Deann Borshay Liem

In hopes of putting an end to the 70-year war that still does not have the peace treaty, a group of internationally renowned women peacemakers come together to plan a march to cross the Demilitarized Zone (DMZ) from North to South Korea. Veteran documentarian, Deann Borshay Liem, tells an exquisitely touching and crucial story that advocates for peace.

한국인으로 한국서 태어났지만 외국 부모 밑에서 외국인으로 살고 있는 입양인 4명의 정체성을 다룬 작품.

Arrested at 16 and tried as an adult for kidnapping and robbery, Eddy Zheng served over 20 years in California prisons and jails. Ben Wang’s BREATHIN’: THE EDDY ZHENG STORY paints an intimate portrait of Eddy—the prisoner, the immigrant, the son, the activist—on his journey to freedom, rehabilitation and redemption. BREATHIN’ moves with a deep, critical love, unafraid in confronting the hard truths of Eddy’s crime, the harsh realities of mass incarceration and the intertwined emotional hardships experienced by all involved. The film finds Eddy at many crossroads — in and out of parole hearings, organizing in the community, othered and at risk of deportation — his resilience and astounding compassion resounding throughout. In chronicling Eddy’s decades-long struggle for freedom, the film interrogates the complexities and hypocrisies of crime and punishment in the United States, raising the greater question: For whom are prisons for?

한국전쟁을 겪은 재미 한국인 생존자 4명의 지극히 개인적인 증언을 통해 군사 분쟁에 서의 인적 희생에 초점을 맞춘다. 대규모 폭격, 생존을 위한 매일의 투쟁, 휴전선으로 인한 가족과의 생이별 등 이들의 이야기는 관객을 전쟁의 궤적 속으로 끌어들인다. 수십 년 후, 생존자들은 북한의 친척과 상봉하게 되는데, 이 장면들은 말로 표현할 수 없는 가족 상실의 의미를 드러낸다. 이 영화는 총성이 그치면 전쟁도 끝난다는 개념이 착각에 불과함을 보여주며, 현재까지도 지속되고 있는 군사 분쟁 속에서 난민으로 살아갈 수밖에 없는 수 많은 이들의 미래를 예견하고 있다.

On Coal River takes viewers on a gripping emotional journey into the Coal River Valley of West Virginia — a community surrounded by lush mountains and a looming toxic threat. The film follows a former coal miner and his neighbors in a David-and-Goliath struggle for the future of their valley, their children, and life as they know it.

Her passport said she was Cha Jung Hee. She knew she was not. So began a 40-year deception for a Korean adoptee who came to the United States in 1966. Told to keep her true identity secret from her new American family, the 8-year-old girl quickly forgot she had ever been anyone else. But why had her identity been switched? And who was the real Cha Jung Hee? In the Matter of Cha Jung Hee is the search to find the answers, as acclaimed filmmaker Deann Borshay Liem ("First Person Plural," POV 2000) returns to her native Korea to find her "double," the mysterious girl whose place she took in America. A co-production of ITVS in association with the Center for Asian American Media and American Documentary/POV.

In 1966, Deann Borshay Liem was adopted by an American family and sent from Korea to her new home in California. There, the memory of her birth family was nearly obliterated, until recurring dreams led her to investigate her own past, and she discovered that her Korean mother was very much alive. Bravely uniting her biological and adoptive families, Borshay Liem embarks on a heartfelt journey in this acclaimed film that first premiered on POV in 2000. First Person Plural is a poignant essay on family, loss and the reconciling of two identities.

In 1966, Deann Borshay Liem was adopted by an American family and sent from Korea to her new home in California. There, the memory of her birth family was nearly obliterated, until recurring dreams led her to investigate her own past, and she discovered that her Korean mother was very much alive. Bravely uniting her biological and adoptive families, Borshay Liem embarks on a heartfelt journey in this acclaimed film that first premiered on POV in 2000. First Person Plural is a poignant essay on family, loss and the reconciling of two identities.

In 1966, Deann Borshay Liem was adopted by an American family and sent from Korea to her new home in California. There, the memory of her birth family was nearly obliterated, until recurring dreams led her to investigate her own past, and she discovered that her Korean mother was very much alive. Bravely uniting her biological and adoptive families, Borshay Liem embarks on a heartfelt journey in this acclaimed film that first premiered on POV in 2000. First Person Plural is a poignant essay on family, loss and the reconciling of two identities.