Artavazd Peleshian

Artavazd Peleshian

출생 : 1938-02-22, Leninakan, Armenian SSR, USSR

약력

Creator of the "distange montage," Artavazd Peleshian, one of the key Soviet documentarians, removed the boundaries of feature and documentary films, editing both sequences as a real poetical unity. His "distange montage" was a new step in the development of film editing. Even his student works (The Earth of the People 1966 and the Beginning 1967) shot at VGIK, the oldest film school in Moscow, Russia, were awarded numerous prizes and he gained recognition among filmmakers. Alongside his very successful solo career, Peleshian was invited to direct archive footage by such masters as Lev Kulidzhanov for Zvyozdnaya minuta (1972) and Andrey Konchalovskiy for Siberiada (1979). Mikhail Vartanov directed Osennyaya pastoral (1971) from Peleshian's screenplay. Artavazd Peleshian is the author of a range of theoretical works, including his 1988 book "Moyo kino" ("My Cinema"). Some of the most important works of Armenia's documentary cinema include Sergei Parajanov's Hakob Hovnatanyan (1967), Mikhail Vartanov's Parajanov: The Last Spring (1992) and Artavazd Peleshian's Vremena goda (1975).

프로필 사진

Artavazd Peleshian

참여 작품

대자연
Editor
대자연이라는 간결한 제목의 영화로 돌아온 펠레시안은 그의 작업의 중심을 이루는 인간 공동체와 자연의 미묘한 동거라는 주제를 또다시 파고든다. 능히 인간의 모든 야망을 다스릴 수 있는 자연의 우월성을 단호하게 전하는 시각적 애가(哀歌)다.
대자연
Director
대자연이라는 간결한 제목의 영화로 돌아온 펠레시안은 그의 작업의 중심을 이루는 인간 공동체와 자연의 미묘한 동거라는 주제를 또다시 파고든다. 능히 인간의 모든 야망을 다스릴 수 있는 자연의 우월성을 단호하게 전하는 시각적 애가(哀歌)다.
The Silence of Pelešjan
Himself
A documentary about the Armenian avant-garde filmmaker, Artavazd Pelešjan.
Life
Writer
Poetic essay about the beginning of life from labor pains and birth and about its symbolic meaning.
Life
Director
Poetic essay about the beginning of life from labor pains and birth and about its symbolic meaning.
End
Editor
Peleshian transforms footage from a train ride into a metaphor for the shape of a life. Early images of faces on the train give way to landscape, a journey through a black tunnel, and a final emergence into pure white light.
End
Director
Peleshian transforms footage from a train ride into a metaphor for the shape of a life. Early images of faces on the train give way to landscape, a journey through a black tunnel, and a final emergence into pure white light.
God in Russia
Director
The film tells about the most significant church holidays and religious rites.
Our Century
Writer
A man paves his own way to his own soul through an intellectual quest, tragedies of nations and personal drama. The road moving through the cosmic distances is a flight into one's internal world. This flight and this drama are revealed in this philosophical film-poem.
Our Century
Editor
A man paves his own way to his own soul through an intellectual quest, tragedies of nations and personal drama. The road moving through the cosmic distances is a flight into one's internal world. This flight and this drama are revealed in this philosophical film-poem.
Our Century
Director
A man paves his own way to his own soul through an intellectual quest, tragedies of nations and personal drama. The road moving through the cosmic distances is a flight into one's internal world. This flight and this drama are revealed in this philosophical film-poem.
Siberiade
Editor
The story about a very small god-forgotten village in Siberia reflects the history of Russia from the beginning of the century till early 80s. Three generations try to find the land of happiness and to give it to the people. One builds the road through taiga to the star over horizon, the second 'build communism' and the third searches for oil. The oil is found but the destruction of the old cemetry and everything the people of the village cared for followed to get the 'black treasure' of Siberia.
Seasons of the Year
Writer
The last collaboration of Artavazd Peleshian and cinematographer Mikhail Vartanov is a film-essay about Armenia's shepherds, about the contradiction and the harmony between man and nature, scored to Vivaldi's Four Seasons.
Seasons of the Year
Director
The last collaboration of Artavazd Peleshian and cinematographer Mikhail Vartanov is a film-essay about Armenia's shepherds, about the contradiction and the harmony between man and nature, scored to Vivaldi's Four Seasons.
Starlit Minute
Co-Director
A film from which you can learn about the first progress of the USSR in space exploration, as well as about the achievements of Yuri Gagarin, the world famous first cosmonaut, who was the very first to conquer the depths of space. This is an educational documentary film for people of all ages. And for those who are nostalgic about the past, and for those who want to learn more about space and its conquest.
Inhabitants
Editor
Inhabitants depicts animals in panic: the film is mostly filled with shots of mass migrations and stampedes (some, surprisingly, filmed from a helicopter). The title equalizes the species of the earth. Artavazd Peleshian merely alludes to the presence of human beings—a few silhouettes that seem to be the cause of these vast, anxious movements of animal fear. In many ways, this film is an ode to the animal world that moves toward formal abstraction, with clouds of silver birds pulverizing light. Peleshian said, “It’s hard to give a verbal synopsis of these films. Such films exist only on the screen, you have to see them.”
Inhabitants
Director
Inhabitants depicts animals in panic: the film is mostly filled with shots of mass migrations and stampedes (some, surprisingly, filmed from a helicopter). The title equalizes the species of the earth. Artavazd Peleshian merely alludes to the presence of human beings—a few silhouettes that seem to be the cause of these vast, anxious movements of animal fear. In many ways, this film is an ode to the animal world that moves toward formal abstraction, with clouds of silver birds pulverizing light. Peleshian said, “It’s hard to give a verbal synopsis of these films. Such films exist only on the screen, you have to see them.”
We Are, Our Mountains
Revaz
Calm of the mountain village is disturbed by the investigation on stray sheep. Four shephards, living in Armenian highlands, cut a stray sheep for a dinner. Revaz, their neighbour and owner of the sheep, soon appears. Shephards even manage to agree on "ransom" but novice police lieutenant interferes with the deal trying to start an official investigation.
We
Writer
Monumental picture exploring the identity and fate of the Armenian nation.
We
Director
Monumental picture exploring the identity and fate of the Armenian nation.
Beginning
Editor
Philosophical essay about the October Revolution of 1917 in Russia, its influence on the destiny of the world in the 20th century.
Beginning
Director
Philosophical essay about the October Revolution of 1917 in Russia, its influence on the destiny of the world in the 20th century.
The Land of the People
Writer
This is the subject of ongoing discovery of the beauty of the world, that man makes in his life and in his work, which is being developed as part of a big city, presented during a day's work. This film starts and ends with the rotating image of the sculpture of Rodin the Thinker; this famous sculpture has long since become the symbol of the unchanging expression of human thought.
The Land of the People
Director
This is the subject of ongoing discovery of the beauty of the world, that man makes in his life and in his work, which is being developed as part of a big city, presented during a day's work. This film starts and ends with the rotating image of the sculpture of Rodin the Thinker; this famous sculpture has long since become the symbol of the unchanging expression of human thought.
Mountain Vigil
Editor
Poetic film about the struggle of man's will and muscles against nature, about the rock-climbers who prevent landslides and eliminate their consequences.
Mountain Vigil
Director
Poetic film about the struggle of man's will and muscles against nature, about the rock-climbers who prevent landslides and eliminate their consequences.