Katharina Spiering

A Russian emigrant in Scandinavia sends her son to school, but he does not return. In search of a child, she finds herself in a dead end: according to the laws of the "new" juvenile justice, her son is the property of the state.

After 13 years, Sonja and Marc have separated. The love was lost to them like other people a stick or hat. To sell their weekend home, the two embark on a final trip together. Along the way, they realize that by far not all is said and that they still feel connected to each other - despite all the injuries and blame. When the planned sale is delayed, they have to spend the night in their house. It is their last chance to find answers to all the questions that are better asked late than never.

16-year-old Jonas is in love with his best friend Isy, but she likes older boys. When Isy takes drugs at a party and loses control in the intoxication, Jonas friends Lenny and Martin make fun of it with Jonas. But then the situation escalates and the three boys rape the unconscious girl.

세상에 눈 감은 천재 작가 그리고 현실에 눈을 뜬 여자 사고로 아내와 시력을 잃은 베스트셀러 작가 ‘빌’ 그 이후 집필을 중단하고 더 까칠해진 그에게 만만치 않은 새 봉사자 ‘수잔’이 배정된다. 펜트하우스, 다이아몬드 반지, 상류층 파티 화려한 삶을 사는 ‘수잔’은 범죄에 연루되어 사회봉사를 선고받고 그곳에서 ‘빌’을 마주하게 된다. 고집 센 그에게 지지 않고 당차게 맞서는 그녀 서로에게 점차 다가가는 두 사람은 삶의 빛을 되찾기 시작하는데…

Charleen is 15, melodramatic, mega depressed, and Kurt Cobain’s biggest fan. Her best friend Isa is getting really boring, her dad is out of the picture, and her mom has hooked up with her biology teacher. Even though she has an apprenticeship preparing bodies for funerals, which is pretty cool, her musical idols are all dead. It’s about time Charleen was, too.

An African-German Author loses his memory and is used by a modern National Socialist Party as promotion-figure for more political power over Germany.

Rebecca and Bruno meet in a bar, in a not particularly happy moment of their life, and they start dating. They consider themselves just friends and talk to each other about everything. But if Rebecca stops being so worried about what the bourgeoisie might think and say, and if Bruno realizes he can't live without Rebecca, they will both understand reality.

Each year in June, Bavarian housewife Elke Richter visits family in Halle, in the GDR. There she meets family friend Gregor Pohl, a married carpenter, and they begin having an affair. After her family stops the annual visits due to the husband's promotion in the communist regime, the adulterous couple arranges to meet on other holidays. After Gorbachev's Glasnost leads to the fall of the Iron Curtain, everything changes, and Gregor chooses to emigrate to Canada.

Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.

1945년 봄 연합군의 폭격 후 독일의 저항은 붕괴된다. 나치였던 아버지는 자살하고 어머니가 감옥에 간 뒤 로어는 여동생 리즐, 쌍둥이 남동생 귄터와 위르겐 그리고 막내 페터와 함께 남겨진다. 그들은 살아남기 위해 전쟁의 상흔으로 피폐해진 독일 땅을 가로질러 900km 떨어진 북부지역의 할머니 집으로 가야만 한다. 패배한 조국의 혼돈을 목격하면서 로어는 신비스러운 분위기의 젊은 유태인 난민 토마스를 만난다. 환영 받지 못한 채 토마스는 로어의 가족을 따라가게 되고 로어는 혐오와 열망이 교차하는 미묘한 감정을 느낀다. 유태인인 토마스에 대해 로어는 저항과 편치 못할 친절함을 느끼지만 토마스의 도움을 받아가며 점차적으로 로어와 그녀의 동생들은 가까워진다. 하지만 로어가 토마스를 믿어야 할까? 믿지 않는다면 그녀의 동생들은 어떻게 될까? 그들은 살아남을 수 있을까? 로어는 전쟁 후 황폐화된 현실을 직시하며 사랑, 죄 그리고 용서의 본질에 대해 다시 생각하게 된다.

German film.