Aggela Despotidou

It is the early 20th century on a dystopian Greek island. Hadoula, a widow who lost her husband, loannis Fragkos, at a young age, is a woman who has learned how to survive in a male-dominated and extremely patriarchal society. Hadoula carries a difficult burden within her. Like a baton passed on to her from her mother, and the generations before her, she is meant to accept the belittling and degradation of women. Hadoula reacts. Her personal, internal revolution soon comes forth. The victims of her outburst are the little girls of the island, whom she sets free from the social and economic burden that their existence entails by taking their lives. Her actions will bring her face to face with the law. She leaves her home and escapes to her refuge, nature. But as much as her faith and morals dictate that she did the right thing, her trans-generational trauma follows her everywhere. And the end comes as redemption.

A woman's skin-care routine ceases to be the bulwark she’d hoped.

Mike Hoolihan is an unconventional New Orleans cop investigating the murder of renowned astrophysicist Jennifer Rockwell, a black hole expert found shot to death in her observatory. As Mike tumbles down the rabbit hole of the disturbing, labyrinthine case, she finds herself grappling with increasingly existential questions of quantum mechanics, parallel universes, and exploding stars. The hunt for a killer draws a detective into an even larger mystery: the nature of the universe itself.

영국해군특수부대 MI6 소속 부서인 스페셜 보트 대대 SBS의 요원 ‘존 스트라튼’(도미닉 쿠퍼). 이란에서 생화학 무기가 개발되었다는 첩보를 입수한 그는 미국 측 요원과 함께 해당 연구소로 진입하지만, 예상치 못한 공격으로 인해 임무는 실패로 돌아가고, 동행했던 미국 요원은 목숨을 잃게 된다. 이후 개발되었다던 생화학 무기는 전 KBG요원이자 국제적 테러리스트인 ‘그레고르 바로브스키’(토마스 크레취만)의 손에 들어가며 전 인류가 테러 위기에 놓이게 된다. 영국 다이닝 가부터 미국 워싱턴까지 전 세계 수백만 명의 목숨을 위협하는 그를 막기 위해 ‘스트라튼’이 인류의 운명을 건 전쟁을 시작하는데…

Two people, alone in a desolate city. Costas and Anna in Athens. Costas is an engine driver. The trains he drives travel from one end of the city to the other, following the traces of the ancient rivers that were paved over and made into roads. Anna sells ferry boat tickets at Piraeus, the city’s main harbour, the place where the rivers once flowed into the sea. Costas knows Anna. He sees her every morning, waiting on the platform for his train to take her from Thiseion to Piraeus; and he sees her every afternoon, when his train takes her from Piraeus back to Thiseion. Anna doesn’t know Costas. From the window of the train car she looks out at the same desolate city every day, without knowing who’s driving the train. When something happens to turn Costas’s life upside down, he decides to reach out from inside his solitude and talk to Anna.

A young woman's struggle to overcome life's economic restrictions in order to meet her true will. She is twenty-three and lives with her mother, a compromise she can no longer stand. Despite her meager economic means, only enough to survive the first two months, she moves out and rents a 45m2 apartment of her own. During these two months of freedom, she explores her true self and approaches a more poetic and liberal culture, for her, a new way of life that slowly unfolds as she rummages through the belongings that the former renter, a guy her age, has left in the apartment.

In a nonaligned country, where a civil conflict is raging, a team of photographers follows a mercenary war lord, whose men wreak havoc among enemies and innocents alike. The story is a modern version of the tragedy Antigone, in a time when TV and the other media present unrelieved visions of war and bloody mayhem.