Emil Nofal

참여 작품

You Gotta Be Crazy!
Writer
This is a South African candid camera style movie.
You Gotta Be Crazy!
Director
This is a South African candid camera style movie.
You're in the Movies
Producer
52 comic sketches made using an "invisible camera" - a mosaic of characters and situations taken from life in South Africa.
You're in the Movies
Screenplay
52 comic sketches made using an "invisible camera" - a mosaic of characters and situations taken from life in South Africa.
You're in the Movies
Director
52 comic sketches made using an "invisible camera" - a mosaic of characters and situations taken from life in South Africa.
The Fifth Season
Producer
A motorcycle racer falls in love with a blind girl.
The Fifth Season
Writer
A motorcycle racer falls in love with a blind girl.
The Winners
Writer
In this sports-oriented drama from South Africa, a former Olympic marathon champion pushes his sons to be as successful in competition as he was and emphasizes victory above all else.
The Winners
Director
In this sports-oriented drama from South Africa, a former Olympic marathon champion pushes his sons to be as successful in competition as he was and emphasizes victory above all else.
The Candidate
Story
This multi-faceted drama, which depicts a group of intellectual Afrikaners struggling with pertinent moral, ethical and racial issues in apartheid South Africa, is widely acknowledged as one of Jans Rautenbach’s finest films.
Wild Season
Director
All the Way to Paris
TV Announcer
When the Russian and American delegates at a global peace conference can't compromise on a conflict, they find themselves tricked into settling the matter with a walking race from Athens to Paris, having hilarious misadventures along the way.
Kimberley Jim
Producer
A ramblin', gamblin', guitar-strummin' man from Dixie tries to strike it rich in the Kimberley diamond rush in 1880s South Africa.
Kimberley Jim
Writer
A ramblin', gamblin', guitar-strummin' man from Dixie tries to strike it rich in the Kimberley diamond rush in 1880s South Africa.
Kimberley Jim
Director
A ramblin', gamblin', guitar-strummin' man from Dixie tries to strike it rich in the Kimberley diamond rush in 1880s South Africa.
Lord Uncle Pete
Writer
Piet inherits the title of Lord from one of his forefathers, but wants to have it revoked as to not hamper his chances in the upcoming election. However, the only man who can revoke the title is his opponent, Sir David.
Rip van Wyk
Producer
Rip van Wyk, a slow-witted Afrikaner, is transported from the 1850s to 1959.
Rip van Wyk
Story
Rip van Wyk, a slow-witted Afrikaner, is transported from the 1850s to 1959.
Rip van Wyk
Screenplay
Rip van Wyk, a slow-witted Afrikaner, is transported from the 1850s to 1959.
Rip van Wyk
Director
Rip van Wyk, a slow-witted Afrikaner, is transported from the 1850s to 1959.
Keep The Shiny Side Face Up
Writer
"Alter egos and mirror images are eminent in this tale of woe and success starring the irrepressible Al Debbo in his prime. Klaas Haasbroek is a successful toy tester but is unable to convince his bosses that it is his uncanny predictive abilities that are responsible for the success of their products. His bosses, believing that it is his colleague Herman Engelbrecht who is doing all the good work, fire Klaas. It is now that Klaas´s mirror image begins motivating him." (Vetseun.co.za)
Keep The Shiny Side Face Up
Director
"Alter egos and mirror images are eminent in this tale of woe and success starring the irrepressible Al Debbo in his prime. Klaas Haasbroek is a successful toy tester but is unable to convince his bosses that it is his uncanny predictive abilities that are responsible for the success of their products. His bosses, believing that it is his colleague Herman Engelbrecht who is doing all the good work, fire Klaas. It is now that Klaas´s mirror image begins motivating him." (Vetseun.co.za)
Song of Africa
Director
fantasy tale about a young Zulu who leaves his village to go to the city, falls in love with the new music he hears there, and returns home to form a Zulu jazz band. The South African production and distribution company African Films followed up the success of Zonk! with Song of Africa. This is a fantasy tale about a young Zulu who leaves his village to go to the city, falls in love with the new music he hears there, and returns home to form a Zulu jazz band – which then goes to the city to compete with other bands, and comes out on top. As in the earlier films, the impact of American jazz and popular music is enormous. Like African Jim and Zonk!, Song of Africa draws on the best talent from the townships. Director Emil Nofal and director of photography Dave Millin ensure high production values, making it an above-average B-movie.