Kan Kikuchi

12세기 에도 시대, 곳곳에서 반란이 일어나고 혼란과 공포가 교토를 뒤덮는다. 교토의 산조성 또한 공격을 당하고, 왕족인 키사는 젊은 사무라이 모리토에게 구출된다. 이때의 인연을 시작으로 모리토는 그녀를 사랑하게 되지만 키사는 벌써 모리토 보다 계급이 높은 사무라이 남편이 있는 몸이다. 모리토는 충성스러운 사무라이지만 그녀를 향한 사랑 때문에 결국 이성을 잃게 되고 키사의 고모까지 인질로 잡으면서 키사를 자기 것으로 만들려고 한다. 일본에서 처음으로 이스트만 컬러를 사용한 작품으로, 화려한 색감과 의상으로 한 순간도 눈을 떼지 못하게 만든다. 기쿠치 칸의 역사극을 영화화했으며, 1954년 칸 영화제 그랑프리를 수상했다.

The first of five Musashi series, Shinobu and her brother Genichiro plead with the famous swordsman Musashi Miyamoto to teach them swordsmanship to avenge their father's death. The killers of their father see the sister and brother practicing with Miyamoto, and so enlist the help of another powerful swordsman, Kojiro Sasaki, which gives Sasaki an excuse to battle Miyamoto.

Set in the late thirteenth century, this film depicts the defense of southern Japan led by the Kono clan against the Mongol invasion in 1281.

Following a young man through his childhood ambition to follow his father into the military to losing his life in combat in China.

Naomi Tazawa (Hiroko Kawasaki), who works at Isetan Department Store, was told by an executive at a film company (Ken Uehara), that he was going to make a film about her. She was scouted to become an actress, but she held strong. Around that time, her adoptive father dies, and at the time of his death, she learns that her real father was a man of high rank.

Part 2 of a 2-part romance (fist part - Kafuku zempen) based on a story by noted author Kikuchi Kan. In the second half, we discover that Toyomi is pregnant -- and while Shintaro and Yurie are on their extended honeymoon, she bears his child, a girl named Kiyoko. She is supported in adversity by Michiko -- and gets considerable moral support from not only her own mother but also from Shintaro's mother and siblings. Even more surprisingly, Yurie strikes up a friendship of sorts with her. When Yurie learns that the child is Shintaro's, she convinces Toyomi that it would be best to let Shintaro (and her) raise Kiyoko, so Toyomi can get on with making a proper life for herself. Tearfully, Toyomi agrees. Sometime later, Michiko goes to visit Toyomi -- and sees her at work, as a kindergarten teacher.

The eldest daughter of a noble family is in love with an aviator while being courted by a fellow aristocrat she thinks is a dullard. Told from the perspective of Ryota. In this second part, we learn that Akemi is pregnant...

The eldest daughter of a noble family is in love with an aviator while being courted by a fellow aristocrat she thinks is a dullard. This part is told from the perspective of Akemi.

Toshie, a young, conservative secretary-typist has fallen in love with Shozo Narita, a young man she has met through her work.

A classic melodramatic love tragedy addressing social inequality in feudal Japan, depicted in Kenji Mizoguchi's typical style. The nostalgic scenes of 1920s Tokyo provides a valuable visual experience set against the background of the title song, "Tokyo March." (Sadly, only 24 minutes of the film now survive.)