Mitch
법도 규칙도 책임도 없는 도시 ‘바이스’. 이곳에서 사람들은 폭력, 살인, 강간 등 현실에선 불법인 광기를 분출한다. ‘바이스’에서 고객들의 욕망을 충족 시켜주는 건 인간의 유전자를 복제한 인공 지능 로봇으로 이들은 자신이 로봇이란 사실을 모른다. 그리고 이를 철저하게 통제하고 관리하는 건 냉혹한 경영자 ‘줄리안’(브루스 윌리스)이다. 어느 날, 로봇 중 하나인 ‘켈리’가 시스템의 오류로 모든 기억이 되살아 낸 채 ‘바이스’를 탈출한다. 이를 막으려는 ‘줄리안’과 ‘바이스’때문에 현실로 범죄가 이어진다고 비난하던 형사 ‘로이’(토마스 제인)가 이상한 낌새를 알아채고 ‘켈리’를 추격하기 시작한다. 그리고 ‘켈리’와 ‘로이’는 점차 믿을 수 없는 충격적 사실들과 마주하게 되는데…
Director
Plauto, the clown, tells us the story of the Circo de las Alegrías. Doña Alegría, owner of the Circus is determined that her son Palevhi, maintain the classic line of the show, which begs for a complete renovation. During the last years, the Circus has been dragging like a dying man until the threat of bankruptcy and unemployment has led his workers to anguish. One night in September, Palevhi decides to inform the big family of the circus the final closure. Tears of frustration give way to the search for solutions.
Director
This European take on twenty-something woe introduces viewers to Jorge, a self-help author suffering from writer's block who thinks he may be gay. Living with Jorge is Marta, a bisexual who wants to have a baby. Included in their circle are Eva, Jorge's ex, and Alberto, a gay man Jorge meets at a New Age healing session presided over by Ines. A number of encounters ensue, Marta moves in with the piggish Mario, and Jorge decides to write a book based on his own experiences.
Executive Producer
A group of teenagers, taking a nocturnal hayride come across the grave of a man. Little did they know that this deceased man is a zombie. One by one, the actual living are falling victim and becoming zombies. Eventually there are zombies everywhere, and someone needs to stop them, but who?
