Maeve Murphy

참여 작품

Taking Stock
Producer
Kate is an out of work actress working in a shop, until that is, she is made redundant. In a week from hell Kate's boyfriend leaves her, the shop goes bust and rent and gas bills have not been paid. Inspired by the notorious outlaw Bonnie Parker, Kate gathers a gang from her shop assistant friends and comes up with a plot to rob the shop, but who is her Clyde?
Taking Stock
Screenplay
Kate is an out of work actress working in a shop, until that is, she is made redundant. In a week from hell Kate's boyfriend leaves her, the shop goes bust and rent and gas bills have not been paid. Inspired by the notorious outlaw Bonnie Parker, Kate gathers a gang from her shop assistant friends and comes up with a plot to rob the shop, but who is her Clyde?
Taking Stock
Director
Kate is an out of work actress working in a shop, until that is, she is made redundant. In a week from hell Kate's boyfriend leaves her, the shop goes bust and rent and gas bills have not been paid. Inspired by the notorious outlaw Bonnie Parker, Kate gathers a gang from her shop assistant friends and comes up with a plot to rob the shop, but who is her Clyde?
Beyond the Fire
Director
From tragedy comes a burning love, but can passion survive the torment of a sinister past
Silent Grace
Roisin
In 1976 the British Government put an end to the special category status of prisoners from the Provisional Irish Republican Army, no longer treating them as prisoners of war, but as common criminals. Mairéad Farrell - on whose life much of the film seems to be loosely based - was the first woman Republican to be refused political status in 1976. By 1980, when the film is set, Margaret Thatcher was Prime Minister and doggedly resolute: “There can be no question of political status for someone who is serving a sentence for crime. Crime is crime is crime.” Silent Grace seeks to capture the struggle for the restoration of political status that was at the heart of prison protests in Northern Ireland - not just by the more celebrated male prisoners - but by a smaller number of women prisoners, led by Farrell, at the Armagh Women’s Prison.
Silent Grace
Writer
In 1976 the British Government put an end to the special category status of prisoners from the Provisional Irish Republican Army, no longer treating them as prisoners of war, but as common criminals. Mairéad Farrell - on whose life much of the film seems to be loosely based - was the first woman Republican to be refused political status in 1976. By 1980, when the film is set, Margaret Thatcher was Prime Minister and doggedly resolute: “There can be no question of political status for someone who is serving a sentence for crime. Crime is crime is crime.” Silent Grace seeks to capture the struggle for the restoration of political status that was at the heart of prison protests in Northern Ireland - not just by the more celebrated male prisoners - but by a smaller number of women prisoners, led by Farrell, at the Armagh Women’s Prison.
Silent Grace
Director
In 1976 the British Government put an end to the special category status of prisoners from the Provisional Irish Republican Army, no longer treating them as prisoners of war, but as common criminals. Mairéad Farrell - on whose life much of the film seems to be loosely based - was the first woman Republican to be refused political status in 1976. By 1980, when the film is set, Margaret Thatcher was Prime Minister and doggedly resolute: “There can be no question of political status for someone who is serving a sentence for crime. Crime is crime is crime.” Silent Grace seeks to capture the struggle for the restoration of political status that was at the heart of prison protests in Northern Ireland - not just by the more celebrated male prisoners - but by a smaller number of women prisoners, led by Farrell, at the Armagh Women’s Prison.
Mrs Hartley and the Growth Centre
Vicar's Wife
When a shy young man arrives on her doorstep, Alice Hartley grabs the chance to escape from her loveless marriage. She and Michael open a Growth Centre with a difference - offering sex, drugs and personalised water births.