Kostas Antalopoulos

Johannes has a comfortable life and stands to inherit the family-run hotel. Unfortunately, however, he is an inveterate people-pleaser and avoids conflict at any cost. His father’s last will and testament sparks a tragi-comic journey to sunny Greece – and the realisation that it is time to take control of his own life.

In the wake of a disaster, Alice and her husband Petros take their young son Panagiotis to a provincial seaside town, seeking refuge. Working temporary jobs, Alice and Petros try to put their lives back together so they can return home to Athens. When Alice begins to realise the plan is not working – or worse, that it may not even exist – the distance between her and Petros begins to grow.

A random explosion connects three stories, where strangers are trying to find some way to live on the edge of legality.

Revenge is a recurrent theme in thrillers, usually dispensed by action heroes with a well-stocked arsenal. But in Yorgos Tsemberopoulos’s nuanced moral maze the protagonist is the bookish Kostas (Manolis Mavromatakis), a suburban florist well versed in social and political theory, which he discusses at length with a local publican. But when his home is invaded by masked hoodlums, who bind his family and rape his teenage daughter, our everyman hero finds his intellectual stance untenable. Encouraged by his paranoid, militarist neighbour, Kostas decides to take the law into his own hands, and in doing so begins to understand – for the first time – the world he has been living in. The vigilante movie is a well-explored genre too, but Tsemberopoulos gives it a whole new urgency, subverting the cliched right-wing fantasy structure and seeing it through the eyes of a man who comes to find his real self while trying to live up to the (imagined) expectations of others. (Source: LFF programme)

11번째 생일을 맞은 안젤리키. 온 가족이 한껏 흥에 겨워 소녀의 생일 파티를 즐기지만, 안젤리키는 왠지 즐겁지 않다. 가족들이 춤을 추며 사진을 찍는 사이, 베란다로 천천히 걸어가 난간에 걸터 앉는 안젤리키. 그리고 엷은 미소를 지으며, 난간에서 조용히 뛰어내린다. 안젤리키의 사건 이후, 가족 모두 큰 상실감에 빠지지만, 가족의 가장인 아버지는 의연히 대처하며 아내와 딸, 손주들을 보살핌에 여념이 없다. 한편 경찰과 사회복지사는 안젤리키의 자살 원인에 대해 수사를 착수하지만, 가족 모두 그저 사고였다고 주장하는데…

An ancient Greek philosopher, Epicurus, wrote in the first century AD, a letter to Thodorakis the neo-Greek. When Thodorakis learn about it, he travels to Italy and specifically in the area that the letter where found along with 2000 other ancient Greek texts, in order to receive it from the Italian archaeologists.

In the near future, when Athens is in danger of ecological catastrophe, a mysterious man, a young hacker and a washed out singer become entangled in a dark web of radioactive waste and suspected maritime shipwrecks.