Philippe Morel

찰리와 엘리 시스터스 형제는 손에 피를 묻히고 산다. 청부살인이 직업이다. 형제는 파트너 존과 더불어 범죄자를 소탕하지만, 재미를 위해 살인을 하는 것은 아니다. 단지 일일 뿐이다. 동생 찰리가 이 일에 재능을 타고 난 반면, 엘리야는 평범한 삶을 꿈꾼다. 오레곤에서 캘리포니아까지, 새로운 추격이 시작된다.

편집기사인 애인 로이스의 변심에 절망하는 게이 포르노 감독 안느는 의문의 연쇄 살인마에 의해 포르노 배우들이 하나 둘 죽어나가자 이에 영감을 받아 라는 문제작을 만든다. 70년대 캠프 미학과 슬래셔, 디알로 등 비주류적인 모든 것을 섞어놓은 작품. M83의 사운드트랙이 매력적이다.

At the Mêle sur Sarthe, a small Norman village, farmers are affected by a crisis. Georges Balbuzard, the mayor of the city, is not one to let them down and decides to try everything to save his village ...

국가에 의한, 국가를 위한, 국가의 홍보! 월드컵도 아니다. 올림픽도 아니다! 바로 테러다! 에펠탑 테러 프로젝트가 시작된다! 아프가니스탄과 타지키스탄 사이에 위치한 작은 부족 국가 타불리스탄. 국민들은 투철한 애국심으로 똘똘 뭉쳐 있으나 먼지 같은 국가의 존재감 탓에 UN에서 정식 국가로 조차 인정받지 못한다. 이에 전 세계인들에게 타블리스탄을 각인시킬 수 있는 국가 최대의 홍보 프로젝트로 에펠탑 테러를 감행하기로 결정한다. 이 프로젝트를 위해 급조된 순진한 테러리스트 페루즈(미카엘 윤)와 무자파(호세 가르시아)는 국가를 위해 당당히 프랑스 파리로 향하지만 프랑스 시골마을에 불시착으로 시작부터 난관에 부딪치는데……

The Arbac de Neuvilles are one of the oldest families in France. They have inhabited their ancient château for fifty-two generations and are proud of their noble ancestry. But today they are stone broke. When a bailiff turns up notifying them that they owe two million euros in back taxes, these proud aristocrats are understandably shaken to the core of their ancestral seat. Just how are they to find this amount of money when none of them has any capacity for work?

A disturbing film about the Portuguese underworld of prostitution.

Manoel de Oliveira directs José Régio's historical epic of religious and political power struggles. King Sebastião plans to make Portugal the world's Fifth Empire.

An intriguing story about a family and a manor house (where some terrible crimes were committed in the past by a member of that family) adapted from a novel with the same title by Tabajara Ruas.

A meditation on civilization. July, 2001: friends wave as a cruise ship departs Lisbon for Mediterranean ports and the Indian Ocean. On board and on day trips in Marseilles, Pompeii, Athens, Istanbul, and Cairo, a professor tells her young daughter about myth, history, religion, and wars. Men approach her; she's cool, on her way to her husband in Bombay. After Cairo, for two evenings divided by a stop in Aden, the captain charms three successful, famous (and childless) women, who talk with wit and intellect, each understanding the others' native tongue, a European union. The captain asks mother and child to join them. He gives the girl a gift. Helena sings. Life can be sweet.

Alexandra Lencastre plays a woman who believes she is President of the U.S.A.

A man is standing at the window, holding a chair. There are wafts of street noise, and occasionally the curtain flutters. A dog is barking. Then, elegiac music sets in, a lavish string arrangement of Billie Holiday's The End of a Love Affair. With this one-shot film, Pedro Costa portrays the state of feeling of the afterwards of a love affair which led nowhere.

Twenty-five years after leaving school, a group of former students decide to organise a reunion. But, contrary to expectations, these "old boys" realise that time has accentuated their differences. The atmosphere is tense, the conversation taut and the old grudges resurface in no time.

A wealthy landowner, "The Dauphin," enjoys a decadent life of hunting, drinking, and womanizing. He oversees his estate, the Laguna, with his barren wife, his one-armed manservant, and his treasured guard dog. When a sportsman (the film’s narrator) comes to the estate for his annual duck-hunting excursion, he discovers the body of the landowner’s wife floating in the lagoon and the manservant dead on his master’s bed. The Dauphin and his dog are nowhere to be found except for the mysterious barking sounds heard over the lagoon.

Manoel de Oliveira's autobiographical documentary about returning to his hometown.

An impossible love. Two young people who love each other. Vera and João can’t find in this life the space, time, or identity to resolve their love story.

A historical classic drama in three acts, retold after an original prologue about dreams and nightmares of the thirteen-year-old noble heroine, Maria de Noronha.

The story of a family of bull fighters.

1922년 마르셀 프루스트는 죽음의 문턱에서 사진들을 훑어보며 자신의 인생을 회고한다. 실존 인물은 소설 속의 등장인물과 혼재하고 점차 허구의 세계는 실재를 장악한다. 문학작품을 재료로 한 루이즈의 야심찬 각색.

Arthur is a history teacher who lives alone in Paris after having broken up with Claire. He is a sensitive man, full of existential doubts and questions. He has to go to Lisbon to meet an eminent historian whose work is the subject of his thesis. Having just made up with Claire, he decides to take her along. She's an ideal travel companion and it seems their relationship has not yet exhausted its potential. But moving from Lisbon to Oporto, their fantasy of a second honeymoon clashes with the reality of a world on the verge of a nightmare.

Young Jesus is taken on a vacation by his parents (Rita Blanco, Adriano Luz) to a deserted beach resort. They accidentally fall into overnight wealth after Jesus digs in the sand, uncovering a large drug stash. Others characters intersecting here include an alcoholic actress, a philandering banker, a general trafficking in arms, priests who close their church and head north as hitchhikers, politicians who watch an all-girl production of Julius Caesar, and beggars who recite a children's story in a huge heap of trash.

An anthology film drama featuring a poetic mirror structure based on existential identity. In "The Immortals," adapted from a Helder Prista Monteiro play, two famous doctors, an 80-year-old father, and his 60-year-old son, contemplate senility and death. "Suzy," from an Antonio Patricio story, is set in the '30s when a young courtesan dies on the operating table. "Mother of the River" is from an Agustina Bessa-Luis fable about eternal life.

In today's Alentejo, a story of love and death based in a real criminal case.

Portugal, late 1940's. André must leave the country after running away from prison. In Oporto some friends get him a guide, Lambaça, a smuggler who knows very well the Trás-os-Montes border from Portugal to Spain.

After eighteen years of psychiatric care, the former bank manager Augusto Scrivani returns home from his daughter-in-law Carla. Dino Risi directs a melancholy and scratchy Gassman.

Elvio Battistini works as a ticket taker in the local cinema of the small town where he lives. He has a prosthesis in one leg, the result of an accident, but he tells anyone who will listen it is a war injury. Giuseppe Mondardini, is also an older man living alone in what was the splendid family home. When Elvio and Giuseppe meet, they hit it off immediately. A trip to a cooler area is in order, so Mordardini unveils his ancient automobile.

Jacques Marbeuf plays a fortune teller who seduces women with the help of his assistant and manipulated lollipops. One girl reports him to the police; so he decides to run a marriage bureau. Some of his 'female victims' have already changed sides and work for him to lure male clients whom they feed with their 'sucettes magiques'. Even the investigating policemen can't resist them. In the end oil is found on Marbeuf's property in the Camargue and he gets rich.