Arthur Marvin

출생 : 1859-05-01, Warners, New York, USA

사망 : 1911-01-18

참여 작품

The Honor of His Family
Director of Photography
An old colonel is proud as a peacock: his son leads a group of volunteers in the American Civil War. Untill one day his son returns home as a deserter.
To Save Her Soul
Cinematography
Agnes, a singer in a country church, is practicing one day when a vaudeville manager hears her and offers her a job. Over the objections of the curate who loves her, she accepts the offer and goes to the city. Later the curate goes to hear Agnes perform and, fearing that her soul is being corrupted by show business, he asks her to return to the small town with him. When she refuses, he is prepared to kill her in order to protect the purity of her soul. This brings about her change of heart, and together they return to the little church.
1776, or The Hessian Renegades
Director of Photography
During the American Revolution, a young soldier carrying a crucial message to General Washington is spotted and pursued by a group of enemy soldiers. He takes refuge with a civilian family, but is soon detected. The family and their neighbors must then make plans to see that the important message gets through after all.
Pranks
Cinematography
Tom and Ethel separately decide to go bathing in a river. Pranksters switch their clothes and they each have to dress up as the opposite sex.
The Necklace
Director of Photography
Mrs. Kendrick borrows a jeweled necklace from a friend for an important social event. The necklace is stolen, and Mr. Kendrick goes into debt to replace it. The thief discovers it's costume jewelry, but the Kendricks never learns the truth; Husband and wife struggle for years to pay off the huge debt.
The Way of Man
Director of Photography
A woman is scarred in an accident and refuses to stand in the way of her lover's marriage to another.
The Lonely Villa
Director of Photography
A gang of thieves lure a man out of his home so that they can rob it and threaten his wife and children. The family barricade themselves in an interior room, but the criminals are well-equipped for breaking in. When the father finds out what is happening, he must race against time to get back home.
The Suicide Club
Cinematography
One of the members of a suicide club learns he has inherited some money, but only after he drew the fatal lot and is expected to kill himself. Presumed to be a lost film.
At the Altar
Director of Photography
At the Italian boarding house the male boarders were all smitten with the charms of Minnie, the landlady's pretty daughter, but she was of a poetic turn of mind and her soul soared above plebeianism and her aspirations were romantic. Most persistent among her suitors was Grigo, a coarse Sicilian, whose advances were odiously repulsive. The arrival at the boarding house from the old country of Giuseppe Cassella, the violinist, filled the void in her yearning heart. Romantic, poetic and a talented musician, Giuseppe was indeed a desirable husband for Minnie.
The Golden Louis
Cinematography
An anonymous donor drops a gold coin in the shoe of a homeless girl as she sleeps. A gambler with a 'sure thing' borrows the coin and wins a fortune, but he can't find her again to repay her.
The Cord of Life
Director of Photography
Antonine, a worthless, good-for-nothing scoundrel, demands money of his cousin Galora, an energetic, provident husband and father. His demands are met with a positive rebuff, and when he becomes insistent be is forcibly ejected by Galora. As he leaves the tenement he vows to get even, and lies in wait until Galora has gone out on business. Climbing to the fifth floor, on which the Galoras live, he watches his chance, which comes when Mrs. Galora goes for an instant to visit a neighbor on the same floor. Darting into the apartment and raising the window he perceives the awful result of a drop to the ground, five stories below, and so evolves a plan that is dastardly in the extreme. Taking the infant child from the cradle, and placing it in a basket he lets it out with a short rope, the end of which he secures by letting the sash down on it, so that to raise the window would precipitate the baby to destruction.
Love Finds a Way
Director of Photography
Mack Sennett appears as a footman in this film produced by the Biograph Company.
One Touch of Nature
Director of Photography
Mack Sennett appears as a cop in this film produced by the Biograph Company.
The Helping Hand
Director of Photography
Mack Sennett appears as a wedding guest in this film produced by the Biograph Company.
The Valet's Wife
Director of Photography
Bachelor Reggie writes his uncle that he has a wife and child, but then must produce them when the uncle visits.
The Taming of the Shrew
Director of Photography
Based on Shakespeare's play. Petruchio courts the bad-tempered Katharina, and tries to change her aggressive behavior.
The Adventures of Dollie
Director of Photography
On a warm and sunny summer's day, a mother and father take their young daughter Dollie on a riverside outing.
Over the Hills to the Poor House
Cinematography
The widowed elderly mother of three adult children, two sons and a daughter, wishing to relieve herself of the burden of care of her property, decides to divide it up among her children. To her son Charles, a wild but kind young fellow, she leaves a small amount, feeling that he will soon run through it. The good-hearted boy is perfectly satisfied, believing in the wisdom of his mother's actions. He assumes she will find a home with one of his siblings, who are married and settled. The old woman moves in with her married son, but is driven out by his wife over an argument about her young granddaughter. She is forced to move into a squalid apartment in a cheap tenement house, but is evicted for failing to pay her rent. Mack Sennett appears as a bartender in this film.
Living Pictures
Director
"A series of admirable living pictures, posed by competent artists, and faithfully representing well-known art masterpieces, notably the works of Sarony. At the opening of each picture, curtains are thrown aside by two pages, the picture remains for a short interval in complete repose, and the curtains are drawn. In other words, these living pictures are shown exactly as in first-class vaudeville theatres, and were prepared with equal care." Series was finished by 1903 and the films were shown as one presentation.
A Wake in 'Hell's Kitchen'
Cinematography
This scene is laid in the parlor of a New York tenement. Two watchers at the wake are smoking and drinking, while the widow is weeping over the coffin. The attention of the three is attracted for an instant, and the supposed corpse rises up, drinks all the beer in the pitcher which is standing on a table nearby, and lies down in the coffin again. The mourners return, and seeing that the beer is gone, engage in a controversy over it. During the scrap the corpse jumps out of the coffin and takes part in the melee.
Sherlock Holmes Baffled
Cinematography
Sherlock Holmes enters his drawing room to find it being burgled, but on confronting the villain is surprised when the latter disappears.
Sherlock Holmes Baffled
Director
Sherlock Holmes enters his drawing room to find it being burgled, but on confronting the villain is surprised when the latter disappears.
The Art of 'Making Up'
Cinematography
Kathryn Osterman, the well-known vaudeville comedienne, in a complete exposition of the methods of "making-up" the face for the stage. She shows the penciling of the eye-brows, blackening the eye lashes, rouging the lips, applying the grease paint and so forth. The work is done in a very dainty and interesting way. Only the head and shoulders of the subject are shown; the figure thus being very large. (AMB Picture Catalogue, 1902)
The Chimney Sweep and the Miller
Director
A chimney sweep and a miller become involved in a street fight. The sweep has a bag of soot on his back, and the miller a bag of flour.
Love in Quarantine
Director of Photography