Gustavo Biazzi

임시직을 전전하는 세바스티안은 그의 개에게 헌신적인 30대 평범한 남성이다. 그는 평범한 성인들의 삶의 리듬대로 사랑, 이별, 결혼, 그리고 부모 되기 등의 단계를 밟아 나간다. 자신이 할 수 있는 최선을 다해 세상에 적응하기 위해 노력해 온 세바스티안에게 생의 순간순간은 풀어야 할 숙제의 연속이다. 그러던 어느 날, 알 수 없는 바이러스가 전파된다. 이 바이러스에 오염된 공기는 인간의 상체 부근에 머물며, 보호장비 없이 그 공기를 마신 사람들을 죽인다. 이제 사람들은 우주인을 연상시키는 유리구를 머리에 쓰고서만 직립 보행을 할 수 있다. 하지만 높은 가격대로 인해 세상은 유리구를 갖춘 사람들이 직립 보행을 하는 세상과 유리구가 없는 사람들이 쪼그리고 앉아 보행하는 세상, 둘로 나뉜다. 이 영화는 풍부한 반추적 은유들을 통해 부의 양극화가 더욱 심화되고 있는 코로나 팬데믹 시대의 평범한 사람들의 쓸쓸한 자화상이 된다.

María Fernanda and Roberto have a tortuous relationship: they spend most of their day fighting. Problem is, their fights irradiate a laziness wave that overcomes little by little all of humanity. Both of them will have no other choice but to work out their problematic relationship, before the Laziness Wave destroys the world.

Inspired by true events, the film recounts the story of the most notorious serial rapist in the history of Argentina, who lived in the college city of Córdoba, where he attacked more than 93 women between 1985 and 2004 while he held a parallel life as a dedicated husband and father.

마르코스는 야간응급병동의 베테랑 간호사로 수간호사 진급을 눈앞에 두고 있다. 하지만 그에게는 비밀이 하나 있다. 고통 속에 삶을 연명해나가는 환자들을 위해 몰래 안락사를 자행하고 있는 것. 신입간호사인 젊은 가브리엘이 마르코스에게 가깝게 다가오면서 아무도 모르는 그의 비밀은 마르코스를 점점 옥죄고 그는 가브리엘에 대한 뒷조사를 시작한다.

It’s 1955. Rosa a skillful seamstress becomes the only witness of a murder. In a time of political tension in Argentina, the crime’s investigation will trigger the final resolution of the conflict and sealed Rosa’s destiny for good. A typical crime film with the exception that the detective is a housewife.

A man wakes up in a world where water has disappeared. Everyone else, however, acts like nothing has happened.

Rudy, son of victims of the dictatorship in Argentina, and Maru, daughter of the perpetrator, are inheritors of a tragic and bloody history that separates them, but the destiny seems to be determined to unite them.

A recently separated Argentinian man and woman, with their two teenage children, go on a family holiday to Florianópolis, Brazil, where they become delightfully and problematically involved with the family from whom they rent a house.

Rodrigo lives in Córdoba. He runs and manages his dad's cabins for tourists. Summer is around the corner. One day he meets seventeen year old Juan, who has just arrived into town all the way from Buenos Aires.

Despite his long-term relationship, Ernesto also has a fleeting romance with a blonde. Only when he is in danger of losing Paula, through his constant flirting with other women, does he see the consequences of his immature behaviour. In a calm tempo, with meticulous camerawork, the film subtly evokes a mood of nostalgia for a carefree adolescence from which Ernesto and his friends have difficulty taking their leave.

Despite his long-term relationship, Ernesto also has a fleeting romance with a blonde. Only when he is in danger of losing Paula, through his constant flirting with other women, does he see the consequences of his immature behaviour. In a calm tempo, with meticulous camerawork, the film subtly evokes a mood of nostalgia for a carefree adolescence from which Ernesto and his friends have difficulty taking their leave.

Despite his long-term relationship, Ernesto also has a fleeting romance with a blonde. Only when he is in danger of losing Paula, through his constant flirting with other women, does he see the consequences of his immature behaviour. In a calm tempo, with meticulous camerawork, the film subtly evokes a mood of nostalgia for a carefree adolescence from which Ernesto and his friends have difficulty taking their leave.

스페인, 우루과이, 아르헨티나에 사는 세 명의 은퇴 여성들의 삶에 관해 이야기한다. 그들이 매일같이 영화관에 가서 접하는 영화 속 이야기는 마치 물방울이 떨어지듯 그들 삶에 파문을 일으키고, 그들 기억에 흔적을 남긴다.

Martin moves around Buenos Aires at night, picking up guys, going to clubs, scoring drugs and having sex. Sometimes he’s paying and sometimes his trans sex-worker friend or another woman takes him along for a threesome.

In 1969 Argentine filmmaker Hugo Santiago directed Invasión, his opera prima, written by Jorge Luis Borges and Adolfo Bioy Casares, and later settled in France. This film documents his return to Buenos Aires in 2013 to shoot his latest film, Le ciel du centaure.


Paulina is a young lawyer with a promising career in Buenos Aires, who chooses to go back to her home town. Her father, Fernando, is a well known judge. Against his will, Paulina decides to teach in a suburban high school as part of an inclusion program. One night, after the second week working there, she's brutally assaulted by a gang. With the disapproval of the people around her, she decides to go back to work, in the neighborhood where she was attacked, without realizing that her attackers may be even closer than she thought.

A french engineer travels in a ship that stops in Buenos Aires, where he must deliver a packet to a mysterious man that is to hard to catch. He then must pursuit him in a labyrinthic city.

Sergio and his family work in an estate in Argentina’s northern region. When their employers aren't home, they occupy the main house and emulate the life of the owners. Then Pia, the eldest daughter of the owner, arrives at the estate with the intention of staying a few days until her father’s marriage...

Buenos Aires. 1928. Midnight at the editorial department of the mythical newspaper 'Critica'. Once again, Roberto Arlt (one of the most renowned Argentine writers) must go on the hunt for a sensationalist story.

Roque starts University in Buenos Aires but he is not particularly interested in attending classes or working towards a degree. Instead, he dedicates his time to one of the many groups vying for control of the university, motivated less by grand political ideals than by a wish to get close to Paula, an attractive young teacher heavily involved in internal university politics.

카스트로는 직장을 구하기 위해 애인과 함께 도시로 떠난다. 그런데 의문의 남자들이 카스트로의 행방을 쫓는다. 거기다 카스트로와 거의 헤어지다시피 한 아내까지 그를 뒤쫓기 시작한다. 카스트로는 자신을 뒤쫓는 자들을 피해 도시의 거리를 달리고 또 달린다. 작가 새뮤얼 베케트의 1938년작 『머피』에서 영감을 얻었다고 한다. 긴장을 늦출 수 없는 도심 추격전은 우스꽝스러우면서도 신선한 혼돈에 빠지기도 한다.