man's heart (Giorgos Constas), as he wanders all over Greece, driven by his newly lusty heart into the arms of many beautiful women. Eventually he is led to the one woman his new heart truly loved, Giorgios' wife.
Love Me Not?
Script
Spying a lissome young woman standing topless on a nearby balcony, Giorgos (Andreas Barcoulis) climbs up onto a nearby rooftop to get a better look. At a critical moment in his climb, his family and friends call out to him and he falls, suffering a terrible blow to the head. Ineed, at the hospital, the family is told that he is brain dead, and that if they like, his heart can be given to someone else as a transplant. Giorgos' grieving wife (Betty Livanou) agrees to this arrangement. The film now follows the recipient of the dead man's heart (Giorgos Constas), as he wanders all over Greece, driven by his newly lusty heart into the arms of many beautiful women. Eventually he is led to the one woman his new heart truly loved, Giorgios' wife.
Love Me Not?
Director
Spying a lissome young woman standing topless on a nearby balcony, Giorgos (Andreas Barcoulis) climbs up onto a nearby rooftop to get a better look. At a critical moment in his climb, his family and friends call out to him and he falls, suffering a terrible blow to the head. Ineed, at the hospital, the family is told that he is brain dead, and that if they like, his heart can be given to someone else as a transplant. Giorgos' grieving wife (Betty Livanou) agrees to this arrangement. The film now follows the recipient of the dead man's heart (Giorgos Constas), as he wanders all over Greece, driven by his newly lusty heart into the arms of many beautiful women. Eventually he is led to the one woman his new heart truly loved, Giorgios' wife.
Living Dangerously
Cinematography
A gifted electrician, Michalis Karamanos works for Greek Telecommunications Organization and it seems that he is the only one who hasn't been completely absorbed by the corrupt and all-devouring system. Acting as a member of the revolutionary organization Constitutional Struggle, which is fighting against the unpopular policy of the government, he connects the computer of the director of OTE to an explosive device. He threatens to destroy the telecommunications of the country if he is not allowed to broadcast on television his revolutionary message during the broadcast of an important football game. The Authorities, thinking that he has gone crazy, try to bring him around using his old friends from the army, whom they pick up one by one as intermediaries. This is a situation comedy with excellent, mature plot development, plenty of suspense as well as masterful criticism of sociopolitical reality.
Terirem
Editor
The mute wife (Olia Lazaridou) of a shadow-theater player (Antonis Kafetzopoulos) is suffering from cancer. An old woman, guided by her visions, discovers a Byzantine religious icon buried in a field. Her nephew sells the find to a thief, who then murders the old woman, without knowing that she had told the village priest about the holy icon she found. Two priests arrive in the village together with the puppeteer and his ailing wife, and there the wife sees a vision of the icon and where it was located in the field, which leads to the discovery of the bones of a saint. The wife sleeps on the spot where the holy relics were discovered and, upon awaking the following morning, regains her speech.
Mania
Editor
It is on Ascension Day that Zoe, a brilliant computer analyst, visits the National Park in the center of Athens with her daughter, Katerina. That afternoon in the park, Zoe experiences an overwhelming array of instinctive compulsions and transforms into an ancient Maenad in ecstatic frenzy, even capable of murder. Instincts and animals get loose and panic takes over.
Mania
Director of Photography
It is on Ascension Day that Zoe, a brilliant computer analyst, visits the National Park in the center of Athens with her daughter, Katerina. That afternoon in the park, Zoe experiences an overwhelming array of instinctive compulsions and transforms into an ancient Maenad in ecstatic frenzy, even capable of murder. Instincts and animals get loose and panic takes over.
Mania
Screenplay
It is on Ascension Day that Zoe, a brilliant computer analyst, visits the National Park in the center of Athens with her daughter, Katerina. That afternoon in the park, Zoe experiences an overwhelming array of instinctive compulsions and transforms into an ancient Maenad in ecstatic frenzy, even capable of murder. Instincts and animals get loose and panic takes over.
Mania
Director
It is on Ascension Day that Zoe, a brilliant computer analyst, visits the National Park in the center of Athens with her daughter, Katerina. That afternoon in the park, Zoe experiences an overwhelming array of instinctive compulsions and transforms into an ancient Maenad in ecstatic frenzy, even capable of murder. Instincts and animals get loose and panic takes over.
Loafing and Camouflage
Cinematography
The film is the story of a group of soldiers, who, in the course of their compulsory military service in 1967 and 1968, before and during the military dictatorship in Greece, are assigned to the then recently founded Armed Forces Television. This TV station, founded for the civilian population, was run by the Cinematographic Unit of the army which until then had only produced propaganda films and newsreels and was responsible for entertaining the troops and other charity organizations with movie screenings. The personnel was composed mostly of soldiers, who already had experience in the film business in their civilian lives, as well as those who received their training in the army. The story may be only 95% true, but that is simply because the true story is even more absurd...
Sudden Love
Cinematography
Still reluctant to call it quits on her dying marriage, a conventional Athenian housewife gets caught up in a whirlwind romance with a successful man. Will this deliciously dangerous affair lead to true love or sharp disappointment?
Υπόγεια διαδρομή
Hristos Ioannou
Άρπα Colla
Director of Photography
"Arpa-colla" in Greek literally means "Grab and stick", a phrase used to show something that has been done quickly and therefore isn't good enough. This is what the 2 main heroes of the film are doing. The one is a director(Giorgos) and the other an author(Kostas) with communistic ideas, who has won a prize at a festival. They both want to make a movie for the cinema. But every idea they have never comes true, because every time they meet someone to whom they tell their idea, they change their mind, and they want to make a totally different movie, ideas varying from political cinema to Greek historical dramas and modern films with motorcycle gangs. Not a bad attempt for the Greek cinema of the early 80's, which starts to wake up from the hibernation of the 70's.
Άρπα Colla
Producer
"Arpa-colla" in Greek literally means "Grab and stick", a phrase used to show something that has been done quickly and therefore isn't good enough. This is what the 2 main heroes of the film are doing. The one is a director(Giorgos) and the other an author(Kostas) with communistic ideas, who has won a prize at a festival. They both want to make a movie for the cinema. But every idea they have never comes true, because every time they meet someone to whom they tell their idea, they change their mind, and they want to make a totally different movie, ideas varying from political cinema to Greek historical dramas and modern films with motorcycle gangs. Not a bad attempt for the Greek cinema of the early 80's, which starts to wake up from the hibernation of the 70's.
Οι Απέναντι
Screenplay
The story of a young man who every day watches the inhabitants of the apartment across the street. They have a very beautiful daughter, but after a few days he finds himself in love with the mother...
Οι Απέναντι
Editor
The story of a young man who every day watches the inhabitants of the apartment across the street. They have a very beautiful daughter, but after a few days he finds himself in love with the mother...
Οι Απέναντι
Producer
The story of a young man who every day watches the inhabitants of the apartment across the street. They have a very beautiful daughter, but after a few days he finds himself in love with the mother...
Οι Απέναντι
Camera Operator
The story of a young man who every day watches the inhabitants of the apartment across the street. They have a very beautiful daughter, but after a few days he finds himself in love with the mother...
Οι Απέναντι
Director
The story of a young man who every day watches the inhabitants of the apartment across the street. They have a very beautiful daughter, but after a few days he finds himself in love with the mother...
Honeymoon
Producer
Taxidi Tou Melitos is about the fear that most elderly people experience: approaching death. Leon (Stavros Xenides) and Zaharoula (Betty Livanou) are heading out for their annual vacation at a summer resort. Instead of their usual carefree anticipation, their mood is subdued because their daughter has just married and is off on her honeymoon. Life is lonely without her and the couple cannot avoid the realization that death is not that far away for them. Once at the resort, Leon tries to overcome this nagging fear by taking a wild plunge in the ocean, naked, as he and Zaharoula are out walking on the beach. Taken up in the spirit of the moment, she joins him among the waves. The results, however, are not what they expected.
Honeymoon
Writer
Taxidi Tou Melitos is about the fear that most elderly people experience: approaching death. Leon (Stavros Xenides) and Zaharoula (Betty Livanou) are heading out for their annual vacation at a summer resort. Instead of their usual carefree anticipation, their mood is subdued because their daughter has just married and is off on her honeymoon. Life is lonely without her and the couple cannot avoid the realization that death is not that far away for them. Once at the resort, Leon tries to overcome this nagging fear by taking a wild plunge in the ocean, naked, as he and Zaharoula are out walking on the beach. Taken up in the spirit of the moment, she joins him among the waves. The results, however, are not what they expected.
Honeymoon
Director
Taxidi Tou Melitos is about the fear that most elderly people experience: approaching death. Leon (Stavros Xenides) and Zaharoula (Betty Livanou) are heading out for their annual vacation at a summer resort. Instead of their usual carefree anticipation, their mood is subdued because their daughter has just married and is off on her honeymoon. Life is lonely without her and the couple cannot avoid the realization that death is not that far away for them. Once at the resort, Leon tries to overcome this nagging fear by taking a wild plunge in the ocean, naked, as he and Zaharoula are out walking on the beach. Taken up in the spirit of the moment, she joins him among the waves. The results, however, are not what they expected.
Power
Cinematography
An abstract tale of a society that exploits everyone and everything. A closed societal system is run by a class of rulers composed of priests, elders, politicians, bankers, and military men. All these people prostitute themselves in order to exercise power with the same ease that they drink their coffee.
Death Has Blue Eyes
Cinematography
Bob and Ches are two bachelors on the make. They are hired by Geraldine to guard her and her daughter, Christine. It seems Christine is psychic, and knows all the details of a political murder.
Happy Day
Director of Photography
A concentration camp on a barren island is hell for the exiled prisoners. The everyday life of the people who live there consists of interrogations, psychological and physical violence, arbitrary punishments and other torments. One of the prisoners who refuses to yield is subjected to torture. Trying to escape, he falls into the sea. When the Queen visits the island, the prison guards find the runaway and murder him without a second thought, since he is already assumed dead.
Euridice BA 2037
Cinematography
Euridice in Hades, code number ΒΑ 2037, is waiting for Orpheus to free her and lead her to the Upper World. She’s waiting for orders that will allow her to move out of her prison/home. Her destination is not mentioned. A voice from a computer orders her to move out.
Kierion
Cinematography
In this political drama, a journalist accused as a conspirator in the murder of an American colleague is released for lack of evidence, and then searches for the true culprits. Inspired by the true events of the murder of American journalist George Polk, this film was shot in 1967 and was banned by the coming military dictatorship in Greece. It had only been shown abroad, until it premiered in 1974 after the dictatorship's fall .
John the Violent
Director of Photography
At midnight, on a deserted Athenian street, a beautiful woman named Eleni Chalkia is fatally stabbed by a stranger, who immediately disappears into the shadows. The murderer is Ioannis Zachos (Manos Logiadis), a young man lacking in both mental and sexual stability, who lives out his erotic fantasies through purifying violence. He often fantasizes about killing beautiful women, in this way compensating for his deficient manhood and satisfying his passion for power. When he is arrested, he immediately confesses his crimes, which is a relief to the police, who have been accused of gross ineptitude by the press. During the trial that follows, the relentless question, “who is ultimately guilty? Man or society?” is again raised.
John the Violent
At midnight, on a deserted Athenian street, a beautiful woman named Eleni Chalkia is fatally stabbed by a stranger, who immediately disappears into the shadows. The murderer is Ioannis Zachos (Manos Logiadis), a young man lacking in both mental and sexual stability, who lives out his erotic fantasies through purifying violence. He often fantasizes about killing beautiful women, in this way compensating for his deficient manhood and satisfying his passion for power. When he is arrested, he immediately confesses his crimes, which is a relief to the police, who have been accused of gross ineptitude by the press. During the trial that follows, the relentless question, “who is ultimately guilty? Man or society?” is again raised.
The Great Love Songs
Editor
A documentary about Greek music. Τhe Great Love Songs is series of ten poems by, among others, Sappho, Elytis, Myrtiotissa, Sarantari, and cavafy, put to music by Manos Hadjidakis. In the film, the camera lens illustrates the emotions stirred by the erotic atmosphere of the music. We follow the camera as it wanders through Athens; the nostalgic Athens of yesteryear; the big modern-day city; the Athens of lovers; the Athens of tourists. Our journey through the city is intercut with footage from the studio recordings of the songs, while there also scenes featuring the film crew. The film is a game between image and sound.
The Great Love Songs
Director of Photography
A documentary about Greek music. Τhe Great Love Songs is series of ten poems by, among others, Sappho, Elytis, Myrtiotissa, Sarantari, and cavafy, put to music by Manos Hadjidakis. In the film, the camera lens illustrates the emotions stirred by the erotic atmosphere of the music. We follow the camera as it wanders through Athens; the nostalgic Athens of yesteryear; the big modern-day city; the Athens of lovers; the Athens of tourists. Our journey through the city is intercut with footage from the studio recordings of the songs, while there also scenes featuring the film crew. The film is a game between image and sound.
Ο Παραμυθάς
Camera Operator
Ένας Κλέφτης με Φιλότιμο
Assistant Camera
Until the Ship Sails
Cinematography
A gruff highlander leaves his village and heads to the town and harbor where he will embark for Australia. We follow his descent to the sea through three stories
The Thief
Cinematography
Short film about a pickpocket. A police officer catches a pickpocket after some illegal activity on a bus, but is willing to hear what led him to the crime.