Mirella Pascual

Felipe is a teenager from La Paloma who attends an acting workshop behind the back of his mother, who opposes him becoming an actor. When the opportunity arises to attend a casting in Montevideo, Felipe escapes by bus for the day, but when he succeeds and finds it necessary to extend his stay, his lie gets out of hand.

Guillermo travels to the countryside to take care of Héctor, his sick father for three nights. Upon his arrival, Guillermo finds that Héctor's condition changes at night, in which, in turn, something coming from the sky seems to approach.

Clara, a widow in the twilight of her life, spends her days lonely. She invites someone dear to her to share a barbecue together. However, his delay will undo her plans, and her ritual around the preparation will unstabilize itself.

An ex-convict returns home in search of a new life and a chance to reconnect with his estranged young daughter, only to be met with resistance from his father-in-law - an influential pastor in the Evangelical community in town.

임시직을 전전하는 세바스티안은 그의 개에게 헌신적인 30대 평범한 남성이다. 그는 평범한 성인들의 삶의 리듬대로 사랑, 이별, 결혼, 그리고 부모 되기 등의 단계를 밟아 나간다. 자신이 할 수 있는 최선을 다해 세상에 적응하기 위해 노력해 온 세바스티안에게 생의 순간순간은 풀어야 할 숙제의 연속이다. 그러던 어느 날, 알 수 없는 바이러스가 전파된다. 이 바이러스에 오염된 공기는 인간의 상체 부근에 머물며, 보호장비 없이 그 공기를 마신 사람들을 죽인다. 이제 사람들은 우주인을 연상시키는 유리구를 머리에 쓰고서만 직립 보행을 할 수 있다. 하지만 높은 가격대로 인해 세상은 유리구를 갖춘 사람들이 직립 보행을 하는 세상과 유리구가 없는 사람들이 쪼그리고 앉아 보행하는 세상, 둘로 나뉜다. 이 영화는 풍부한 반추적 은유들을 통해 부의 양극화가 더욱 심화되고 있는 코로나 팬데믹 시대의 평범한 사람들의 쓸쓸한 자화상이 된다.

The death of patriarch Alfredo sends his heirs into a downward spiral. With the pending sale of their beach house, a repository of childhood memories, three siblings’ long-simmering resentments are brought to a full boil. Alternating between moments of laugh-out-loud absurdity and stirring beauty, Alelí is a knowing black comedy about a dysfunctional family that seems willing to set everything on fire.

1973년 9월, 군부독재에 맞선 투파마로 게릴라단은 급습을 당하고 투옥된다. 그들은 연이은 고문을 참아내고 자유에의 갈망을 안은 채 12년의 감옥 생활을 이겨내야 한다. 우루과이 전 대통령인 호세‘ 페페’ 무히카 등 실존인물들의 삶을 바탕으로 한 감동의 정치 드라마.

A robber regrets having brutally hit an elderly woman in order to snatch off her handbag and attempts to make up for the damage he inflicted. But his past deeds as moto-snatcher hunt him, keeping him from re-starting his life anew.

Nico is a famous actor in Argentina, but in New York, nobody takes notice. He needs to juggle bartending, babysitting and odd jobs to keep himself afloat. But when old friends from Buenos Aires come to visit, he needs to juggle the image of his old life with the reality of the struggling actor in New York City.

자신의 집에서 성폭행을 당한 후 남편에게 그 사실을 말하지 않기로 한 아내. 남편에게 남모르는 근심과 복수 계획이 있다는 건 알지 못한다.

While her filmmaker husband works in Chile, harried young mother Liz struggles to take care of her infant son. Feeling out of place amongst the tight-knit group of other parents at the park, doubted by her husband, and judged by her newly hired nanny, Liz is drawn to factory worker Rosa, a plain-talking single mother she meets at the swings one day. Despite Liz’s liberation upon finding a bold new confidante, the friends’ increasingly apparent class differences, along with swirling rumors about Rosa’s motives and muddy family situation, feed Liz’s suspicions that her new pal might be a sinister influence on her already fragile life.

A hot summer. A private district with an enormous park. An abandoned plot of land in the suburbs and an uncontrollable wave of smoke spark uncertainty and chaos.

Leandro and Silvina, a young and successful middle-class couple, are experiencing the happiest time of their lives. But the sudden appearance of Leandro's daughter from another relationship, destabilizes the couple revealing hitherto unknown differences.

개기일식이 예고된 어느 날, 유능한 변호사 마르가는 임대하려 내 놓은 아파트 앞에서 기다리던 부동산 업자를 만난다. 빈 아파트에서 같이 임대인을 기다리는 중 마르가에게 이상한 일이 연달아 일어나고, 길거리 노숙자는 위험을 경고하는데... (2012년 16회 부천국제판타스틱영화제)

Miss Tacuarembó is a unique mixture of drama, comedy, musical with touches of parody and nostalgia which for its beautiful narration will attract many open-minded viewers not only in Latin American world. The story of Natalia, the main hero, and her life's struggles is shown in different three eras of her life.

Leo, a young man coming to terms with his own sexuality, runs into Caro, a primary school friend he fancied when they were kids, who's now trying to ward off her own personal demons. This casual re-encounter will affect their personal conflicts without either truly grasping the other's problem.

Young Jorgelina feels estranged from her boy-crazy older sister, who has entered adolescence and doesn't want to hang around with little kids anymore. Finding refuge in their Boyita camper-van, Jorgelina travels with her father to the countryside, where her lifelong playmate Mario is undergoing some unexpected changes.

When his long-lost brother resurfaces, Jacobo, desperate to prove his life has added up to something, looks to scrounge up a wife. He turns to Marta, an employee at his sock factory, with whom he has a prickly relationship.