Director
다양한 영상 클립과 장면들로 구성된 이 다큐멘터리는 역사라는 퍼즐의 빠진 조각들을 찾기 위한 탐험의 과정이다. 어떤 조각은 한 사람을 영웅으로 만들기도 하고, 천하의 악당으로 만들기도 한다. 또 히로시마부터 등려군, 우주 개발 전쟁, 올림픽, 달에 이르는 여정까지 다양한 조각들이 나열된다.
Director
Danse Macabre is a dance that explores deaths that are remembered and forgotten in history, including those of kings, citizens, and stateless people. In Thailand, many deaths were suspicious in nature over the past 90 years, but nobody dared to question them.
Editor
A feature film compiled from sex tapes recorded by the two directors. Besides being brimming with the passion of memories, personal history, and body language, the film reflects a 20-year generation gap, and captures vernacular Thai communication: a babble of pillow talk and evasive language that masks true feelings. The film documents a six-year relationship in which mutual trust is slowly replaced by isolation and estrangement.
Cinematography
A feature film compiled from sex tapes recorded by the two directors. Besides being brimming with the passion of memories, personal history, and body language, the film reflects a 20-year generation gap, and captures vernacular Thai communication: a babble of pillow talk and evasive language that masks true feelings. The film documents a six-year relationship in which mutual trust is slowly replaced by isolation and estrangement.
Screenplay
A feature film compiled from sex tapes recorded by the two directors. Besides being brimming with the passion of memories, personal history, and body language, the film reflects a 20-year generation gap, and captures vernacular Thai communication: a babble of pillow talk and evasive language that masks true feelings. The film documents a six-year relationship in which mutual trust is slowly replaced by isolation and estrangement.
A feature film compiled from sex tapes recorded by the two directors. Besides being brimming with the passion of memories, personal history, and body language, the film reflects a 20-year generation gap, and captures vernacular Thai communication: a babble of pillow talk and evasive language that masks true feelings. The film documents a six-year relationship in which mutual trust is slowly replaced by isolation and estrangement.
Director
A feature film compiled from sex tapes recorded by the two directors. Besides being brimming with the passion of memories, personal history, and body language, the film reflects a 20-year generation gap, and captures vernacular Thai communication: a babble of pillow talk and evasive language that masks true feelings. The film documents a six-year relationship in which mutual trust is slowly replaced by isolation and estrangement.
Screenplay
This film was shot in an area called Santikhiri, which means ‘the Hill of Peace’. After General Prem’s government came to power in the 1980s, everything—drugs, communism, corruption, human trafficking, and stateless persons—was entirely suppressed to foster order and peace.
Production Design
This film was shot in an area called Santikhiri, which means ‘the Hill of Peace’. After General Prem’s government came to power in the 1980s, everything—drugs, communism, corruption, human trafficking, and stateless persons—was entirely suppressed to foster order and peace.
Editor
This film was shot in an area called Santikhiri, which means ‘the Hill of Peace’. After General Prem’s government came to power in the 1980s, everything—drugs, communism, corruption, human trafficking, and stateless persons—was entirely suppressed to foster order and peace.
Director
This film was shot in an area called Santikhiri, which means ‘the Hill of Peace’. After General Prem’s government came to power in the 1980s, everything—drugs, communism, corruption, human trafficking, and stateless persons—was entirely suppressed to foster order and peace.
Writer
Director
Director
The film is a series of interviews with 4 living figures talking about their works involving Nang Yai, the traditional Thai Shadow Play, an artform which is dying.
Director
"The southern border of Thailand is dangerous, scary, you shouldn't live there, it's full of violence." That is how it's mostly presented in the media. But what is the southern border really like? This documentary will guide you to another perspective through the eyes of a female-female couple.
Editor
What feeds nationalist ideologies? They always arise in 'empty time', asserts this documentary on nationalism in Thailand. Various groups are observed, from military cadets to pupils at a Christian boarding school. They have very different views on politics or religion, but they share boundless confidence in the monarchy.
Director
What feeds nationalist ideologies? They always arise in 'empty time', asserts this documentary on nationalism in Thailand. Various groups are observed, from military cadets to pupils at a Christian boarding school. They have very different views on politics or religion, but they share boundless confidence in the monarchy.
Writer
Director
Director
Documentary about film school and film students in Thailand
Self
Four men travel to a place of their memory. Two of them used to date ten years ago. The story is told through an interviewer and interviewees. Past stories are unearthed and overlap with the present, leading to a new story that seems like something totally different from what it started from. When they start playing Truth or Dare, secrets are revealed, yet it is uncertain whether they are real or merely lies. Their secrets, told amidst an atmosphere filled with destruction, death, and hope, are sarcastic, ridiculous, nonsensical, obsessed, and severely painful.
Director of Photography
Four men travel to a place of their memory. Two of them used to date ten years ago. The story is told through an interviewer and interviewees. Past stories are unearthed and overlap with the present, leading to a new story that seems like something totally different from what it started from. When they start playing Truth or Dare, secrets are revealed, yet it is uncertain whether they are real or merely lies. Their secrets, told amidst an atmosphere filled with destruction, death, and hope, are sarcastic, ridiculous, nonsensical, obsessed, and severely painful.
Editor
Four men travel to a place of their memory. Two of them used to date ten years ago. The story is told through an interviewer and interviewees. Past stories are unearthed and overlap with the present, leading to a new story that seems like something totally different from what it started from. When they start playing Truth or Dare, secrets are revealed, yet it is uncertain whether they are real or merely lies. Their secrets, told amidst an atmosphere filled with destruction, death, and hope, are sarcastic, ridiculous, nonsensical, obsessed, and severely painful.
Writer
Four men travel to a place of their memory. Two of them used to date ten years ago. The story is told through an interviewer and interviewees. Past stories are unearthed and overlap with the present, leading to a new story that seems like something totally different from what it started from. When they start playing Truth or Dare, secrets are revealed, yet it is uncertain whether they are real or merely lies. Their secrets, told amidst an atmosphere filled with destruction, death, and hope, are sarcastic, ridiculous, nonsensical, obsessed, and severely painful.
Director
Four men travel to a place of their memory. Two of them used to date ten years ago. The story is told through an interviewer and interviewees. Past stories are unearthed and overlap with the present, leading to a new story that seems like something totally different from what it started from. When they start playing Truth or Dare, secrets are revealed, yet it is uncertain whether they are real or merely lies. Their secrets, told amidst an atmosphere filled with destruction, death, and hope, are sarcastic, ridiculous, nonsensical, obsessed, and severely painful.
Editor
Science fiction about a future Thailand. Futuristic, experimental, homo-erotic and with elements of a political essay. With a richness of themes and impressions that wouldn’t get past the censor in Thailand. The maker doesn’t mince his words and isn’t afraid to look reality in the eye.
Producer
Science fiction about a future Thailand. Futuristic, experimental, homo-erotic and with elements of a political essay. With a richness of themes and impressions that wouldn’t get past the censor in Thailand. The maker doesn’t mince his words and isn’t afraid to look reality in the eye.
Screenplay
Science fiction about a future Thailand. Futuristic, experimental, homo-erotic and with elements of a political essay. With a richness of themes and impressions that wouldn’t get past the censor in Thailand. The maker doesn’t mince his words and isn’t afraid to look reality in the eye.
Director
Science fiction about a future Thailand. Futuristic, experimental, homo-erotic and with elements of a political essay. With a richness of themes and impressions that wouldn’t get past the censor in Thailand. The maker doesn’t mince his words and isn’t afraid to look reality in the eye.
Editor
A black cloak of forgetting, suppressing and covering has descended on the events that took place in Bangkok in spring 2010. Black as the night of complete darkness in which the film opens. Two men are in a fishing boat talking. One feels more than one sees that the seawater around them is warm and smooth, teeming with brightly-colored fish. By night, the rubber plantation also comes across as enticing and full of secrets, until lurid reminders of the bloody massacre flash up.
Producer
A black cloak of forgetting, suppressing and covering has descended on the events that took place in Bangkok in spring 2010. Black as the night of complete darkness in which the film opens. Two men are in a fishing boat talking. One feels more than one sees that the seawater around them is warm and smooth, teeming with brightly-colored fish. By night, the rubber plantation also comes across as enticing and full of secrets, until lurid reminders of the bloody massacre flash up.
Writer
A black cloak of forgetting, suppressing and covering has descended on the events that took place in Bangkok in spring 2010. Black as the night of complete darkness in which the film opens. Two men are in a fishing boat talking. One feels more than one sees that the seawater around them is warm and smooth, teeming with brightly-colored fish. By night, the rubber plantation also comes across as enticing and full of secrets, until lurid reminders of the bloody massacre flash up.
Director
A black cloak of forgetting, suppressing and covering has descended on the events that took place in Bangkok in spring 2010. Black as the night of complete darkness in which the film opens. Two men are in a fishing boat talking. One feels more than one sees that the seawater around them is warm and smooth, teeming with brightly-colored fish. By night, the rubber plantation also comes across as enticing and full of secrets, until lurid reminders of the bloody massacre flash up.
Screenplay
A teacher and his student go on a trip to a magical island where there is urban life and tourist attractions as well as a palace and temples. Moreover, a haunting past still gnaws, spreads, mates and mutates in a loop that cannot be eliminated. It dissolves and mixes with memories affecting the present and possessing a power that can destroy the future. In this vague atmosphere, the place slowly becomes deserted like a nightmare you want to wake from but cannot resist
Editor
A teacher and his student go on a trip to a magical island where there is urban life and tourist attractions as well as a palace and temples. Moreover, a haunting past still gnaws, spreads, mates and mutates in a loop that cannot be eliminated. It dissolves and mixes with memories affecting the present and possessing a power that can destroy the future. In this vague atmosphere, the place slowly becomes deserted like a nightmare you want to wake from but cannot resist
Producer
A teacher and his student go on a trip to a magical island where there is urban life and tourist attractions as well as a palace and temples. Moreover, a haunting past still gnaws, spreads, mates and mutates in a loop that cannot be eliminated. It dissolves and mixes with memories affecting the present and possessing a power that can destroy the future. In this vague atmosphere, the place slowly becomes deserted like a nightmare you want to wake from but cannot resist
Director
A teacher and his student go on a trip to a magical island where there is urban life and tourist attractions as well as a palace and temples. Moreover, a haunting past still gnaws, spreads, mates and mutates in a loop that cannot be eliminated. It dissolves and mixes with memories affecting the present and possessing a power that can destroy the future. In this vague atmosphere, the place slowly becomes deserted like a nightmare you want to wake from but cannot resist
Teacher
A teacher and his student go on a trip to a magical island where there is urban life and tourist attractions as well as a palace and temples. Moreover, a haunting past still gnaws, spreads, mates and mutates in a loop that cannot be eliminated. It dissolves and mixes with memories affecting the present and possessing a power that can destroy the future. In this vague atmosphere, the place slowly becomes deserted like a nightmare you want to wake from but cannot resist
Editor
It doesn't look spectacular at first. Two boys each talk separately about their experiences. In the end also on the sexual level. In the end they are also in the room together. In the end they don't leave it at talking.
Director of Photography
It doesn't look spectacular at first. Two boys each talk separately about their experiences. In the end also on the sexual level. In the end they are also in the room together. In the end they don't leave it at talking.
Producer
It doesn't look spectacular at first. Two boys each talk separately about their experiences. In the end also on the sexual level. In the end they are also in the room together. In the end they don't leave it at talking.
Screenplay
It doesn't look spectacular at first. Two boys each talk separately about their experiences. In the end also on the sexual level. In the end they are also in the room together. In the end they don't leave it at talking.
Director
It doesn't look spectacular at first. Two boys each talk separately about their experiences. In the end also on the sexual level. In the end they are also in the room together. In the end they don't leave it at talking.
An insightful documentary about Thai cinema, which features a colourful and long running film history, yet struggles as the industry attempts to move forward. This film examines the past and focuses on the Thai New Wave since 1997 by combining film clips, and interviews from Thai directors and others artists, like Asian hip-hop sensation Thaitanium, who are trying to create a more personal style of art.
Producer
A white dream of a gay film maker. Two naked men on a white sofa. Yet it remains in the imagination. Pansittivorakul is the most outspoken gay filmmaker in Thailand. Or in the whole of Southeast Asia, you could say. The fact that last year he received a Silpathorn Award, an official state prize for artists, was one of the few encouraging events in a country with a military regime and unpredictable censorship. The film is an ode to the male body. Two naked men on a white sofa. And a film maker who restrains himself.
Writer
A white dream of a gay film maker. Two naked men on a white sofa. Yet it remains in the imagination. Pansittivorakul is the most outspoken gay filmmaker in Thailand. Or in the whole of Southeast Asia, you could say. The fact that last year he received a Silpathorn Award, an official state prize for artists, was one of the few encouraging events in a country with a military regime and unpredictable censorship. The film is an ode to the male body. Two naked men on a white sofa. And a film maker who restrains himself.
Director
A white dream of a gay film maker. Two naked men on a white sofa. Yet it remains in the imagination. Pansittivorakul is the most outspoken gay filmmaker in Thailand. Or in the whole of Southeast Asia, you could say. The fact that last year he received a Silpathorn Award, an official state prize for artists, was one of the few encouraging events in a country with a military regime and unpredictable censorship. The film is an ode to the male body. Two naked men on a white sofa. And a film maker who restrains himself.
Director
Happy Berry is the name of a Bangkok boutique run by a group of trendy Thai youths, and is the nerve centre of this fly-on-the-wall documentary (the second in a trilogy entitled "Life and Love"). The camera catches the subjects indulging in all the (post) modern lifestyle trends: drugs, kinky sex, hip-hop, fashion, exhibitionism, narcissism. They are uninhibited, the kind of youth who break down barriers in a supposedly traditional and religious society, but perhaps that's just on the surface. Behind the upbeat tone is a probing examination of values and attitudes in modern youth relationships. Happiness may be deceptive but there's certainly a lot of fun in the Happy Berry.
Director
VOODOO GIRLS challenges Thailand's social taboos as filmmaker THUNSKA PANSITTIVORAKUL and his circle of college friends, talk openly about sex, gossiping and teasing each other as they discuss their past and present partners. Loaded with sexual innuendo, random objects and gestures assume new meaning, rendering even an artist's wooden mannequin a playful sexual energy. Roger Garcia Documentary in a form of home video, telling a story of the lives of 3 girl friends through a personal point of view.
