Ulla Geiger

It's summer and very hot in Germany's only open-air swimming pool for women. There, women bathe topless, in a bikini, bathing suit or burkini. Each follows different rules. This always leads to friction, which the overwhelmed lifeguard is not quite able to control. When a group of completely veiled women enthusiastically discovers the women's bath for themselves, rags literally fly: Who owns the bath and who makes the rules? Who owns the female body? And when is a woman a woman at all? The lifeguard resigns, exasperated. But when a man of all people is hired as the successor as lifeguard, the situation escalates in unpredictable directions.

Kurt is a stage actor in Munich theatres. He has a critical view at our society and relationships become too close very fast. Often his attitude is upsetting his fellow men. “To change the world – start with yourself!” Kurt hires a camerawoman to make videos of his everyday life which hopefully enable him to solve his problems.

Kurt is a stage actor in Munich theatres. He has a critical view at our society and relationships become too close very fast. Often his attitude is upsetting his fellow men. “To change the world – start with yourself!” Kurt hires a camerawoman to make videos of his everyday life which hopefully enable him to solve his problems.

Kurt is a stage actor in Munich theatres. He has a critical view at our society and relationships become too close very fast. Often his attitude is upsetting his fellow men. “To change the world – start with yourself!” Kurt hires a camerawoman to make videos of his everyday life which hopefully enable him to solve his problems.

Kurt is a stage actor in Munich theatres. He has a critical view at our society and relationships become too close very fast. Often his attitude is upsetting his fellow men. “To change the world – start with yourself!” Kurt hires a camerawoman to make videos of his everyday life which hopefully enable him to solve his problems.

Kurt is a stage actor in Munich theatres. He has a critical view at our society and relationships become too close very fast. Often his attitude is upsetting his fellow men. “To change the world – start with yourself!” Kurt hires a camerawoman to make videos of his everyday life which hopefully enable him to solve his problems.

Kurt is a stage actor in Munich theatres. He has a critical view at our society and relationships become too close very fast. Often his attitude is upsetting his fellow men. “To change the world – start with yourself!” Kurt hires a camerawoman to make videos of his everyday life which hopefully enable him to solve his problems.

Kurt is a stage actor in Munich theatres. He has a critical view at our society and relationships become too close very fast. Often his attitude is upsetting his fellow men. “To change the world – start with yourself!” Kurt hires a camerawoman to make videos of his everyday life which hopefully enable him to solve his problems.

The discovery of a magic mirror allows Fred to realize his dream: his twin tidies up his room, eats without complaining and becomes first in class. But Fred did not keep his promise to keep this secret by revealing it to his friend, Émile.

What happens if the global crisis suddenly becomes personal? After her twin sister has simply run away, Emmi goes on a search for clues. Surrounded by overwhelmed adults and terror news, she tries to sound out her perplexity between loss of control and dreamy longing ...

This is the third and final part of the now famously successful trilogy, where Mr. Müller and his problem kids Chantal, Danger and Co. once again take up arms against their sworn enemy, the German education system.

Isi doesn't get the world anymore. Just a short while ago, life was wild, fun, and without obligations, but suddenly everyone around her seems to be grown-up and successful. With her diploma in one hand and a drink in the other, she is stuck between the careless days of college and real life. When her best friend Lotte gets a respectable job and becomes pregnant, Isi realizes that she needs to find a way to start living a life on her own.

Honesty is the best? The original comedy tells of a farmer's clever family, which comes to this insight after some confusion. Director and author Thomas Kronthaler packages a fine morality about money, family ties and charity with a black sense of humor and a sense of subtle punchlines. In addition to Saskia Vester and Heinz-Josef Braun, who is mainly known through the films of Marcus H. Rosenmüller, shines not least the multi-award winning Gertrud Roll as a clever senior.

Carl and Franz are all ready to get off work and watch the big match against Austria when they make an unwelcome discovery. So, deal with it, or make it someone Else's problem?

You can’t choose your family – which is why Conrad limits his visits with his parents to an absolute minimum. When venomous, irritable Carl injures himself seriously in a fall, his reluctant son Conrad and the butt-of-all-jokes Jonas has no choice but to move back into his old childhood room. Three generations under one roof: a chance for reconciliation – or a total disaster?

“나는 나타샤 캄푸쉬. 8년전 납치당했습니다” 1998년3월2일, 열살 나타샤 캄푸쉬는 등교길에 납치당한다. 지하의 1.5평 작은방에 갇힌 나타샤. 범인은 그녀에게 “복종”만을 강요하고, 상습적인 구타와 폭언, 굶김으로 그녀를 사육하기 시작한다. 그가 누구인지, 왜 납치했는지 이유를 모른 채, 기아와 학대를 견디지 못하고 점점 그의 완전한 소유물이 되어가는 나탸샤. 8년뒤 어느 날 범인이 잠시 방심한 사이 탈출을 시도하는데…

베를린 장벽이 무너지고 새로운 역사가 시작될 무렵, 베를린의 저소득 지역 마르찬에 살고 있는 싱글맘 카티는 전화 인터뷰로 동네 미용실의 새 매니저이자 스타일리스트 일을 얻게 된다. 하지만 미용실에 도착한 그녀를 본 미용실 원장은 고용하지 않으려 한다. 원장에게 하소연하려던 카티는 길 건너편에 미용실을 낼만한 자리가 있다는 것을 발견하고는 자신의 미용실을 열어 미용실의 주인이 되리라 다짐한다.하지만 경험도 연줄도 돈도 없이 꿈을 이루기란 정말 쉽지 않다.

About a man who suffers hell on earth after accidentally hitting his girlfriend. Richard, actor in a daily soap opera, wants to brighten up his crisis-prone girlfriend Katja and organizes a birthday party. After the guests had left, he wants to sleep with her, but she doesn't want to. When Katja playfully repulses his advances, Richard inadvertently knocks her unconscious.