Margarida Cordeiro

두 감독의 영화 중 가장 덜 알려졌지만 가장 실험적이고 문학적인 작품. 감독은 카프카와 몽테뉴 등의 작업에서 텍스트를 빌려온 다음 이를 원초적인 자연의 이미지와 함께 제시한다. 사람들은 과거와 현재를 오가며 사색에 잠긴다. (2015년 시네마테크 포르투갈 특별전 - 주앙 페드로 베르나르 다 코스타와 포르투갈 영화)

두 감독의 영화 중 가장 덜 알려졌지만 가장 실험적이고 문학적인 작품. 감독은 카프카와 몽테뉴 등의 작업에서 텍스트를 빌려온 다음 이를 원초적인 자연의 이미지와 함께 제시한다. 사람들은 과거와 현재를 오가며 사색에 잠긴다. (2015년 시네마테크 포르투갈 특별전 - 주앙 페드로 베르나르 다 코스타와 포르투갈 영화)

두 감독의 영화 중 가장 덜 알려졌지만 가장 실험적이고 문학적인 작품. 감독은 카프카와 몽테뉴 등의 작업에서 텍스트를 빌려온 다음 이를 원초적인 자연의 이미지와 함께 제시한다. 사람들은 과거와 현재를 오가며 사색에 잠긴다. (2015년 시네마테크 포르투갈 특별전 - 주앙 페드로 베르나르 다 코스타와 포르투갈 영화)

두 감독의 영화 중 가장 덜 알려졌지만 가장 실험적이고 문학적인 작품. 감독은 카프카와 몽테뉴 등의 작업에서 텍스트를 빌려온 다음 이를 원초적인 자연의 이미지와 함께 제시한다. 사람들은 과거와 현재를 오가며 사색에 잠긴다. (2015년 시네마테크 포르투갈 특별전 - 주앙 페드로 베르나르 다 코스타와 포르투갈 영화)

Ana combines straight-on documentary technique with unexpected flights of dreamlike surrealism. The title character, played by Ana Maria Martins Guerra, is a young Portuguese girl who lives with her grandmother. Through their relationship, we are witness to the Cycle of Life: Grandmother takes care of granddaughter until granddaughter is obliged to do same for grandmother. The scenes between the two protagonists are counterpointed with impressionistic camera compositions based upon famous religious paintings. Ana was impressive enough to earn an American art-house release, a rarity for independently produced Portuguese films.

Ana combines straight-on documentary technique with unexpected flights of dreamlike surrealism. The title character, played by Ana Maria Martins Guerra, is a young Portuguese girl who lives with her grandmother. Through their relationship, we are witness to the Cycle of Life: Grandmother takes care of granddaughter until granddaughter is obliged to do same for grandmother. The scenes between the two protagonists are counterpointed with impressionistic camera compositions based upon famous religious paintings. Ana was impressive enough to earn an American art-house release, a rarity for independently produced Portuguese films.

Ana combines straight-on documentary technique with unexpected flights of dreamlike surrealism. The title character, played by Ana Maria Martins Guerra, is a young Portuguese girl who lives with her grandmother. Through their relationship, we are witness to the Cycle of Life: Grandmother takes care of granddaughter until granddaughter is obliged to do same for grandmother. The scenes between the two protagonists are counterpointed with impressionistic camera compositions based upon famous religious paintings. Ana was impressive enough to earn an American art-house release, a rarity for independently produced Portuguese films.

Ana combines straight-on documentary technique with unexpected flights of dreamlike surrealism. The title character, played by Ana Maria Martins Guerra, is a young Portuguese girl who lives with her grandmother. Through their relationship, we are witness to the Cycle of Life: Grandmother takes care of granddaughter until granddaughter is obliged to do same for grandmother. The scenes between the two protagonists are counterpointed with impressionistic camera compositions based upon famous religious paintings. Ana was impressive enough to earn an American art-house release, a rarity for independently produced Portuguese films.

Ana combines straight-on documentary technique with unexpected flights of dreamlike surrealism. The title character, played by Ana Maria Martins Guerra, is a young Portuguese girl who lives with her grandmother. Through their relationship, we are witness to the Cycle of Life: Grandmother takes care of granddaughter until granddaughter is obliged to do same for grandmother. The scenes between the two protagonists are counterpointed with impressionistic camera compositions based upon famous religious paintings. Ana was impressive enough to earn an American art-house release, a rarity for independently produced Portuguese films.

Reis and Cordeiro’s undisputable masterpiece exploded the meaning and possibilities of ethnographic cinema with its lyrical exploration of the still resonant myths and legends embodied in the people and landscapes of Portugal’s remote Trás-os-Montes region.

Reis and Cordeiro’s undisputable masterpiece exploded the meaning and possibilities of ethnographic cinema with its lyrical exploration of the still resonant myths and legends embodied in the people and landscapes of Portugal’s remote Trás-os-Montes region.

Reis and Cordeiro’s undisputable masterpiece exploded the meaning and possibilities of ethnographic cinema with its lyrical exploration of the still resonant myths and legends embodied in the people and landscapes of Portugal’s remote Trás-os-Montes region.

Reis and Cordeiro’s undisputable masterpiece exploded the meaning and possibilities of ethnographic cinema with its lyrical exploration of the still resonant myths and legends embodied in the people and landscapes of Portugal’s remote Trás-os-Montes region.

Jaime, a poem of suffering and loneliness, describes the existence and pictorial work of a man isolated in a psychiatric hospital.

Jaime, a poem of suffering and loneliness, describes the existence and pictorial work of a man isolated in a psychiatric hospital.

Jaime, a poem of suffering and loneliness, describes the existence and pictorial work of a man isolated in a psychiatric hospital.