João Perry

A walk for half a century, yes, a letter perhaps. Travels in my life, I could call it, which I like Garrett so much. A traveling as he would like, a loose story, memories, projects, meetings. Also because, since 1995, I have done several portraits of artists (Palolo, Bravo, Lapa, Skapinakis, Bartolomeu, Angelo, Sena, Ana Vieira and I prepare Sofia Areal and Fernando Lemos), I started to think that this is my life, these meetings , see, hear, cut, show, tease. I want, with this film continue to show what I see. [Jorge Silva Melo]

The tragedy and comedy in Carlos' life begins, grows and ends like the tragedy and comedy of Portugal. In the company of his close friend, João da Ega, allegedly a brilliant writer, Carlos, with his idle existence as an aristocratic doctor, spends his time to enjoying friends and lovers. Until he falls in love. She is a new character in this revolutionary novel. It's a vertiginous passion that goes beyond that past gloominess to reach a new and darker abyss, incest.

There is a long night when Hugo, a civil servant, is sitting on the stairs of the Ministry where he works. He can’t face going home. The images of the mysterious 8 mm films he found in António’s house after he passed away keep coming back to his mind. Hugo remembers the day when Antonio, his superior at the Ministry, told him that he was going to die. Indirectly, Antonio seemed to want to tell him something about Hugo himself. Hugo’s desire to understand what had remained unsaid between the two of them, triggers other memories from the past. Hugo unexpectedly thinks back on the last time he saw the woman he loved, Adriana, and relives once more what he feels has been his unlived life.

Miguel, a young writer studying cinema, releases his first best-seller at the age of 21. Maria, Psychology student, raised in a wealthy family. She is struggling for fame; Miguel is a humble human being. Their love story is compromised by their different goals in life. Miguel gives up on everything, and disappears for three years looking for the real meaning of life.

Com Que Voz is a documentary that recounts the life of Alain Oulman, an important cultural figure during the nineteen-sixties and seventies, who left an indelible mark on Portuguese and French society. The film, shot in Lisbon, Paris and Tel Aviv, features celebrated authors, politicians and musicians, such as: Patricia Highsmith, Amos Oz, Amalia Rodrigues and Mario Soares.

Joana, 40 years old medical phychiatric, is married to Paul, an executive of a large financial company. Paul hopes that Joana fulfils her role and follows his constant social influences demonstrations. But the marriage is profoundly altered when Mónica, a young model, enters Joana´s life. Irresistibly attracted, they involved romantically, in a world of liberating experiences and feelings. But this will be a short trip, since the revelation of this affair forces Paulo to take drastic measures... ~ FICA

In 1980, a small plane carrying the Prime Minister, the Defense Minister and six others crashed during takeoff in Camarate, Portugal, killing all on board. The police investigation decided it was an accident caused by pilot error. But controversy raged for twenty years, and the Parliament investigated it no less than six times. Finally, in 2000, in response to a suit by the families of the survivors, the High Court had to decide whether to open a criminal investigation, or close the case forever.

The young, sickly girl Bernadette comes from a poverty-stricken family. When the Virgin Mary appears to her in a cavern near Lourdes, no one takes the girl seriously, even when she digs up a wellspring at the Virgin's instructions The local authorities even try to hush up the entire incident. In vain, however, because when Empress Eugénie requests water from the spring for her sickly son, they are forced to acquiesce. And even the local priest is finally convinced. While taking his tuberculosis-stricken fiancé Claire to a sanatorium, the young doctor Henri Guillaumet meets Bernadette. The water from Lourdes' spring heals Claire's disease overnight, but the scientist in Henri doubts the miracle and wants to expose Bernadette as a liar. It is not until Henri again meets Bernadette, who has in the meantime become a nun and works as a nurse, that he finds a way to balance belief and modern science. And his love for Claire is strengthened as well.

The relationship between António and Ruth ends unexpectedly when Ruth decides to live with Pedro, António's best friend. António doesn't fight back and lets himself drown. From the woods come Violeta and Gaspar, two strange beings, a mixture of fairies, demons and guardian angels, who help António overcome his depression. With the thunders the two characters return to their domains. And life goes on.

Young Jesus is taken on a vacation by his parents (Rita Blanco, Adriano Luz) to a deserted beach resort. They accidentally fall into overnight wealth after Jesus digs in the sand, uncovering a large drug stash. Others characters intersecting here include an alcoholic actress, a philandering banker, a general trafficking in arms, priests who close their church and head north as hitchhikers, politicians who watch an all-girl production of Julius Caesar, and beggars who recite a children's story in a huge heap of trash.

A look at the life and career of Vasco Santana, one of the most beloved actors of the Portuguese cinema.

Nakaura of Julian (Julião Nakaura), a priest of the Society of Jesus, was one of four young ambassadors sent to Rome by the Jesuits in 1538, as proof that Japan had converted to Christianity. Fifty years after the mission, which so fascinated European royalty, Julian was forced again to prove his faith, only this time before a Shogun, who wanted to force him to abandon his religion. Julian resists, as does Miguel Chijiwa, a fellow at the embassy to Rome, who become a martyr. Betrayed by Cristóvão Ferreira, who cannot bear the torture, Julian suffers an inglorious death ... or maybe not.

Neglected by his parents, a portly teenager finds refuge with a gang of young thugs in Lisbon.

Two girls meet on a train: Prune is looking for her father whom she has not seen since she was a little girl, Marina is looking for the mother she has never had. Prune learns that her father took his life and then she accidentally dies by drowning. Marina decides to assume her identity and begins a correspondence with Prune's mother.

On an isolated Portuguese island, a nameless man makes a mental journey which brings him into contact with the strange and menacing world without peace and harmony.

Ema is a very attractive but innocent girl, so pretty that cars crash in her presence. Young marries Dr. Carlos Paiva, a father's friend, to whom she is not attracted. They move to the Valley of Abraham. Carlos loves her, but decides to sleep in a separate room to avoid waking Ema when he has to return late at night. With time she begins to feel unhappy about her marriage, so she finds a lover.

Mário was involved in a terrorist attack in Africa. Everyone thinks it was an accident but Mário knows it wasn’t. Now, hiden in Alentejo, he knows that sooner or later " they" will find him, yet he does not want to flee with a new identity until he finds his lover Alice. "They" find him and he has to escape with the help of Matilde. A fascinating woman who will now give him shelter and pretends to help him find Alice. Time is running out for Mário and Alice.

Major James Prentis VC is a British spy of World War II and war hero who goes under the code name of "Shuttlecock". Alienated from his family and children, he ends up in a mental institution in Lisbon, Portugal.

Last feature film of Stanislav Barabas

It is the end of summer and Isabel is a relationship with Diogo. She don't quite know what she wants from her life going forward as her father gets sick.

In Africa, during the colonial war, a patrol is lost in the bush and a soldier dies in operation. Twelve years later, in Portugal, the soldier family meets in peace.

This exaggerated mockery of crime cinema tells the story of a gang lead by "Renato, o pacíficio" (Renato, the peaceful) and their attempt to steal precious jewels from the Gulbenkian Museum in Lisbon. The weapon of choice? Bees!

An aristocratic Sicilian family living in the 1950s. Count Villafratti has sex one night with his nymphomaniac daughter because he thinks she is his wife.

A young man from a high-bourgeois family, Henrique receives mysterious phone calls from a woman at the barracks where he is serving in the military, which attracts him to meetings without consequences.

The film was to be a documentary, but evolved during production to a fictional film. It nevertheless adheres strictly to the poems and letters exchanged by two of the most outstanding names of the Modernist Movement, Fernando Pessoa (in Lisbon) and Mário de Sá-Carneiro (in Paris). Their endless conversation was dramatically and suddenly terminated.

A bewitching combinatory adaptation of the Bluebeard tale and a 15th century Portuguese fable of a damsel who disguises herself as a knight errant.

Dina (Maria Santiago) is a teenager brought up by her grandmother, employed as a housekeeper for a fairly well-off family. Since Dina only has her grandmother, she spends her time fantasizing about her life and reading comic-book love stories -- activities that do nothing to improve her dim perspective of reality. Due to these handicaps and her own inexperience, she gets involved with Django (Luis Lucas), a shady character who decides to use her as bait to attract men and then rob them. One day when both are in a taxi with robbery in mind, the driver gets suspicious so Django shoots him, and so does Dina. She escapes and runs away -- though it seems like she has learned too little too late. This story unfolds against a time of upheaval in Portugal (mid-1970s) when the military government is formulating a constitution and social changes are happening everywhere.

A short film.

Maria works in a German umbrella factory as the foreman of the production sector. João Lucas has given up on living a normal life and practically lives in bed, in the midst of green plants. His father expressly desired that his son film this eccentric daily life in 8 mm format. Maria’s wages are dilapidated to the last penny by this amateur, monstrous, family movie production.