Jacques Doillon

After being constantly bullied at school by her classmate Kevin, 8-year-old Claire discovers that the boy who is giving her hard time is also suffering and might need her help…

After being constantly bullied at school by her classmate Kevin, 8-year-old Claire discovers that the boy who is giving her hard time is also suffering and might need her help…

Auguste Rodin (1840-1917), man of the people, autodidact and revolutionary sculptor - the most brilliant of his era. At 42, Rodin meets Camille Claudel, a young woman desperate to become his assistant. He quickly acknowledges her as his most able pupil, and treats her as an equal in matters of creation.

Auguste Rodin (1840-1917), man of the people, autodidact and revolutionary sculptor - the most brilliant of his era. At 42, Rodin meets Camille Claudel, a young woman desperate to become his assistant. He quickly acknowledges her as his most able pupil, and treats her as an equal in matters of creation.

베일에 싸인 여자가 아버지의 장례식에 참여하기 위해 아버지가 살던 곳으로 향한다. 아버지에 대한 분노와 그리움으로 혼란 속에 있던 그녀는 옆집에 살고 있던 옛 연인과 마주치게 된다. 혼란스런 상황에서 남자는 여자에게 연인관계를 다시 시작하자고 설득하고, 여자는 그 제안을 받아들이게 되지만 분노로 가득 찬 그녀는 어쩔 줄 모른다. 둘은 점점 가까워지며, 남자는 여자의 내면에 품고 있던 가족에 대한 분노를 끄집어내기 시작한다. 사랑인지 싸움인지 모를 격렬한 몸싸움을 벌이며, 둘은 내면에 가지고 있던 분노와 증오 그리고 사랑이라는 감정을 서로에게 폭발시킨다. 그들의 육체적 행위의 농도는 짙어져 가고, 폭력적 행위는 점점 그 둘 사이를 연결하는 중요한 고리가 되는데…

베일에 싸인 여자가 아버지의 장례식에 참여하기 위해 아버지가 살던 곳으로 향한다. 아버지에 대한 분노와 그리움으로 혼란 속에 있던 그녀는 옆집에 살고 있던 옛 연인과 마주치게 된다. 혼란스런 상황에서 남자는 여자에게 연인관계를 다시 시작하자고 설득하고, 여자는 그 제안을 받아들이게 되지만 분노로 가득 찬 그녀는 어쩔 줄 모른다. 둘은 점점 가까워지며, 남자는 여자의 내면에 품고 있던 가족에 대한 분노를 끄집어내기 시작한다. 사랑인지 싸움인지 모를 격렬한 몸싸움을 벌이며, 둘은 내면에 가지고 있던 분노와 증오 그리고 사랑이라는 감정을 서로에게 폭발시킨다. 그들의 육체적 행위의 농도는 짙어져 가고, 폭력적 행위는 점점 그 둘 사이를 연결하는 중요한 고리가 되는데…

Aya and Louis separated a long time ago. Their little girl, Lina, is now 7 years old. Today, Aya lives with Victor, with whom she’d like to have a baby. Louis is with Gaëlle, who’s his girlfriend but nothing more. Through nine secret meetings organised by Aya, the film tells the story of how a woman and a man, torn between romantic charades and the quest for a «permanent» harmony, take a fresh start at being lovers.

Aya and Louis separated a long time ago. Their little girl, Lina, is now 7 years old. Today, Aya lives with Victor, with whom she’d like to have a baby. Louis is with Gaëlle, who’s his girlfriend but nothing more. Through nine secret meetings organised by Aya, the film tells the story of how a woman and a man, torn between romantic charades and the quest for a «permanent» harmony, take a fresh start at being lovers.

Zoé decides to hit the road to approach a writer she admires (played by the French director Jacques Doillon). She believes that a road trip might give purpose to her life. On the way, she meets Adrien, a young comedian. Intrigued by her elusive personality, he decides to follow her.

When a famous playwright invites the cast of his new play - including his enchanting assistant, his ex-wife and her new lover - to his country estate, a series of seductions and surprising alliances ensue.

When a famous playwright invites the cast of his new play - including his enchanting assistant, his ex-wife and her new lover - to his country estate, a series of seductions and surprising alliances ensue.

Camille, a 20-something dissatisfied with her life, craves the opportunity to give her love to the person who needs it the most. She finds this opportunity in the form of Costa, a homeless ne’er do well, deadbeat dad, and rejected son. Even as their relationship begins to take its toll on them both, Camille finds happiness in her efforts to rescue him from his own self-destruction.

Camille, a 20-something dissatisfied with her life, craves the opportunity to give her love to the person who needs it the most. She finds this opportunity in the form of Costa, a homeless ne’er do well, deadbeat dad, and rejected son. Even as their relationship begins to take its toll on them both, Camille finds happiness in her efforts to rescue him from his own self-destruction.

A French couple has been living in Lisbon for years, and they return to Paris for a friend's wedding. They announce to another friend they are having dinner with that they are going to split.

Raja is a nineteen year old orphan literally and figuratively scarred by life. Fred is an emotionally bankrupt westerner living amid his plush gardens and palm trees. Set against the backdrop of contemporary Marrakech, Raja is a cross-cultural drama about a wealthy middle-aged Frenchman's complex relationship with this poor local girl. Fred's attempts to seduce Raja, and their mutual attempts at manipulation, are fractured by their gross disparity of income, age and cultural sophistication.

Raja is a nineteen year old orphan literally and figuratively scarred by life. Fred is an emotionally bankrupt westerner living amid his plush gardens and palm trees. Set against the backdrop of contemporary Marrakech, Raja is a cross-cultural drama about a wealthy middle-aged Frenchman's complex relationship with this poor local girl. Fred's attempts to seduce Raja, and their mutual attempts at manipulation, are fractured by their gross disparity of income, age and cultural sophistication.

In Paris, where he wields his money scams, Alex has an unexpected encounter with two girls: Fred, who’s nothing to do with his world and who he falls for straight away, and Sylvia – sweet, but lonely, Sylvia. To test Alex, Fred devises a curious game of seduction. Like a character out of a Marivaux play, she toys with setting up delightful obstacles necessary to Love’s flourishing: Sylvia must seduce Alex, and Alex, must in turn, truly desire Sylvia. But Fred gets caught in her own trap. She falls head over heels in love with Alex. However, he no longer knows who to choose, all the more so now that Sylvia is falling in love with him, too. During an eventful night of confusion and intrigue, crazy laughter and tears, our threesome come to realize that what really draws them together is an emotional bond: true love.

In Paris, where he wields his money scams, Alex has an unexpected encounter with two girls: Fred, who’s nothing to do with his world and who he falls for straight away, and Sylvia – sweet, but lonely, Sylvia. To test Alex, Fred devises a curious game of seduction. Like a character out of a Marivaux play, she toys with setting up delightful obstacles necessary to Love’s flourishing: Sylvia must seduce Alex, and Alex, must in turn, truly desire Sylvia. But Fred gets caught in her own trap. She falls head over heels in love with Alex. However, he no longer knows who to choose, all the more so now that Sylvia is falling in love with him, too. During an eventful night of confusion and intrigue, crazy laughter and tears, our threesome come to realize that what really draws them together is an emotional bond: true love.

Talia runs away from home taking her beloved dog with her. When her dog is stolen Talia enlists the help of a gang of boys to help her find her pet.

Talia runs away from home taking her beloved dog with her. When her dog is stolen Talia enlists the help of a gang of boys to help her find her pet.

Seventeen-year-old Emma is invited to filmmaker Paul’s house after sending him the outline of a film. Ostensibly there to work on the outline with him she spends her time flirting with Paul, his wife, and his daughter.

엄마가 세상을 떠났다. 뽀네뜨(Ponette: 빅뜨와르 띠비솔 분)는 단지 왼쪽 팔만 조금 다쳤을 뿐인데, 차를 몰던 엄마는 너무 크게 다쳐 도저히 살 수가 없었다. 네 살짜리 뽀네뜨로서는 죽음을, 그리고 엄마를 영영 볼 수 없다는 사실을 이해할 수도, 받아들일 수도 없다. 회사일로 출장가는 아빠(Father: 자비에르 비우보이스 분)는 뽀네뜨를 고모에게 맡기지만, 엄마잃은 슬픔에 빠진 뽀네뜨는 사촌들과 어울리려 하지 않고 혼자 방안에 쳐박혀 인형과 대화만 나눈다. 꿈속에서 엄마와 만나던 뽀네뜨에게 어느날부터인가 엄마가 나타나지 않는다. 낙담하고 있는 뽀네뜨에게 고모는 위로의 말을 건넨다. 엄마도 분명 예수님처럼 살아서 돌아올 거라고 그때부터 뽀네뜨는 밖에 나가 엄마 오기만을 기다린다. 아빠나 고모가 아무리 달래고 알아듣도록 타일러도, 뽀네뜨는 고집을 부리며 자신의 신념을 굽히지 않는데...

엄마가 세상을 떠났다. 뽀네뜨(Ponette: 빅뜨와르 띠비솔 분)는 단지 왼쪽 팔만 조금 다쳤을 뿐인데, 차를 몰던 엄마는 너무 크게 다쳐 도저히 살 수가 없었다. 네 살짜리 뽀네뜨로서는 죽음을, 그리고 엄마를 영영 볼 수 없다는 사실을 이해할 수도, 받아들일 수도 없다. 회사일로 출장가는 아빠(Father: 자비에르 비우보이스 분)는 뽀네뜨를 고모에게 맡기지만, 엄마잃은 슬픔에 빠진 뽀네뜨는 사촌들과 어울리려 하지 않고 혼자 방안에 쳐박혀 인형과 대화만 나눈다. 꿈속에서 엄마와 만나던 뽀네뜨에게 어느날부터인가 엄마가 나타나지 않는다. 낙담하고 있는 뽀네뜨에게 고모는 위로의 말을 건넨다. 엄마도 분명 예수님처럼 살아서 돌아올 거라고 그때부터 뽀네뜨는 밖에 나가 엄마 오기만을 기다린다. 아빠나 고모가 아무리 달래고 알아듣도록 타일러도, 뽀네뜨는 고집을 부리며 자신의 신념을 굽히지 않는데...

1794, During the French Revolution : Benjamin Constant meets Germaine de Staël and falls madly in love with her. He has the spirit of a young writer, weighed down by the hardships of life. Germaine, daughter of a wellknown figure, is one of the most brilliant woman of the century. Early on, Germaine lutes against Benjamin's love and only admits ot admiring his spirit. But, little by little, a violent and indispensable passion bonds them together. The two lovers continue to love one another and to struggle against this love for a period of twenty years. Season after season they meet and bask in each other's company. These intimate moments are at times ambivalent, but never lack in obstinance and passion.

Ismaël, a young thirteen-year old boy, is taken aback by the suicide of his best friend. Not only did he not have any idea that this dramatic act was a possibility, neither did his other friends. Perhaps it had something to do with his having an unrequited love for a beautiful young neighbor, an attraction Ismaël also feels. Perhaps it had something to do with drugs, or a problem with a universally disliked teacher. Throughout most of the film, the young survivors discuss their departed classmate.

Ismaël, a young thirteen-year old boy, is taken aback by the suicide of his best friend. Not only did he not have any idea that this dramatic act was a possibility, neither did his other friends. Perhaps it had something to do with his having an unrequited love for a beautiful young neighbor, an attraction Ismaël also feels. Perhaps it had something to do with drugs, or a problem with a universally disliked teacher. Throughout most of the film, the young survivors discuss their departed classmate.

Marie lives with Antoine, but while he is away she meets Paul, a filmmaker visiting from Canada. Paul is instantly smitten and wants her to marry him. She puts him off by saying that she and Antoine have decided to have a baby. When Antoine returns, he becomes vividly jealous of his girlfriend's chaste encounter, which provokes her into having an affair with Paul.

Marie lives with Antoine, but while he is away she meets Paul, a filmmaker visiting from Canada. Paul is instantly smitten and wants her to marry him. She puts him off by saying that she and Antoine have decided to have a baby. When Antoine returns, he becomes vividly jealous of his girlfriend's chaste encounter, which provokes her into having an affair with Paul.

샹탈 아커만을 포함해 코스타 가브라스, 미셸 피콜리 등 33명의 감독들이 모여 30개국의 양심수들을 사면할 것을 주장하며 제작한 옴니버스 영화. 샹탈 아커만은 5분 길이의 단편 "엘살바도르의 페베 엘리자베스 벨라스퀘즈를 위하여"를 연출했다.

Marc, a troubled teenager, is bored in his native, depressing city of Sete. One day, a simple phone call makes him aware of the existence of Stephanie, a sister he has never met. Armed with a pistol his mother found, he goes out to find her. He steals money from a perfume shop, and is then stopped by a policeman who wants to search him. In the car, Marc threatens the policeman with his gun, demanding that he helps him find his sister...

Marc, a troubled teenager, is bored in his native, depressing city of Sete. One day, a simple phone call makes him aware of the existence of Stephanie, a sister he has never met. Armed with a pistol his mother found, he goes out to find her. He steals money from a perfume shop, and is then stopped by a policeman who wants to search him. In the car, Marc threatens the policeman with his gun, demanding that he helps him find his sister...

Suzy, a beautiful woman, is coming back to Paris to attend the funeral of her lover, a married man. Cecile, his wife, is holding Suzy responsible for his suicide. By finding Suzy in Paris, Cecile is trying to seek the truth by playing a psychological game on her.

Suzy, a beautiful woman, is coming back to Paris to attend the funeral of her lover, a married man. Cecile, his wife, is holding Suzy responsible for his suicide. By finding Suzy in Paris, Cecile is trying to seek the truth by playing a psychological game on her.

Two childhood friends who have not seen each other for a long time decide to meet again. They talk and look for what could have caused their estrangement: words pronounced in a certain way, an intonation etc. Very quickly, an argument begins and turns into a settlement of accounts.

Willy, a middle-aged divorcee, decides to take his 15 year-old son, Thomas, on holiday to Ibiza, staying at an isolated villa on the unspoilt part of the coast. Thomas insists on bringing his friend Juliette, a girl of his own age with whom he enjoys a close platonic relationship. When it comes to physical love, Juliette is wise beyond her years. She will only sleep with men older than herself and has no intention of committing herself to a long-term relationship.

Willy, a middle-aged divorcee, decides to take his 15 year-old son, Thomas, on holiday to Ibiza, staying at an isolated villa on the unspoilt part of the coast. Thomas insists on bringing his friend Juliette, a girl of his own age with whom he enjoys a close platonic relationship. When it comes to physical love, Juliette is wise beyond her years. She will only sleep with men older than herself and has no intention of committing herself to a long-term relationship.

Willy, a middle-aged divorcee, decides to take his 15 year-old son, Thomas, on holiday to Ibiza, staying at an isolated villa on the unspoilt part of the coast. Thomas insists on bringing his friend Juliette, a girl of his own age with whom he enjoys a close platonic relationship. When it comes to physical love, Juliette is wise beyond her years. She will only sleep with men older than herself and has no intention of committing herself to a long-term relationship.

Philippe Garrel’s documentary on France’s second wave of masterful filmmakers. Featuring Jean Eustache, Chantal Akerman, André Téchiné, Leos Carax, Jacques Doillon and Benoit Jacquot.

여자는 변화가 심하다. 제인 버킨보다 더 그런 사람이 있을까? 이 변화무쌍한 영화는 수많은 계절을 지나, 수많은 많은 이야기들을 만들어낸다. 그녀는 자신의 유머러스한 감각 안에서 자유롭게 삶을 즐긴다. 제인 버킨은 영화 안에서 놀랄 만큼 다양한 퍼포먼스를 보여 준다. (한국시네마테크협의회 - 2010년 아녜스 바르다 회고전)

A love story. But while the first is in love with the girl, the second boy has just met her and isn't ready to give her up. And the girl in love no longer knows which one to choose. The second is willing to dissappear from her life, to sacrifice himself ; if she accepts to marry him abroad in utmost secrecy...

In this comedy drama, two lovers go on vacation to the fellow's summer home in southern France. Once there, the woman becomes quite jealous because she knows that many women have been at this house with him. She herself is not as experienced as he and secretly dreams of having many different lovers. Time passes and things become increasingly tense between them and they begin verbally attacking each other. Finally they make peace and love.

Pierre is the artistic director of a theater, and when his daughter Manon lets him know that she is coming to see him after a year's absence, Pierre decides to prepare for the meeting. He goes to the theater with his girlfriend Ariane and has the actresses in his troupe act out different aspects of his daughter's character. Unfortunately, this is not adequate preparation, for when Manon does show up, nothing goes quite as he imagined...

Pierre is the artistic director of a theater, and when his daughter Manon lets him know that she is coming to see him after a year's absence, Pierre decides to prepare for the meeting. He goes to the theater with his girlfriend Ariane and has the actresses in his troupe act out different aspects of his daughter's character. Unfortunately, this is not adequate preparation, for when Manon does show up, nothing goes quite as he imagined...

Bruno devises a mean to test the love of his girlfriend Isabelle. Since Isabelle had been in love with Alain in the past, Bruno invites Alain to a surprise birthday party for her at a hotel -- what better way to judge her feelings than to get them together? Alain arrives with his current girlfriend Lio. Soon after the two couples start the evening off, their polite exteriors deteriorate.

A young film director is turning a movie with his friend Christa. In the film-within-the-film there are two couples, one real, one imagined , and the film - told through five dreams - is as much the story of a film on-production, as the birth of a child.

Every Saturday, to the great despair of his wife, Emmanuel finds his daughter Elise, fruit of a first union. A demanding and excessive father in his passions, he went to lay a loving trap for Elise.

Every Saturday, to the great despair of his wife, Emmanuel finds his daughter Elise, fruit of a first union. A demanding and excessive father in his passions, he went to lay a loving trap for Elise.

Shortly after returning home one evening with her husband, Alma is visited by her one-time lesbian lover Carole. In the ensuing emotional torrent, Alma allows herself to be abducted by Carole and taken to a hotel, pursued by a young girl - an unnamed friend of Carole - and an eccentric bystander posing as a private detective. Before Alma and Carole can resolve their situation, Alma's husband Andrew appears on the scene and, in a mad frenzy, attempts to reclaim his wife…

Shortly after returning home one evening with her husband, Alma is visited by her one-time lesbian lover Carole. In the ensuing emotional torrent, Alma allows herself to be abducted by Carole and taken to a hotel, pursued by a young girl - an unnamed friend of Carole - and an eccentric bystander posing as a private detective. Before Alma and Carole can resolve their situation, Alma's husband Andrew appears on the scene and, in a mad frenzy, attempts to reclaim his wife…

A retired old man sees his life turned upside down by the discovery of the corpse of a young woman.

A young woman in a deep depression leaves her husband and returns to her parents. She discovers her father is having an affair, becomes jealous of his mistress and tries to turn his feelings in her direction.

A young woman in a deep depression leaves her husband and returns to her parents. She discovers her father is having an affair, becomes jealous of his mistress and tries to turn his feelings in her direction.

Twenty-year old misfit François earns his living by gathering boxes and bottles to resell to local shopkeepers. He lives with his grossly insensitive mother and stepfather. Mado is a gawky 11-year old, who is neglected by her family because of the oddness of the way she expresses her affection. For reasons which never become clear, François kidnaps Mado, and takes her to live with him in the attic of his parents' home. Instead of feeling fear, Mado enters into the spirit of the abduction, and they joust with one another, increasingly finding love and comfort in their relationship. When the police come upon them, however, they put an entirely different interpretation on their behavior.

Twenty-year old misfit François earns his living by gathering boxes and bottles to resell to local shopkeepers. He lives with his grossly insensitive mother and stepfather. Mado is a gawky 11-year old, who is neglected by her family because of the oddness of the way she expresses her affection. For reasons which never become clear, François kidnaps Mado, and takes her to live with him in the attic of his parents' home. Instead of feeling fear, Mado enters into the spirit of the abduction, and they joust with one another, increasingly finding love and comfort in their relationship. When the police come upon them, however, they put an entirely different interpretation on their behavior.

Jacques returns after a long absence to his wife Dominique and their daughter Lola in their isolated house, located on a hillside in Provence. Dominique is crouching and crying. She had asked Jacques to go because she could not stand him seeing her crying. Jacques powerlessly witnesses the excesses of Dominique's emotions. She understands that he loves another woman, and ousts him again...

Jacques returns after a long absence to his wife Dominique and their daughter Lola in their isolated house, located on a hillside in Provence. Dominique is crouching and crying. She had asked Jacques to go because she could not stand him seeing her crying. Jacques powerlessly witnesses the excesses of Dominique's emotions. She understands that he loves another woman, and ousts him again...

Jacques returns after a long absence to his wife Dominique and their daughter Lola in their isolated house, located on a hillside in Provence. Dominique is crouching and crying. She had asked Jacques to go because she could not stand him seeing her crying. Jacques powerlessly witnesses the excesses of Dominique's emotions. She understands that he loves another woman, and ousts him again...

Jacques returns after a long absence to his wife Dominique and their daughter Lola in their isolated house, located on a hillside in Provence. Dominique is crouching and crying. She had asked Jacques to go because she could not stand him seeing her crying. Jacques powerlessly witnesses the excesses of Dominique's emotions. She understands that he loves another woman, and ousts him again...

1941년 유태인 소년 두 명이 노란 별을 달고 나치하의 프랑스를 탈출하려고 피나는 노력을 하는 이야기.

1941년 유태인 소년 두 명이 노란 별을 달고 나치하의 프랑스를 탈출하려고 피나는 노력을 하는 이야기.

Baker's apprentice Chris is sacked from his job for being late. Unwilling to give up the flat that goes with the job, he and his friends resort to squatting. Liv, a Swedish girl moves in and is soon followed by Léon the car mechanic and Rosette, a girl from the bakery.

옆 통로에서 시작한다. 창문 앞에 서면 벽 밖에 보이지 않고 줄을 서도 임금을 받지 못한다. 이 영화는 또한 이름과 나이가 적힌 신분 증명서를 교환하면서 시작한다. 총파업은 이렇게 해제되고 모든 것이 작동을 멈췄다. 자동차는 물론 노동자들까지도. 마침내 거리에서도 사람들이 수군댄다. 뭐라 부를 말도 없고 할 말을 찾을 길도 없다. 새로운 사상은 그렇게 다가오고 있었다.

옆 통로에서 시작한다. 창문 앞에 서면 벽 밖에 보이지 않고 줄을 서도 임금을 받지 못한다. 이 영화는 또한 이름과 나이가 적힌 신분 증명서를 교환하면서 시작한다. 총파업은 이렇게 해제되고 모든 것이 작동을 멈췄다. 자동차는 물론 노동자들까지도. 마침내 거리에서도 사람들이 수군댄다. 뭐라 부를 말도 없고 할 말을 찾을 길도 없다. 새로운 사상은 그렇게 다가오고 있었다.