Producer
송환법(범죄인 인도법)으로 촉발된 홍콩 시위대의 투쟁은 지난 2019년 7월 1일 입법회 건물을 점거하면서 하나의 변곡점을 맞았다. 뜨거웠던 지난 여름, 당시 현장을 함께 지킨 카메라가 담아낸 날 것의 장면들과 입법회를 점거하던 순간의 장면들을 고스란히 담아낸 의미 있는 기록. 이후의 과정을 여전히 담고 있기 때문에, 이번에는 제작단계의 버전을 공개한다.
Director
송환법(범죄인 인도법)으로 촉발된 홍콩 시위대의 투쟁은 지난 2019년 7월 1일 입법회 건물을 점거하면서 하나의 변곡점을 맞았다. 뜨거웠던 지난 여름, 당시 현장을 함께 지킨 카메라가 담아낸 날 것의 장면들과 입법회를 점거하던 순간의 장면들을 고스란히 담아낸 의미 있는 기록. 이후의 과정을 여전히 담고 있기 때문에, 이번에는 제작단계의 버전을 공개한다.
Director of Photography
The film charts the origins of the Umbrella Movement through the eyes of the activists and ordinary people who made it happen. From the June 4th Candlelit Vigil until September 28th, this documentary puts us at the heart of the action, allowing us to experiencing the highs and lows of that remarkable summer, when Hong Kong witnessed a "blossoming of democracy."
Producer
The film charts the origins of the Umbrella Movement through the eyes of the activists and ordinary people who made it happen. From the June 4th Candlelit Vigil until September 28th, this documentary puts us at the heart of the action, allowing us to experiencing the highs and lows of that remarkable summer, when Hong Kong witnessed a "blossoming of democracy."
Director
Late in 2011, Wukan, a village in southern China, captured international attention when demonstrators flooded the streets, rebelling against decades of corrupt rule. Despite the hurdles, the unthinkable happened in Wukan - the village committee fell and democratic elections were announced. But, what happens after a successful uprising? WUKAN: THE FLAME OF DEMOCRACY follows the challenges faced by a rural Chinese community after adopting a new political system.
Director
Welcome to Hollywood, Kim Jong-il style. For the first time, foreign cameras are allowed into the world’s most secretive state’s only film school. In a country where film is a vital propaganda tool, not entertainment, what room is there for artistic expression? Very little. Filmmakers James Leong and Lynn Lee follow two young actors and a director, handpicked by the regime to become stars, as they hone their craft. Every scene of implored love for the state, each painstaking rehearsal, even a surprise lesson in how to frame a portrait of Kim Jong-un raises the question of whether a gun, either literal or metaphorical, is pointed at the actors from the ever-watchful sidelines. We are never certain whether its rank and file toe the party line with anything like the willingness evinced by the privileged protagonists. Searing critique, objective observation or just fantastic fun, this is an irresistible glimpse behind barbed wire.
Producer
The film documents the lives of several Passabe residents five years after the violence, including the life of one admitted former militia member, and chronicles the ways in which the community has come to terms with what happened, after it was the site of a massacre of East Timor by pro-Indonesia militias in the follow-up to the 1999 referendum for East Timor's independence.
Director
The film documents the lives of several Passabe residents five years after the violence, including the life of one admitted former militia member, and chronicles the ways in which the community has come to terms with what happened, after it was the site of a massacre of East Timor by pro-Indonesia militias in the follow-up to the 1999 referendum for East Timor's independence.
