Director of Photography
They grew up in the lands of dictators and surveillance, where images are censored, photos are burned, thoughts are discreet, and mouths are kept shut. During the years, they made films, documented life, their lives, at least what was possible. They recorded sounds at night and in secret, for the senses to complete the image. From what are seemingly scattered images and narratives, a coherent emotive sensibility emerges unpacking a singular perspective of history and an attempt to speak what has been unspoken and silenced.
Director of Photography
부자의 꿈을 안고 도시로 온 청년. 하지만 티끌 모아 태산의 길은 너무 힘이 들어, 편법과 사기의 길로 직진한다. 때마침 뜻이 통하는 사람을 만나 부동산 사기에 뛰어드는데, 돈 벌기가 이렇게 쉬울 줄이야. 그렇다면 판을 더 키워봐?
Director of Photography
Science fiction has become a reality in our modern criminal justice system. A term originally coined by science fiction author Philip K. Dick, “pre-crime” is a policing technique now used in both the US and Europe to identify “hot people”—those most likely to be victims or perpetrators of a crime. Forecasting software and algorithms that have been criticized as inaccurate and arbitrary are used to collect information, and monitor and flag people. But predictive tools are only as good as the data they’re fed. With scant evidence of the reliability of the data sources or the accuracy of the data crunching, misfires are a guarantee. In this chilling and explosive in-depth examination into the modern age of policing, directors Monika Hielscher and Matthias Heider pose an important question: How much freedom and human awareness are we willing to give to the limited logic of technology?
Director of Photography
An American in Tokyo, a Korean in Bavaria, and a German in Mumbai: Prepare for a real culture clash when you have to pass your driving test again in another country... A real life comedy.
