Yeye Calderon

Pandanggo has three stories with parallel themes converging in one event, the Kasilonawan Festival in Obando: a career woman learning to dance tango who is torn between her dance partner and live-in partner has to choose the man who will satisfy her dream of raising a family; a wife whose wish to conceive a baby boy to make her husband happy brings her feet to the festival, but fate has other plans of bringing the child into her life; and a modern woman who, amidst her medical condition that might render her childless for the rest of her life, finds connection with an ancient lore about fertility.

A wandering peddler separates from his fellow salesman and becomes involved with criminals in the jungle.

Imahe Nasyon is a groundbreaking, conceptual omnibus film by 20 alternative filmmakers who were tasked to present their personal visions on national issues. Renowned line producers Jon and Carol Red hatched the idea of revisiting the 1986 EDSA revolution, challenging directors to answer the question "What happened after 1986?" with a short film not longer than five minutes each. Despite individual techniques, the same goal is shared: to depict a truthful image of the nation at present.

Imahe Nasyon is a groundbreaking, conceptual omnibus film by 20 alternative filmmakers who were tasked to present their personal visions on national issues. Renowned line producers Jon and Carol Red hatched the idea of revisiting the 1986 EDSA revolution, challenging directors to answer the question "What happened after 1986?" with a short film not longer than five minutes each. Despite individual techniques, the same goal is shared: to depict a truthful image of the nation at present.

Imahe Nasyon is a groundbreaking, conceptual omnibus film by 20 alternative filmmakers who were tasked to present their personal visions on national issues. Renowned line producers Jon and Carol Red hatched the idea of revisiting the 1986 EDSA revolution, challenging directors to answer the question "What happened after 1986?" with a short film not longer than five minutes each. Despite individual techniques, the same goal is shared: to depict a truthful image of the nation at present.

Imahe Nasyon is a groundbreaking, conceptual omnibus film by 20 alternative filmmakers who were tasked to present their personal visions on national issues. Renowned line producers Jon and Carol Red hatched the idea of revisiting the 1986 EDSA revolution, challenging directors to answer the question "What happened after 1986?" with a short film not longer than five minutes each. Despite individual techniques, the same goal is shared: to depict a truthful image of the nation at present.

The movie tells the story of Abigael Edades who returns to her Philippine hometown from her five-year stint as a nurse in Canada. Her town mates rousingly welcome her as a hero, the crass moniker ascribed by the government to hundreds of thousands of Filipinos working abroad. She finds her family in tatters, her parents estranged and living apart and her brother Jepoy living the life of drugs. But she basks in the welcome of her mother and youngest brother Noel and the devotion of her boyfriend, who proposes marriage. Her happiness is short-lived. She is diagnosed with SARS and contaminates Noel. They cause a national scare, are quarantined in Manila and are shunned by their own townspeople and the municipal government. Even her boyfriend leaves her. The hero becomes a heel. "Just a month after my return, my views on life and the people around me have irrevocably changed," she says at the start of the movie.

Pinoi Rock & Rhythm sheds the spotlight on four obscure yet significant figures in contemporary Philippine Popular Culture. Rebel Disc Jockey Dante "Howlin" Dave David, Stills Photographer and former stuntman Mr. Johnny Albia, Elvis Presley devotee Mr. Chito Bertol and Pinoy Rock guitar icon Mr. Jun Lopito. The documentary unfolds lighthearted, candid and sometimes outrageous introspection from the four individuals on the ups and downbeats of their respective careers.

A wounded activist ends up in a toilet and meets two members of the oppressed masses whose only reality is living on toilet fees.

A man named Jesus takes on the ruling military junta.

Juan shared his food to a man. But the man wants more and steals his food while he was asleep.

Starting out as a cartoonist for Jingle Magazine, Roxlee became a household name through the widely popular 'Cesar Asar' strip for Manila Bulletin. This film version includes footage from the short film Tito's Wedding, vividly portraying an aimless, idle life set in the small town in the Philippines, interwoven with keen observation on the social-political dilemma of the nation.

Paul Gabriel was born in the USA but raised in the Philippines. Paul plans to return to America after his college graduation. But before he could graduate, he must pass one subject where his professor demands that he answer the question, "What's wrong with the Filipino?" Paul's effort to answer the question forces him to reflect on the question of Filipino identity.

A collage film that finds its meaning from interspersing Lenten rites footage with random images using an optical printer.

Originally a three-part experimental film, respectively titled SPIT, WORDS AND OUTAKES..., and OPTIK, combining animation, illustration, found footage and liquid mercury.

A man crawls on the street of Manila at the height of Edsa Revolution.