Giuseppe Pierozzi

The story of Jean Valjean, still pursued by Javert, continues with a love developing between Cosette and radical student Marius, a blackmailing attempt by suspicious innkeeper Thenardier, and a climax on the barricades of Paris.

Thanks to wartime smuggling Gioconda Perfetti, a roman fruit vendor, becomes very rich. She leaves her shop and moves to a magnificent villa which once belonged to a count. She also becomes involved with some very dubious characters who profit from her ignorance and cheat her out of her money.

The two drivers Giovanni and Gaetano are friends. Gaetano, bold and ruthless, thrives in the black market, while Giovanni, who is a naive and fundamentally honest worker from the North of Italy, cannot get any profit and his wife, an energetic and talkative Roman woman, can't help blaming him for his poor business skills. Returning from a trip to Naples, he brings home a little hungry orphan, Nello. At first Giovanni's wife doesn't want the boy, but then she begins to like him. The little boy does whatever he can to help the family. Nello's father, who everybody thought to have died during the war, finds his little son and, being a rich business man, he employs the good and generous Giovanni. Meanwhile the former friend Gaetano is caught by the police and convicted for his illegal trades.

A woman, a theatrical impresario, simulates the theft of a precious necklace for marketing purposes. A young singer living in the province is believed to be responsible for the theft and is arrested.

In High Places is a 1943 Italian comedy film directed by Mario Soldati and starring Adriana Benetti, Massimo Serato and Nerio Bernardi. It is based on a play by Jean Anouilh. The film portrays the rise into high society of an immoral young man.

This melodrama was directed by an émigré Russian from a story by Corrado Alvaro and Emanuele Caracciolo. The latter was murdered by the Nazis in the Fosse Ardeatine massacre, before the film’s post-war release. Featuring Miranda and Girotti prior to neo-realist stardom.

The baron of Santafusca, descended from a noble family, leads a dissipated life. To pay debts he is forced to sell his house. He tries to steal from the house of a very rich priest and, surprised during the theft, he kills the priest, and then throws the body in an abandoned well. He continues his life of revelries and luxury, until the remorse for the crime trigger a process of self-destruction. The nightmares of the baron, tormented by the only evidence left of the murder, the hat of the priest ,drags him into a daring and hallucinated series of ups and downs to the brink of insanity and jail.

After finding a train ticket on the ground, the young Paolo decides to go by train to Venice, where he meets Clara, a beautiful girl.

Annna, a rich lady, decides to finance in great secrecy a singular enterprise: the founding of a real center for the creation of ideas, directed by Mario Morelli, a poet and songwriter perpetually waiting for great success, and a painter, Enrico Bovio, who cannot find the inspiration or the model for a portrait of a woman he wants to finish. Both are short of money and, convinced of the brilliance of their ideas, wish to open that bizarre business, called precisely the "Bazaar of Ideas".

A famous American director is looking for a special type of girl he needs to play in his next film.

After several unsuccessful suicide attempts, Totò finds himself in an animal asylum.

Italian filmmaker Carmine Gallone was still in his "operetta" mode when he helmed 1938's Il Sogno di Butterfly (Dream of the Butterfly) Maria Cebotari plays opera diva Rosa Belloni, currently starring in a production of Puccini's Madama Butterfly. The plot thickens when Rosa's backstage life begins to mirror the travails of the character she is portraying. The climax comes when Harry Peters (Fosco Giachetti), the American father of Rosa's illegitimate child, returns after four years with his new wife in tow, leading inexorably to a doleful ending both on- and offstage. Critics complained about the substandard photography in Il Sogno di Butterfly, but this might have been due to poor laboratory work.

The rich banker Rosen of Livorno fear that the Bonapartist will take all his gold, so he is hiding it inside a cuckoo clock.

In his first feature, great Italian clown Totò plays a carefree tramp moving from job to job, in order to provide for himself and his young Shirley Temple-like protégée.

Based on a Pirandello play, Vittori De Sica plays a wealthy young social lion who has to constantly fight off a horde of women who are eager to marry him because of his position and money. He weds Elisa Cegani, a servant girl, who turns out to be a more appealing wife than any of the others could have been. Assis Noris decorates the screen well as one of the chasers and pursuers. In 1937, De Sica and Noris made a film, "II Signor Max," which, other than the setting and character role names, basically has the same plot as this film.

Ginevra degli Almieri's family has arranged a marriage of interest but the young Ginevra strenuously refuses until she falls into catalepsy and is buried alive. Once she wakes up she goes home but her family believes they are dealing with a ghost and they try to chase her away. She will only be welcomed by the penniless young painter who has always been in love with her.

Ginevra degli Almieri's family has arranged a marriage of interest but the young Ginevra strenuously refuses until she falls into catalepsy and is buried alive. Once she wakes up she goes home but her family believes they are dealing with a ghost and they try to chase her away. She will only be welcomed by the penniless young painter who has always been in love with her.

Lorenzino de 'Medici manipulates Alessandro ruler of Florence to save his beloved Bianca.

A comedy about a governor who wants a miller's wife and tries to fix a night with her by putting the miller in jail.

A comedy about a hobo and a millionaire who swap roles after the millionaire rescues the hobo from a suicide attempt.

Adventures of two provincial actors looking for anyway done with something to eat. They are joined by a girl, Lili. They represent a magic number, but all I get are miscues and boos.

His 1933 debut, following some years as a journalist and then script boy, was Treno popolare, an early sound lark about several Roman petit bourgeois on a day trip to the country that was influenced by the German proto-neorealist silent picture People on Sunday (1930). Produced at the height of the fascist era, Treno popolare was nonetheless free of propaganda, and featured the first film score by the legendary composer Nino Rota.

Italian film by Guido Brignone.

A famous composer, distraught after his lover leaves him, contemplates suicide. He meets a young woman who restores his will to live.

During a reception in a villa, wealthy banker Calandri is killed in the park with a gunshot. The gamekeeper Barra is immediately arrested, but he declares himself innocent. During the trial it turns out that the defendant had threatened the victim, guilty of courting his sister-in-law. But the deposition of a journalist present at the party soon leads to discover the existence of a dense network of equivocal relations between the victim, the guests and the servants. This judicial setting drama is allegedly the second Italian sound film after "The Song of Love", made using the RCA Photophone recording technique, and is also considered to be the first Italian detective film, a precursor to the later genre of Giallo films.

Based on a short story written by Novel Prize for Literature in 1894, Grazia Deladda, “La Grazia” is a classic Italian-drama that follows the story of the a man (Giorgio Bianchi) who fell in love with beautiful shepherdess (Carmen Boni). Separated by fate, the man had an accident on his way back to his wife. For years, absence of her husband has made the woman suffer. She takes care of her child while waiting for her husband’s return.

The model Fede loves the writer Arte, but he is enmeshed by the beautiful Femmina. Fede takes comfort in the Faun, a mythological creature who becomes animated from the stone sculpted by Arte. The love story with the Faun represents a return to a dreamt wildness impossible by now, for the modern man, to reach and maintain.