Wan Jen

A-Te used to be a social movement fanatic. But after suffering the pain of divorce and the death of his child, he changed his profession and became a taxi driver. Ma Le, a young aboriginal man, came to Taipei alone to earn a living on construction sites. However, unable to bear the exploitation, and in a rage, Ma Le accidentally killed a site superintendent and was sentenced to death. A-Te gave Ma Le a ride in his taxi on the night that Ma Le committed the killing and their two fates were thereafter intertwined.

A-Te used to be a social movement fanatic. But after suffering the pain of divorce and the death of his child, he changed his profession and became a taxi driver. Ma Le, a young aboriginal man, came to Taipei alone to earn a living on construction sites. However, unable to bear the exploitation, and in a rage, Ma Le accidentally killed a site superintendent and was sentenced to death. A-Te gave Ma Le a ride in his taxi on the night that Ma Le committed the killing and their two fates were thereafter intertwined.

좌익으로 의심되어 투옥된 코는 1950년대에 처형된 그의 절친한 친구 첸의 운명을 항상 강박적으로 걱정하면서 교도소와 보호시설에서 약 30년을 보냈다. 출소 직후 코는 진실과 자신의 일부를 찾기 위해 나서게 되는데...

좌익으로 의심되어 투옥된 코는 1950년대에 처형된 그의 절친한 친구 첸의 운명을 항상 강박적으로 걱정하면서 교도소와 보호시설에서 약 30년을 보냈다. 출소 직후 코는 진실과 자신의 일부를 찾기 위해 나서게 되는데...

A young man is pulled into crime and then murder. He falls in love with a beautiful young prostitute who sells herself to a brothel to pay off his debts. When the young man tries to buy her contract from the brothel owner, he kills one of the bosses' thugs in a fight. A crime syndicate that the young man willingly affiliated himself with failed. Now on the run from both criminals and the police, the star-crossed lovers flee through Taiwan. A powerful morality tale, the film exposes the dangers of the underworld economy, and the ubiquity of crime and violence on the island.

A young man is pulled into crime and then murder. He falls in love with a beautiful young prostitute who sells herself to a brothel to pay off his debts. When the young man tries to buy her contract from the brothel owner, he kills one of the bosses' thugs in a fight. A crime syndicate that the young man willingly affiliated himself with failed. Now on the run from both criminals and the police, the star-crossed lovers flee through Taiwan. A powerful morality tale, the film exposes the dangers of the underworld economy, and the ubiquity of crime and violence on the island.

A young man from the country comes to Taipei to search for his sister from whom he has heard nothing during the past year. Beginning in a tenement slum, the young man travels through the city's lowlife, where street hustlers sell fake Rolex watches and other contraband, gangs fight each other, and the ubiquitous sex businesses ply their trade. The young man befriends a rich teenage girl and a young prostitute as he and a hustler who knew his sister search for her through a trail of clues leading to restaurants, dance joints, and brothels.

A young man from the country comes to Taipei to search for his sister from whom he has heard nothing during the past year. Beginning in a tenement slum, the young man travels through the city's lowlife, where street hustlers sell fake Rolex watches and other contraband, gangs fight each other, and the ubiquitous sex businesses ply their trade. The young man befriends a rich teenage girl and a young prostitute as he and a hustler who knew his sister search for her through a trail of clues leading to restaurants, dance joints, and brothels.

Taiwanese comedy film.

'샌드위치 맨'은 생계를 꾸려가기 위해 피에로 분장을 하고 몸 앞뒤에 포스터가 붙은 판자를 둘러메고 극장 홍보를 하는 한 가장과 그 가족의 이야기이다. 주인공에겐 아내와 어린 아기가 있으며, 일이 끝난 후에도 피에로 분장을 거의 지우지 않고 생활을 한다. 그런 어느날 극장 주인은 피에로 일을 그만 두는 대신 삼륜차를 타고 홍보 활동을 하라고 주인공에게 시키게 된다. 피에로 분장을 지우고 아내와 아기 앞에 선 남편. 그러나 아기는 아빠를 알아보지 못하고 낯선 사람인 양 울음을 터뜨린다. 아기가 자신을 알아보지 못한다는 사실을 안 주인공은 조용히 다시 피에로 분장을 하며, 이유를 묻는 아내에게 주인공은 환히 웃으며 '난 내 아들의 인형이잖아.'라고 말하면서 영화는 끝난다.

After her six year old son is kidnapped, a successful fashion designer must work with a detective to clear up the terrifying mystery and get her son back.

The startling contrast between old and new Taiwan is the subject of Wan Jen's epic of traditional identities coming into conflict with an urban life, emphasizing the situation of women.

The phone rings, breaking the silence of the arena of desire where no one picks up. While dreaming, a man battles his lust until he masturbates. His ego divides into two and his desire is finally given free flow.

In an exotic bright and clean apartment, an oriental woman is dreaming at dawn. In the dream, she meets a western-looking man in a park. She wakes up to find him packing up in the apartment. On the spur of the moment, she stabs him with a knife. The clock tick-tocks, but time stands still.