Adhemar Gonzaga
출생 : 1901-08-26, Rio de Janeiro, Rio de Janeiro, Brazil
사망 : 1978-01-29
Director
Documentary about the capital of Maranhão.
Director
Himself
Writer
Director
Producer
Producer
Producer
Not available.
Producer
Producer
Writer
Director
Screenplay
Director
Producer
Producer
The love misadventures of a teacher, a woman who gives up living in a big city in order to teach country children how to read and write.
Screenplay
The love misadventures of a teacher, a woman who gives up living in a big city in order to teach country children how to read and write.
Director
The love misadventures of a teacher, a woman who gives up living in a big city in order to teach country children how to read and write.
Producer
Screenplay
Writer
Producer
Producer
Producer
Producer
An unlucky woman checks in a hotel pretending to be a French baroness so she can have 24 hours of dream before comitting suicide.
Producer
Producer
Producer
Producer
Producer
Producer
A german adventurer leads an expedition before the Serra dos Martírios, whrere would be great treasures of the brazilian jungle.
Producer
Producer
A poor woman passes herself as singer that just arrives from Frances and becames a sensation on Rio de Janeiro's high society.
Producer
In a séance, Menezes' great-great-grandfather is brought back to life in present day (1936), over a century after his death at age 26. A free-spirited womanizer, he starts causing all sorts of trouble for the wealthy, respectable family of his descendants.
Writer
Two authors go look for a business to finance their dream musical.
Editor
Two authors go look for a business to finance their dream musical.
Producer
Two authors go look for a business to finance their dream musical.
Director
Two authors go look for a business to finance their dream musical.
Assistant Director
A man is looking for a radio singer named "Dulcineia." For this, he goes through the biggest hassles and problems. The plot, in fact, is an excuse for the exhibition of the musical numbers of the greatest Brazilian Radio artists.
Producer
A man is looking for a radio singer named "Dulcineia." For this, he goes through the biggest hassles and problems. The plot, in fact, is an excuse for the exhibition of the musical numbers of the greatest Brazilian Radio artists.
Themself
A man is looking for a radio singer named "Dulcineia." For this, he goes through the biggest hassles and problems. The plot, in fact, is an excuse for the exhibition of the musical numbers of the greatest Brazilian Radio artists.
Producer
A man kills his wife on their wedding night, after discovering she had been unfaithful. After being acquitted, he moves to the country, where he becomes part of a love triangle.
Screenplay
Carmen, a poor and beautiful woman, lives in a shantytown in Rio de Janeiro. All men desire her, including her stepfather, but she only has eyes for her boyfriend, Milton. After being expelled from home, she finds out her lover is married. Unhappy with her life, she finds a place in a boarding house and tries to find a job, with no success. Tired and starving, she ends up passing out in the street, being helped by a passer-by, who leaves her at writer Flávio Martins's house, a man torn between the proposal of an arranged marriage, an old flame, and the new guest.
Producer
Lelita, a rich young lady, is courted by Paulo, her cousin, but she has reason to believe he is also having na affair with Lelita's sister, which causes jealousy trouble, until all becomes clear and true love prevails.
Writer
Lelita, a rich young lady, is courted by Paulo, her cousin, but she has reason to believe he is also having na affair with Lelita's sister, which causes jealousy trouble, until all becomes clear and true love prevails.
Screenstory
Lelita, a rich young lady, is courted by Paulo, her cousin, but she has reason to believe he is also having na affair with Lelita's sister, which causes jealousy trouble, until all becomes clear and true love prevails.
In the beginning of the Twentieth Century, in Belo Horizonte, the industrial Sampaio lives in a manor house with his stepdaughter Carmen, who has a sort of engagement with Roberto...
No ônibus
The story evolves around four women. The two lead characters, Vera and Gilda, middle-class women, are poor but ambitious. They face the bourgeois characters, Helena and Diva.
Art Direction
The story evolves around four women. The two lead characters, Vera and Gilda, middle-class women, are poor but ambitious. They face the bourgeois characters, Helena and Diva.
Writer
The story evolves around four women. The two lead characters, Vera and Gilda, middle-class women, are poor but ambitious. They face the bourgeois characters, Helena and Diva.
Director
The story evolves around four women. The two lead characters, Vera and Gilda, middle-class women, are poor but ambitious. They face the bourgeois characters, Helena and Diva.