Ernest Vincze

참여 작품

An Accidental Studio
Himself
Charts the early years of HandMade Films seen through the eyes of the filmmakers, key personnel, and the man who started it all: former Beatle George Harrison.
Doctor Who: The Waters of Mars
Director of Photography
In a Mars base, the inhabitants are being infected by a mysterious water creature which takes over its victims. The Doctor is thrust into the middle of this catastrophe, knowing a larger one is waiting around the corner.
Doctor Who: The Next Doctor
Director of Photography
The Doctor arrives in Victorian London. It's Christmas, but snow isn't the only thing descending on the tranquil and jubilant civilization, as familiar silver giants from an alternate reality are amassing in numbers. The Cybermen are on the move again, and the only beings who can stop them are the Doctor and... another Doctor?
Doctor Who: Voyage of the Damned
Director of Photography
When disaster hits the Titanic, the Doctor uncovers a threat to the whole human race. Battling alongside aliens, saboteurs, robot Angels and a new friend called Astrid, can he stop the Christmas inferno?
The Mystic Masseur
Cinematography
Circa 1940 in Trinidad, still a British Colony, lives Ganesh Ramseyor, of East Indian origin, along with his wife, Leela. He longs to reach out to people, especially to Hindus, in order to promote the Hindu Faith, and be known as a writer. He does get considerable success, so much so that he becomes famous as a miracle worker, having cured a man of sharing intimacy with his bicycle; prevented a man from believing that he can fly; and convincing a young woman to end her fast. His fame spreads all over the island and thousands throng to seek his blessings, which he does dole out quite benevolently, without charging any fees from the poor and the needy. He then decides to spread his wings by challenging the local politician Pandit Narayan Chandrashekhar alias Cyrus T., and takes over The Hindu Organization, thence opening his way to a seat in the prestigious Member of the Legislative Assembly
The Dance
Cinematography
Águst Guðmundsson directed this Icelandic period drama, adapted from the short story We Must Dance by William Heinesen, and set on an island in 1913. Pétur (Gunnar Helgason) narrates, recalling the days when mainlanders arrived for a wedding. Flirtatious Sirsa (Pálína Jónsdottir) marries Harald (Dofri Hermannsson), son of a wealthy landowner on the island. Offshore, a ship is sinking, so the men form a rescue party, returning with the captain, the engineer, and several sailors. With a storm gathering, the engineer dies. The clergyman requests an end to the festivities as a mark of respect. Sirsa protests, but her new husband brings the celebration to a halt. The group then fragments into different activities, drunken or otherwise, and the sensual Sirsa directs her attention toward the handsome Ívar (Baldur Trausti Hreinsson). The film's score features traditional folk music.
Stone, Scissors, Paper
Cinematography
Jean moves to a riverside cottage in an effort to escape her violent husband. There she meets Redfern, a married stonemason, with whom she forms a relationship.
소비버 탈출
Cinematography
동부 폴란드의 외딴 지역. 유럽 전역에서 유태인을 가득 실은 기차가 소비버에 도착한다. 독일군들은 재봉사, 구두 수선공 등 유용한 사람들만 골라내고, 나머지 대부분의 부녀자, 노인들을 목욕을 시킨다는 명목하에 가스실로 보내버린다. 결국, 그곳에 수용된 사람들은 모두 탈출하지 않으면 죽게된다는 사실을 알게된다. 어느 날, 몇몇 유태인 소련 병사들이 전쟁포로로 소비버 수용소에 들어온다. 전원 탈출을 계획하고 있던 유태인들에게 그들은 큰 힘이 되어준다. 결국, 치밀한 계획을 짜고 초유의 전원 탈출에 성공하지만 절반이나 되는 사람들이 목숨을 잃고 만다. 충격을 받은 나치는 수용소를 밀어버리고 소비버에 관련된 모든 서류를 소각시키는데...
Business as Usual
Director of Photography
After seeing her husband fail in fighting a battle to keep his factory open, a manageress loses her job in a disagreement with the manager over sexual harassment of her staff. She accepts the advice of her father and joins his son, a left-wing organizer, and takes her plight to the union.
상하이 유혹
Director of Photography
상해의 아편왕, 월터(Walter Faraday: 폴 프리만 분)에게 이용당하여 부상당한 병사들의 마취제로 사용하는 줄 알고 아편을 찾아나서는 순진한 처녀 테틀록(Gloria Tatlock: 마돈나 분)은 떠돌이 청년 웨이지(Glendon Wasey: 숀 펜 분)를 만나 함께 마약을 찾아 나선다. 상해 암흑가의 두목과 경찰 간부 역시 이 아편을 노리고 두사람을 끈질기게 추적한다. 여러 차례 위기를 넘기면서 웨이지와 태틀록을 이용하여 추적자들을 따돌린 월터는 마지막 순간에는 두사람마저 속이고 아편을 독차지 하려다가 오히려 자기꾀에 스스로 넘어가 허탕을 치고 웨이지와 테틀록만이 남아서 사랑을 확인하는데...
비글스
Director of Photography
Unassuming catering salesmen Jim Ferguson falls through a time hole to 1917 where he saves the life of dashing Royal Flying Corps pilot James "Biggles" Bigglesworth after his photo recon mission is shot down. Before he can work out what has happened, Jim is zapped back to the 1980s......
Hitler's SS : Portrait In Evil
Cinematography
The two-part TV movie Hitler's SS: Portrait in Evil crystallizes that evil by concentrating on two Berlin brothers. In 1931, Helmut Hoffman a brilliant student and self-styled opportunist, joins Hitler's SS. At the same time, his younger brother Karl, a top athlete and idealist, becomes a chauffeur for the "S.A.".
Ordeal by Innocence
Title Designer
Dr. Arthur Calgary visits the Argyle family to return an address book lost some time ago by Jack Argyle, only to find out that Jack has been executed for the murder of his mother. Calgary can prove that Jack was innocent. In spite of opposition from a hostile family, he is determined to solve the crime.
A Pattern of Roses
Cinematography
While his parents are renovating a cottage in an English village, teenager Tim and his friend Rebecca uncover information about the mysterious death of a 15-year-old boy who lived in the house decades prior, and as they dig deeper, Tim begins to find events from the past being mirrored in his own life.
Scrubbers
Director of Photography
Inmates fight, pair off, try suicide and attempt escape at a British reform school for girls.
My Mother Was Never a Kid
Director of Photography
A trip to the past helps a teenager learn to appreciate her mother
Jane Austen in Manhattan
Cinematography
Two teachers vie for the right to stage a play written by Jane Austen when she was twelve years old.
The Secret Policeman's Ball
Cinematography
Amnesty decided not to present a benefit show in 1978 in order to consider how to make better use of the performing talent so favourably disposed to assist it in raising funds. Peter Luff left Amnesty in 1978 and the organisation's new fund-raising officer, Peter Walker, was deputed to work with Lewis on reconfiguring the show to raise more money and greater awareness of Amnesty. Lewis proposed to Cleese that in addition to the comedy performances the show should feature some contemporary rock musicians. Cleese delegated this responsibility to Lewis who recruited Who guitarist Pete Townshend to perform, as well as New Wave singer-songwriter Tom Robinson.
Roseland
Director of Photography
"Roseland" is made up of three stories, sometimes connecting, all set in the famed New York dance palace, and all having the same theme: finding the right dance partner.
윈스탠리
Cinematography
17세기 영국의 사회개혁가인 제라드 윈스탠리의 삶과 최초의 코뮌, ‘디거스’의 작은 혁명을 다룬 역사물. 윈스탠리의 추종자인 ‘디거스’, 일명 ‘땅 파는 사람들’은 성 조지 언덕에 농사를 지으려고 모인 일종의 아나키즘 공동체였다. 대지주와 정부의 반감을 산 이들은 결국 권력의 탄압에 무너졌으나, 토지사유를 반대하고 재산공유제를 요구한 혁신적 시도는 후일 많은 사회주의사상가들에게 깊은 영감을 남겼다. 철저한 역사적 고증이 돋보이는 이 놀라운 영화는 개봉 당시 철저히 외면당했지만, 후일 미국평론가들에 의해 ‘저평가된 걸작’으로 재발견된다.
Omnibus - Cuckoo: A Celebration of Mr. Laurel and Mr. Hardy
Camera Operator
Narrated by Eric Morecambe and Ernie Wise, this documentary about "Laurel and Hardy", one of the most popular and critically acclaimed comedy double acts of the early Classical Hollywood era of American cinema. It features interviews with Jerry Lewis, Dick Van Dyke, Babe London, Marcel Marceau, Lucille Hardy (Ollie's wife), Bob Monkhouse, Hal Roach, Marvin T Hatley, Jack McCabe and many more.
Between the Anvil and the Hammer
Cinematography
A 1973 documentary film from the Central Office of Information about the Liverpool and Bootle Constabulary.
Right To Work March
Young Socialists from Glasgow, Liverpool and Swansea march to London and discuss their economic struggles en route. Supporting them are Ken Loach, Corin Redgrave, Arnold Wesker and other leading cultural figures of the left of British politics. The march is intercut with scenes dramatising parallel injustices in the English Civil War era and earlier - featuring Frances de la Tour in queenly mode as Elizabeth I. The film's unconventional structure also features frequent extracts of the rousing pop concert, with the band Slade, which culminated the epic march.
Bailey on Visconti
Camera Operator
Bailey interviews Italian film director Luchino Visconti.