Marie Robert

Throughout the 19th century, imaginative and visionary artists and inventors brought about the advent of a new look, absolutely modern and truly cinematographic, long before the revolutionary invention of the Lumière brothers and the arrival of December 28, 1895, the historic day on which the first cinema performance took place.

Juventa Athletic Club where teenagers practice running, guided by their coach, during an internship in the mountains. Sylvie, is a young woman and and instructor. Not so competent, clumsy and confused. She watches the teenagers beautiful bodies move, their growing desires.

Pierre is the artistic director of a theater, and when his daughter Manon lets him know that she is coming to see him after a year's absence, Pierre decides to prepare for the meeting. He goes to the theater with his girlfriend Ariane and has the actresses in his troupe act out different aspects of his daughter's character. Unfortunately, this is not adequate preparation, for when Manon does show up, nothing goes quite as he imagined...

엘레나는 부자 남편을 만나 화려하지만 권태롭게 살아가고 있는 젊은 부인이다. 어느 날, 그녀는 자신의 짐을 들어준 계기로 이방인 같은 남자 프레드를 알게 된다. 사회의 모든 속박과 가식을 거부하는 자유로운 영혼 프레드는 엘레나의 생일 파티에 초대된다. 하지만 프레드는 마치 자신의 자유로움을 증명이라도 하듯 엘레나의 집에 있던 금고를 폭파시켜 버린다. 설상가상으로 그런 그의 모습에 반해버린 헬레나! 이제 파리의 미로 같은 지하철에서 경찰과 프레드, 그리고 엘레나와 그녀의 남편이 추격전을 벌인다. 과연 비상을 꿈꾸던 프레드의 탈출 시도는 성공하게 될까?...

A César award winning short drama film.

In the early 1960s, nearly 20 years since the Second World War ended, an Italian general, accompanied by a priest who is also an Italian army colonel, is sent to Albania to locate and collect the bones of his countrymen who had died during the war and return them for burial in Italy. As they go deeper into the Albanian countryside they find they are being followed by another general who is looking for the bodies of German soldiers killed in World War II.

Twenty-year old misfit François earns his living by gathering boxes and bottles to resell to local shopkeepers. He lives with his grossly insensitive mother and stepfather. Mado is a gawky 11-year old, who is neglected by her family because of the oddness of the way she expresses her affection. For reasons which never become clear, François kidnaps Mado, and takes her to live with him in the attic of his parents' home. Instead of feeling fear, Mado enters into the spirit of the abduction, and they joust with one another, increasingly finding love and comfort in their relationship. When the police come upon them, however, they put an entirely different interpretation on their behavior.