Gaston Kaboré

In a quest to rediscover the spiritual values of his own people, an African filmmaker from the Gourmantche tribe of Burkina Faso visits an Aboriginal band, the Atikamekw of northern Quebec. The resulting documentary is a dialogue between those who divine the future in the sand with those who use snow-encased sweat lodges to reconnect with the spiritual world.

In an early 19th century African village, Wend Kuuni - a young man, lives with his adopted family after his mother was killed as a witch. When Pughneere - his adopted sister - becomes ill, the villagers suspect Wend Kuuni. In order to save Pughneere's life (and his own) he must set out on a journey to find a healer. His quest brings him in contact with people around him and is a journey of self-discovery.

In an early 19th century African village, Wend Kuuni - a young man, lives with his adopted family after his mother was killed as a witch. When Pughneere - his adopted sister - becomes ill, the villagers suspect Wend Kuuni. In order to save Pughneere's life (and his own) he must set out on a journey to find a healer. His quest brings him in contact with people around him and is a journey of self-discovery.

In an early 19th century African village, Wend Kuuni - a young man, lives with his adopted family after his mother was killed as a witch. When Pughneere - his adopted sister - becomes ill, the villagers suspect Wend Kuuni. In order to save Pughneere's life (and his own) he must set out on a journey to find a healer. His quest brings him in contact with people around him and is a journey of self-discovery.

1995년 영화탄생 1백주년을 기념하기 위해 제작한 작품으로서 현재 활동중인 유명 감독들이 뤼미에르가 촬영했던 카메라를 들고 찍은 50초 분량의 단편영화 39편과 감독들의 인터뷰, 촬영장면 등이 함께 들어간 극영화 겸 다큐멘터리. 테오 앙겔로풀로스, 코스타 가브라스, 피터 그리너웨이, 압바스 키아로스타미, 스파 이크 리, 데이비드린치, 빔 벤더스, 마틴 스콜세지등 39명의 유명 감독들이 참가했다.

A blacksmith falls off his bicycle when he tries to avoid a tortoise which crosses his path. He brings the animal home to his twelve year old son, Rabi, who becomes so fascinated that he forgets his chores at this father's shop. When the angry smith removes the tortoise, Rabi's grandfather, Pusga, helps Rabi find a larger one to consol the boy. Rabi wants to tame the animal and this new obsession leads him to defy parental authority. Pusga gently opens the boy's eyes to the visible and invisible ways of nature. Rabi starts to understand liberty, responsibility and respect for life. In turn he awakens long buried sentiments in the grandfather.

A blacksmith falls off his bicycle when he tries to avoid a tortoise which crosses his path. He brings the animal home to his twelve year old son, Rabi, who becomes so fascinated that he forgets his chores at this father's shop. When the angry smith removes the tortoise, Rabi's grandfather, Pusga, helps Rabi find a larger one to consol the boy. Rabi wants to tame the animal and this new obsession leads him to defy parental authority. Pusga gently opens the boy's eyes to the visible and invisible ways of nature. Rabi starts to understand liberty, responsibility and respect for life. In turn he awakens long buried sentiments in the grandfather.

In the Mossi culture, one of the rites attending the birth of a child and its induction as a new member of the community involves the burial of the placenta. The space in which the placenta is buried is called 'Zan Boko' - a phrase which connotes the religious, cultural and affective relations that bind the child to the land and that embraces the notions of 'rootedness' and 'belonging'. Kaboré tells the story of Tinga, who resists the encroaching urbanization of his native territory. The specific rhythms and vision of the rural community, including its values, social relationship, and individual & collective destinies, are altered when a city is planted on the edge of an ancient native village.

In the Mossi culture, one of the rites attending the birth of a child and its induction as a new member of the community involves the burial of the placenta. The space in which the placenta is buried is called 'Zan Boko' - a phrase which connotes the religious, cultural and affective relations that bind the child to the land and that embraces the notions of 'rootedness' and 'belonging'. Kaboré tells the story of Tinga, who resists the encroaching urbanization of his native territory. The specific rhythms and vision of the rural community, including its values, social relationship, and individual & collective destinies, are altered when a city is planted on the edge of an ancient native village.

In the Mossi culture, one of the rites attending the birth of a child and its induction as a new member of the community involves the burial of the placenta. The space in which the placenta is buried is called 'Zan Boko' - a phrase which connotes the religious, cultural and affective relations that bind the child to the land and that embraces the notions of 'rootedness' and 'belonging'. Kaboré tells the story of Tinga, who resists the encroaching urbanization of his native territory. The specific rhythms and vision of the rural community, including its values, social relationship, and individual & collective destinies, are altered when a city is planted on the edge of an ancient native village.

In pre-colonial times a peddler crossing the savanna discovers a child lying unconscious in the bush. When the boy comes to, he is mute and cannot explain who he is. The peddler leaves him with a family in the nearest village. After a search for his parents, the family adopts him, giving him the name Wend Kuuni (God's Gift) and a loving sister with whom he bonds. Wend Kuuni regains his speech only after witnessing a tragic event that prompts him to reveal his own painful history.

In pre-colonial times a peddler crossing the savanna discovers a child lying unconscious in the bush. When the boy comes to, he is mute and cannot explain who he is. The peddler leaves him with a family in the nearest village. After a search for his parents, the family adopts him, giving him the name Wend Kuuni (God's Gift) and a loving sister with whom he bonds. Wend Kuuni regains his speech only after witnessing a tragic event that prompts him to reveal his own painful history.