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La parrucchiera
Director of Photography
And They Call It Summer
Director of Photography
Dino and Anna are a couple in their forties. Their relationship is hardly conventional: in fact, it is unconsummated. Dino gets out of it, gratifying himself with prostitutes and swingers. He reaches his nadir when he looks up Anna’s old boyfriends to ask about their sexual relations with her, and even begs them to take her back, as a way to end their relationship. Anna can’t find a way out herself; she can’t bring herself to end this one-of-a-kind, tormented love affair. In the end, Dino’s angst is what makes her feel loved, feel unique. No solution seems to be waiting in the wings.
Anche se è amore non si vede
Director of Photography
Salvo and Valentino are two Sicilian friends who have moved to Turin, and now run a small business together. They drive foreign tourists around in a double-decker bus, and Salvo always tries to approach the pretty girls.
Weddings and Other Disasters
Director of Photography
Romantically disillusioned woman finds herself organising her sister's wedding. Cue romantic mismatching and shenanigans...
Fallen Heroes
Director of Photography
Forty year-old Bruno Ledeux, seen sitting across from the doctor, gives the impression of a man who is no longer young but not yet old.Condemned to remain nothing more than a son, he begins his downward slide, as if a fog had shut him in a cage from which there is no escape. Bruno can never have children .He says nothing about this diagnosis to Anne, his beloved wife. Nor does he tell her about a large debt he has taken out. It is as if Bruno were a man without any qualities or talents. A mediocre man who has lost all pride. Though now everything appears hazy in his memory. Like a river that flows peacefully, showing no signs of the hidden currents at work below. But at times those currents can return to the surface. Without warning.
The Scent of Blood
Director of Photography
A couple of bourgeois intellectuals, Carlo and Silvia, have been married for twenty years. While she lives in their flat in Rome, he spends most of his time in the country house where he writes his books, openly living with his younger lover, Lù. In return, Carlo has long accepted that her wife may have lovers, but her volatile relationship with a young neo-fascist suddenly rekindles his jealousy.
The Three-Legged Fox
Director of Photography
Too Short For Sky
Cinematography
An elderly man stands near a swimming pool, looking at a photo of two teenagers, with both tenderness and melancholy. His memories arise as a mixture of reality and dreams. The two young boys, who had served together during the Second World War, meet in a hotel many years later. Their meeting leads to the revival of a love that never died and is now renewed.
Luparella
Writer
Luparella
Director of Photography
Autunno
Cinematography
Three stories that provide an irony-laden analysis of the Neapolitan bourgeoisie and of small-time intellectualism and aspiration.
The Vesuvians
Director of Photography
Five Neapolitan directors depict life in the city under the shadow of Mount Vesuvius for this anthology film of comedy, drama, surrealism, and political commentary.
Troubling Love
Still Photographer
When her elderly mother is found dead under sordid circumstances, Delia returns to her native Naples for the first time in years to attend the funeral. Trying to piece together her estranged mother's secret life, she has to face the hidden memories that shaped their family history.
Death of a Neapolitan Mathematician
Still Photographer
Naples, 1959. Pure Mathematics professor Renato Caccioppoli, Bakunin's grandson, is a tortured soul. Recently discharged from the psychiatric hospital, left by his wife, and increasingly disillusioned with academia and the Communist Party, he lives his last days with painful detachment.
Death of a Neapolitan Mathematician
Assistant
Naples, 1959. Pure Mathematics professor Renato Caccioppoli, Bakunin's grandson, is a tortured soul. Recently discharged from the psychiatric hospital, left by his wife, and increasingly disillusioned with academia and the Communist Party, he lives his last days with painful detachment.