Aina Calleja

Eva’s being allowed to leave the psychiatric institution she’s lived in for six years. After a long year of waiting, the news arrive: an assisted living residence is found for her. Eva takes the first steps towards the "normal" life she longs for: to find a job, earn an income of her own, visit her mother... even find love. While she’s taking stock of her past and works on her self-confidence as well as her trust in the outside world, she also fixes firmly on her main goal: to reconnect with the son she lost custody of 20 years ago and ask him to forgive her. The First Woman is a film about second chances, the search for "normality" and the borderline between lucidity and darkness.

Eva’s being allowed to leave the psychiatric institution she’s lived in for six years. After a long year of waiting, the news arrive: an assisted living residence is found for her. Eva takes the first steps towards the "normal" life she longs for: to find a job, earn an income of her own, visit her mother... even find love. While she’s taking stock of her past and works on her self-confidence as well as her trust in the outside world, she also fixes firmly on her main goal: to reconnect with the son she lost custody of 20 years ago and ask him to forgive her. The First Woman is a film about second chances, the search for "normality" and the borderline between lucidity and darkness.

When a couple of filmmakers decide to shoot a documentary about couples in love, problems and tensions between the two force them to question their own relationship and the meaning of cinema.

When a couple of filmmakers decide to shoot a documentary about couples in love, problems and tensions between the two force them to question their own relationship and the meaning of cinema.

The human being feels generally as fascinated as fearful before death and the inevitable fact of dying. Workers at the cemetery of Palma de Mallorca, in Spain, face this harsh reality every day, so they have found a way to deal with it.

잘나가는 산부인과 의사 클라라. 미모에 능력까지 완벽한데 제대로 된 연애를 못 하는 게 문제. 부모님 결혼식에 동료를 남친이라며 데려갔다가 전 남친과 딱 마주친다.

Ever since her mum died when she was fifteen, Maria has taken care of her father and her siblings. Responsible and in control, she's always been a rock for the family and feels proud of her efforts. That's why her father's sudden love for his nurse and the announcement of their marriage brings Maria's world crashing down around her. At the age of 35 and unable to find a steady partner, she'll have to take the plunge and dare to change her own fate.

각자 내면에 버거운 문제를 간직한 사진작가 니콜라스와 불가사의한 여인 이사벨이 만나 급작스럽고 격렬한 사랑에 빠져든다.

An old man lives alone in a shabby cabin in a remote mountainous area of Mexico. His house is set to be demolished in order to facilitate the redevelopment of the area. He doesn't know how to protect his house. Time goes by and one day a young man shows up on his doorstep. Looking exhausted, he starts his new routine here, cooking and doing laundry just like the old man.

Director Hatuey Viveros' beautiful film unfolds as a fascinating exploration of contemporary life in Mexico, searching to understand today's world, while portraying a younger generation who lack an understanding of their past. And as we journey with Aina on her own discovery, it becomes clear that the process of her search is just as important as the results.

Ignacio is shooting a documentary on the people who disappeared in 1982 during the armed conflict in an indigenous Guatemalan village. Amongst the families are Delfina and her son Juan. Delfina still hopes to find her husband, but Juan knows who was responsible for the disappearance of his father: someone who still lives in the same village.

A married couple who are in an argument will discover that only silence will keep them together.

A married couple who are in an argument will discover that only silence will keep them together.

A married couple who are in an argument will discover that only silence will keep them together.

Three middle-class teenagers out on a high-octane ride to hell outside the safety of their "colonia"

Marce, his wife Adriana, his two sons, Mario and Jacqueline, and groom it, Carmelo, are the only members of Aztlan Circus, who wanders through the villages of Texcoco, north of Mexico City. The tightrope is the history of resistance in this family that persists in taking forward an old-fashioned circus because she is convinced of the importance of his art.