German language version of The Virtuous Sin (1930).
Joachim Schlaeger
Hanns von Hagen
Crown Prince Rudolph
Oberleutnant Hihalom
Heinz Reichert
Valentin von Zanten
Love entanglements among the upper class of Paris. The young upper-class Parisian Valentin van Zanten has a luxurious lunch-density dinner with the flirtatious Inez Maria, when the "friend" shows up and interferes with his own and successful pre-man manners.
Dierks
Erik
Aage Adelström
Vinicius
"The Roman Banquet, the golden glories, the unrivaled luxuries, the wine, the dance, the song, the beautiful women, the sumptuous splendors that taxed a barbaric world for a night of feasting and revel-- Re-created for your entertainment in the most colossal drama produced", reads an ad in the Daily Argus of New York. Unione Cinematografica Italiana's lavish production of the oft-told tale stars Emil Jannings as Nero.
Raymond Duval
Blanche Benton is out on her morning ride with horse and carriage, when an automobile shows up and scares the horse. The driver in the car manages to intervene and takes Blanche to her home.
Alfonso, Prinz von Arragon
Rodrigo Borgia, Pope Alexander VI, has three adult children: Juan, who is virtuous and has a sweetheart who is a woman of the people, Lucrezia, who is virtuous and wants to marry Alfonso, and Cesare, who is wicked and lusts after Lucrezia, Juan's girlfriend, and probably others. Cesare has vowed to kill any suitor for Lucrezia's love, and he has three thugs to carry out his wishes. Bodies fall into the Tiber, into the Colosseum (with lions prowling), and onto the Vatican floors.
The actor Edmund Kean, adored by his fans and critics, makes another brilliant performance. The young Anna Danby clings to his lips. But Kean has a liaison with a married woman.
Dimitri Truchatschewski
Edward Stephenson
A young poor girl falls in love with a rich heir.
Vermeer
Murder in a suburban hotel: suspect is the British upper-class-woman Dorothy who’s accused of murdering her husband – a fraud who gained wealth with shoddy tricks. Dorothy’s memories unveil piece by piece the prelude to this act of desperation.
The focus of the story is on the relation between the femme fatale and an escaped prisoner, who manages to save himself from the clutches of the vamp in the very last minute (no spoiler, the end of the film is missing!). A dream reveals to him the real nature of duchess Leda Orlonia/geisha/marchesa Rochefou, and he decides to leave the ‘woman with the many names’ for a kind-hearted and decent American girl.