Vadim Zhuk

Vadim Zhuk

출생 : 1947-01-30, Leningrad, USSR (St. Petersburg, Russia)

프로필 사진

Vadim Zhuk

참여 작품

Trunky
narrator
The story of a little elephant with a very long trunk.
Ай да Пушкин
Writer
The Return of Buratino
Writer
In our modern Moscow Karabas-Barabas has changed his image and name and opens a toy manufacturing factory. In the high-rise buildings from the "raw material" - old toys of all sorts and shapes - made ​​two "innovative" unified model: the robot "Nibbler" for boys and doll "Glamushka" for girls. Mr. Baskara - so now to be called Carabas - sure that the future (and huge profits!) - is in his models.
God's Smile
A determined student from Chicago is forced to fulfill the last wish of his ailing grandfather. He has to travel to Odessa, Ukraine, and bring back his grandfather's cat.
Собачья дверца
Writer
I Want To Go To Prison
A nugget from Russia is hiding from the police in a Dutch prison.
Лох - победитель воды
The Parrot Speaking Yiddish
muzykant
About amusing adventures of the young blunderer Yankel during World War II who survives thanks to the sluggishness. The hired legionary he is taken prisoner, will pass across Sicily with the army of allies and it will appear in Indochina. And everywhere he will be accompanied by glory.
Mournful Unconcern
The action in this lavishly produced film takes place at an oddly ark-shaped mansion during World War I, and in spirit (although not in story) it reflects the play which inspired it, the ferociously antiwar Heartbreak House by George Bernard Shaw. A large group of family and friends have gathered at this country house to dance, drink, and converse. Their conversation, in particular, is adorned with erudite literary references and quotations. Despite their apparent refinement, their preoccupations are simple: sex and violence. Disquieting images break the tranquility of the vacationers' inappropriate idyll: some of these include documentary footage of starving African children, images (both real and re-enacted) of George Bernard Shaw going about his daily life, and a corpse coming to life on an autopsy table, only to cheapen that miracle by scolding a group of women. The music used in the film ironically points to its disturbing message and is uniformly anachronistic.