Jerzy Kalina

참여 작품

Szychta
Art Direction
Ironic impression on the value of Polish money. The leitmotif was a animated image of working miners from an old 500-zloty banknote. . .
Szychta
Screenplay
Ironic impression on the value of Polish money. The leitmotif was a animated image of working miners from an old 500-zloty banknote. . .
Szychta
Director
Ironic impression on the value of Polish money. The leitmotif was a animated image of working miners from an old 500-zloty banknote. . .
Esperalia
Animation
A man living a dream experience linked to memories of his childhood.
Esperalia
Screenplay
A man living a dream experience linked to memories of his childhood.
Esperalia
Director
A man living a dream experience linked to memories of his childhood.
Solo in a Fallow Field
Writer
Kalina links traditional animation with a re-projection. To the rhythm of the popular folk song Ukochany kraj, umiłowany kraj (Beloved country, dear country) he creates an anti-ballade about the farmer’s hard life and difficult work. Monotonous and mechanical activities degrade a man.
Solo in a Fallow Field
Director
Kalina links traditional animation with a re-projection. To the rhythm of the popular folk song Ukochany kraj, umiłowany kraj (Beloved country, dear country) he creates an anti-ballade about the farmer’s hard life and difficult work. Monotonous and mechanical activities degrade a man.
Bermuda Triangle
Scenario Writer
The box from the film strip becomes an arbitrary plot of action relating to the mysterious phenomena taking place in the Bermuda Triangle. Experimental short by Jerzy Kalina.
Bermuda Triangle
Director
The box from the film strip becomes an arbitrary plot of action relating to the mysterious phenomena taking place in the Bermuda Triangle. Experimental short by Jerzy Kalina.
Ludwik
Screenplay
A stylish Louis XIV chair leaves the interior of the house and exposes itself to the forces of nature. It falls prey to a chainsaw that turns everything into a mass of identical, practical objects.
Ludwik
Director
A stylish Louis XIV chair leaves the interior of the house and exposes itself to the forces of nature. It falls prey to a chainsaw that turns everything into a mass of identical, practical objects.
Muszla
Director
The hectic life of a modern city. Surreal animation by Jerzy Kalina
Muszla
Screenplay
The hectic life of a modern city. Surreal animation by Jerzy Kalina
In The Grass
Director
The second animated work from filmmaker, sculptor and painter Jerzy Kalina. Using multi-plane techniques mixed with paper animation and coloured grains (an element found in his first film, ...i stała się światłość, which I shall upload shortly), W trawie is a fantastical exploration of the world beneath our feet.
…And There Was Light
Screenplay
Jerzy Kalina's first film, animated using coloured grains to depict a fantastical, vividly coloured genesis. The creation of the world and the dawn of life in under ten minutes.
…And There Was Light
Director
Jerzy Kalina's first film, animated using coloured grains to depict a fantastical, vividly coloured genesis. The creation of the world and the dawn of life in under ten minutes.