Adilkhan Yerzhanov
출생 : 1982-08-07, Dzhezkazgan, Kazakh SSR, USSR (now Kazakhstan)
약력
Adilkhan Yerzhanov (Kazakh: Әділхан Ержанов; born August 7, 1982; Dzhezkazgan) is a Kazakh filmmaker, screenwriter, editor and producer. Member of the European Film Academy (since 2018).
In 2009 he graduated from Kazakh National Academy of Arts with the major in “Film directing”. Adilkhan Yerzhanov is a two-time participant of the Cannes Film Festival's Official Program (“The Owners”, 2014, Official Selection, and “The Gentle Indifference of the World”, 2018, Un Certain Regard Section). Winner of “Asia Pacific Screen Awards-2019” (often referred to as “Asian “Oscars”) for “Achievement in Directing” for “A Dark, Dark Man” film. “The Owners” and “The Gentle Indifference of the World” were nominated for Asia Pacific Screen Award ("Best Feature Film", "Best Screenplay", "Achievement in Cinematography"). All of his films were premiered and awarded at many international film festivals. “The Owners” film was included in the 100 Best Asian Films catalogue, published in 2015 by Busan International Film Festival.
Screenplay
Tamara, in order to find her son, who was kidnapped during the riots, hires an escaped prisoner, Brayuk, a former interrogator. Brayuk agrees to help for money. But his methods prove harsh and Tamara does not accept Brayuk's methods, while he is alien to Tamara's ideas. They decide to find the boy together, and in this, perhaps, is the answer. People are people no matter go.
Director
Tamara, in order to find her son, who was kidnapped during the riots, hires an escaped prisoner, Brayuk, a former interrogator. Brayuk agrees to help for money. But his methods prove harsh and Tamara does not accept Brayuk's methods, while he is alien to Tamara's ideas. They decide to find the boy together, and in this, perhaps, is the answer. People are people no matter go.
Editor
This is the story of a teenage illegal migrant girl Ademoka who lives in Kazakhstan and is forced to be a beggar to survive. But at the same time she’s bright and talented and dreams of studying all the time. Her illegal status and absence of citizenship is a serious obstacle for that.
Screenplay
This is the story of a teenage illegal migrant girl Ademoka who lives in Kazakhstan and is forced to be a beggar to survive. But at the same time she’s bright and talented and dreams of studying all the time. Her illegal status and absence of citizenship is a serious obstacle for that.
Director
This is the story of a teenage illegal migrant girl Ademoka who lives in Kazakhstan and is forced to be a beggar to survive. But at the same time she’s bright and talented and dreams of studying all the time. Her illegal status and absence of citizenship is a serious obstacle for that.
Screenplay
The Kazakh village Karatas has long been subjugated by a criminal boss called Poshaev. He provides housing and jobs for the locals but will ruthlessly execute anyone who dares to oppose him. This is the lesson the pauper Arzu is about to learn first-hand—his wife Karina has informed the police about the crimes that are taking place there. Arzu is a cripple; now he must raise his little daughter alone. He is so helpless and grief-stricken that he doesn’t even seem to be contemplating revenge. Poshaev takes him under his wing and offers him the position of a guard at a building site. Soon Arzu has a chance to prove his loyalty, and he becomes Poshaev’s right hand. But where do Arzu’s real loyalties lie—with his boss or with the idea of justice?
Director
The Kazakh village Karatas has long been subjugated by a criminal boss called Poshaev. He provides housing and jobs for the locals but will ruthlessly execute anyone who dares to oppose him. This is the lesson the pauper Arzu is about to learn first-hand—his wife Karina has informed the police about the crimes that are taking place there. Arzu is a cripple; now he must raise his little daughter alone. He is so helpless and grief-stricken that he doesn’t even seem to be contemplating revenge. Poshaev takes him under his wing and offers him the position of a guard at a building site. Soon Arzu has a chance to prove his loyalty, and he becomes Poshaev’s right hand. But where do Arzu’s real loyalties lie—with his boss or with the idea of justice?
Editor
GALYA 40 an drink ,pugnacious pimp in an Omsk village bordering Kazakhstan.She is deprived of her rights to her daughter ZOY (8) and documents are collected in order to send the child to an orphanage.Galya steals her daughter, and together with her autistic boyfriend STASI-KOM (40), they are sent on smuggling routes to Kazakhstan.
Screenplay
GALYA 40 an drink ,pugnacious pimp in an Omsk village bordering Kazakhstan.She is deprived of her rights to her daughter ZOY (8) and documents are collected in order to send the child to an orphanage.Galya steals her daughter, and together with her autistic boyfriend STASI-KOM (40), they are sent on smuggling routes to Kazakhstan.
Director
GALYA 40 an drink ,pugnacious pimp in an Omsk village bordering Kazakhstan.She is deprived of her rights to her daughter ZOY (8) and documents are collected in order to send the child to an orphanage.Galya steals her daughter, and together with her autistic boyfriend STASI-KOM (40), they are sent on smuggling routes to Kazakhstan.
Editor
테러리스트로 보이는 정체불명의 사람들이 카라타스 마을의 한 학교를 점거하여 아이들을 인질로 잡아두고 어떤 협상도 하지 않고 있다. 게다가 거센 눈보라로 외부와의 통신이 끊겨 경찰 역시 지원군을 요청할 수 없다. 그러던 중, 인질로 잡힌 한 아이가 목숨을 잃게 되고, 지역 교사인 타즈시는 인질로 잡힌 아이들의 부모들과 함께 테러리스트를 공격할 팀을 조직한다.
Screenplay
테러리스트로 보이는 정체불명의 사람들이 카라타스 마을의 한 학교를 점거하여 아이들을 인질로 잡아두고 어떤 협상도 하지 않고 있다. 게다가 거센 눈보라로 외부와의 통신이 끊겨 경찰 역시 지원군을 요청할 수 없다. 그러던 중, 인질로 잡힌 한 아이가 목숨을 잃게 되고, 지역 교사인 타즈시는 인질로 잡힌 아이들의 부모들과 함께 테러리스트를 공격할 팀을 조직한다.
Director
테러리스트로 보이는 정체불명의 사람들이 카라타스 마을의 한 학교를 점거하여 아이들을 인질로 잡아두고 어떤 협상도 하지 않고 있다. 게다가 거센 눈보라로 외부와의 통신이 끊겨 경찰 역시 지원군을 요청할 수 없다. 그러던 중, 인질로 잡힌 한 아이가 목숨을 잃게 되고, 지역 교사인 타즈시는 인질로 잡힌 아이들의 부모들과 함께 테러리스트를 공격할 팀을 조직한다.
Editor
Selkeu Uashev is a local police officer at Karatas village. He’s not a man of high morals and can hardly be called a role model as a policeman. He turns a deaf ear to lots of criminal offences and takes bribes. For that he’s loved a lot by local criminals and frauds. But one day the commission arrives from the city to declare the big audit all over the village due to pandemic…
Screenplay
Selkeu Uashev is a local police officer at Karatas village. He’s not a man of high morals and can hardly be called a role model as a policeman. He turns a deaf ear to lots of criminal offences and takes bribes. For that he’s loved a lot by local criminals and frauds. But one day the commission arrives from the city to declare the big audit all over the village due to pandemic…
Director
Selkeu Uashev is a local police officer at Karatas village. He’s not a man of high morals and can hardly be called a role model as a policeman. He turns a deaf ear to lots of criminal offences and takes bribes. For that he’s loved a lot by local criminals and frauds. But one day the commission arrives from the city to declare the big audit all over the village due to pandemic…
Editor
Life in Karatas Village runs along an untroubled path, until its patriarchal way of life is challenged by Ulbolsyn, a woman whose coldblooded heart and blazing temperament are not afraid of setting everything on fire.
Screenplay
Life in Karatas Village runs along an untroubled path, until its patriarchal way of life is challenged by Ulbolsyn, a woman whose coldblooded heart and blazing temperament are not afraid of setting everything on fire.
Director
Life in Karatas Village runs along an untroubled path, until its patriarchal way of life is challenged by Ulbolsyn, a woman whose coldblooded heart and blazing temperament are not afraid of setting everything on fire.
Editor
카자흐스탄의 시골 마을에서 한 소년이 살해되는 사건이 발생한다. 벡자트 형사는 현지 경찰관들이 용의자를 찾아내자 가능한 빨리 이 사건 수사를 종결할 작정이었다. 그러나 도시에서 한 기자가 마을을 찾아오면서, 모든 것이 수포로 돌아간다.
Screenplay
카자흐스탄의 시골 마을에서 한 소년이 살해되는 사건이 발생한다. 벡자트 형사는 현지 경찰관들이 용의자를 찾아내자 가능한 빨리 이 사건 수사를 종결할 작정이었다. 그러나 도시에서 한 기자가 마을을 찾아오면서, 모든 것이 수포로 돌아간다.
Director
카자흐스탄의 시골 마을에서 한 소년이 살해되는 사건이 발생한다. 벡자트 형사는 현지 경찰관들이 용의자를 찾아내자 가능한 빨리 이 사건 수사를 종결할 작정이었다. 그러나 도시에서 한 기자가 마을을 찾아오면서, 모든 것이 수포로 돌아간다.
Writer
주인공 케르메크는 형기를 마치고 고향으로 돌아오는데, 그는 모든 것이 과거와 다르다는 것을 직감한다. 가혹한 범행을 서슴지 않는 범죄조직이 고향을 지배하고 있는 것이다. 케르메크는 이 범죄조직의 압력에 시달리고, 결국 범죄에 휘말린다. 그가 가지고 있는 유일한 희망은 연인 에바와 함께 자유를 찾아 떠나 극장을 짓는 것이다.
Editor
주인공 케르메크는 형기를 마치고 고향으로 돌아오는데, 그는 모든 것이 과거와 다르다는 것을 직감한다. 가혹한 범행을 서슴지 않는 범죄조직이 고향을 지배하고 있는 것이다. 케르메크는 이 범죄조직의 압력에 시달리고, 결국 범죄에 휘말린다. 그가 가지고 있는 유일한 희망은 연인 에바와 함께 자유를 찾아 떠나 극장을 짓는 것이다.
Director
주인공 케르메크는 형기를 마치고 고향으로 돌아오는데, 그는 모든 것이 과거와 다르다는 것을 직감한다. 가혹한 범행을 서슴지 않는 범죄조직이 고향을 지배하고 있는 것이다. 케르메크는 이 범죄조직의 압력에 시달리고, 결국 범죄에 휘말린다. 그가 가지고 있는 유일한 희망은 연인 에바와 함께 자유를 찾아 떠나 극장을 짓는 것이다.
Editor
The film tells the story of a street thug Atbai, who decides to take part in MMA tournament, where the winners are already decided. But Atbai is going to win, because for him this victory is a chance to start a new life: to return to big sports and to get his beloved woman back.
Screenplay
The film tells the story of a street thug Atbai, who decides to take part in MMA tournament, where the winners are already decided. But Atbai is going to win, because for him this victory is a chance to start a new life: to return to big sports and to get his beloved woman back.
Director
The film tells the story of a street thug Atbai, who decides to take part in MMA tournament, where the winners are already decided. But Atbai is going to win, because for him this victory is a chance to start a new life: to return to big sports and to get his beloved woman back.
Editor
콴디크와 살타낫은 벽지 시골 마을에서 도시로 온다. 살타낫의 가족은 부채에 시달리고 있다. 이 상황에서 살타낫은 선택의 순간에 직면한다. 그녀는 부유한 사업가의 동거녀로 살아갈 것인지 아니면 엄마의 빚으로 계속 고통 받는 삶을 살아갈 것인지를 결정해야 한다. 살타낫을 사랑하는 콴디크는 육체노동을 하면서 번 돈으로 그녀를 구하려 한다. 그러나 그가 낯선 도시에서 그녀의 빚을 대신 갚아주는 것은 불가능하다.
Screenplay
콴디크와 살타낫은 벽지 시골 마을에서 도시로 온다. 살타낫의 가족은 부채에 시달리고 있다. 이 상황에서 살타낫은 선택의 순간에 직면한다. 그녀는 부유한 사업가의 동거녀로 살아갈 것인지 아니면 엄마의 빚으로 계속 고통 받는 삶을 살아갈 것인지를 결정해야 한다. 살타낫을 사랑하는 콴디크는 육체노동을 하면서 번 돈으로 그녀를 구하려 한다. 그러나 그가 낯선 도시에서 그녀의 빚을 대신 갚아주는 것은 불가능하다.
Director
콴디크와 살타낫은 벽지 시골 마을에서 도시로 온다. 살타낫의 가족은 부채에 시달리고 있다. 이 상황에서 살타낫은 선택의 순간에 직면한다. 그녀는 부유한 사업가의 동거녀로 살아갈 것인지 아니면 엄마의 빚으로 계속 고통 받는 삶을 살아갈 것인지를 결정해야 한다. 살타낫을 사랑하는 콴디크는 육체노동을 하면서 번 돈으로 그녀를 구하려 한다. 그러나 그가 낯선 도시에서 그녀의 빚을 대신 갚아주는 것은 불가능하다.
Editor
Two workers are having a leisurely conversation. More and more often people see in the sky red tails of comets, wonder creatures appear from nowhere and a roar is said to be coming from the underground. What is the meaning of it all? – asks one of them. The other replies that he has never seen anything like that in his life. And even if all of the above mentioned exists, is it worthwhile paying attention to it? The important thing is to do one’s job because life goes its own way.
Screenplay
Two workers are having a leisurely conversation. More and more often people see in the sky red tails of comets, wonder creatures appear from nowhere and a roar is said to be coming from the underground. What is the meaning of it all? – asks one of them. The other replies that he has never seen anything like that in his life. And even if all of the above mentioned exists, is it worthwhile paying attention to it? The important thing is to do one’s job because life goes its own way.
Director
Two workers are having a leisurely conversation. More and more often people see in the sky red tails of comets, wonder creatures appear from nowhere and a roar is said to be coming from the underground. What is the meaning of it all? – asks one of them. The other replies that he has never seen anything like that in his life. And even if all of the above mentioned exists, is it worthwhile paying attention to it? The important thing is to do one’s job because life goes its own way.
Screenplay
The picture tells about the bailiff evicting the debtors on the payment of loans for housing. During one of his rounds, he meets a single mother who has not paid her mortgage for several months. An employee may temporarily not evict tenants if they pay 10% of the amount owed. However, the woman has no money. Finding herself in a difficult situation, she asks for help from the bailiff to find the necessary funds.
Editor
A new mayor comes to the remote village Karatas. A very strange illness reins over here. However somebody is used to live with it and says this is a simple flu.
Screenplay
A new mayor comes to the remote village Karatas. A very strange illness reins over here. However somebody is used to live with it and says this is a simple flu.
Director
A new mayor comes to the remote village Karatas. A very strange illness reins over here. However somebody is used to live with it and says this is a simple flu.
Self
A film director and an actor have worked till midnight at a film studio. A security guy locked all doors and so now our heroes have to look for an exit, walking through the studio and meeting various people on their way – famous Kazakh film directors, film critics and just strangers.
Editor
A film director and an actor have worked till midnight at a film studio. A security guy locked all doors and so now our heroes have to look for an exit, walking through the studio and meeting various people on their way – famous Kazakh film directors, film critics and just strangers.
Screenplay
A film director and an actor have worked till midnight at a film studio. A security guy locked all doors and so now our heroes have to look for an exit, walking through the studio and meeting various people on their way – famous Kazakh film directors, film critics and just strangers.
Director
A film director and an actor have worked till midnight at a film studio. A security guy locked all doors and so now our heroes have to look for an exit, walking through the studio and meeting various people on their way – famous Kazakh film directors, film critics and just strangers.
Screenplay
At night in Shymkent, a drunk driver knocks down three pedestrians to death. The driver turned out to be the son of an influential businessman who wants to avoid punishment by giving a bribe to witnesses. Two agree, except for one - a young student who refuses to keep silent for money and demands to transfer the case to the prosecutor. How will the student manifest himself when all the other witnesses have agreed to remain silent - will he remain true to his principles or, like everyone else, will he take the money?
Screenplay
Timur and his friends get involved in a criminal adventure on Lake Baikal, but everything does not end as they expected.
Editor
25 year-old John, his teenage brother Erbol, and their sickly 12 year-old sister Aliya, are forced to leave their house in the Kazakh city of Almaty. By luck their mother left them a house in a remote village, where they plan to prepare their comeback. But the house appears to be on the wish list of the District Officer’s alcoholic brother, who has lived there illegally for 10 years.
Producer
25 year-old John, his teenage brother Erbol, and their sickly 12 year-old sister Aliya, are forced to leave their house in the Kazakh city of Almaty. By luck their mother left them a house in a remote village, where they plan to prepare their comeback. But the house appears to be on the wish list of the District Officer’s alcoholic brother, who has lived there illegally for 10 years.
Screenplay
25 year-old John, his teenage brother Erbol, and their sickly 12 year-old sister Aliya, are forced to leave their house in the Kazakh city of Almaty. By luck their mother left them a house in a remote village, where they plan to prepare their comeback. But the house appears to be on the wish list of the District Officer’s alcoholic brother, who has lived there illegally for 10 years.
Director
25 year-old John, his teenage brother Erbol, and their sickly 12 year-old sister Aliya, are forced to leave their house in the Kazakh city of Almaty. By luck their mother left them a house in a remote village, where they plan to prepare their comeback. But the house appears to be on the wish list of the District Officer’s alcoholic brother, who has lived there illegally for 10 years.
Editor
Two brothers and their little sister are thrown out of their flat because they haven't paid the rent. The orphans pack up their few possessions and go out to the country, where the family owns a small plot of land. The children set up camp, knowing they have to fend for themselves. But this solution is insecure, too: they are told, in no uncertain terms, that all plots will shortly pass to the state unless at least the foundations of a house have been laid. The threesome get down to work, making night-time visits to neighboring sites to 'borrow' tools and materials, then building by day. But no sooner are the foundation walls complete than an unsympathetic policeman ad...
Director of Photography
Two brothers and their little sister are thrown out of their flat because they haven't paid the rent. The orphans pack up their few possessions and go out to the country, where the family owns a small plot of land. The children set up camp, knowing they have to fend for themselves. But this solution is insecure, too: they are told, in no uncertain terms, that all plots will shortly pass to the state unless at least the foundations of a house have been laid. The threesome get down to work, making night-time visits to neighboring sites to 'borrow' tools and materials, then building by day. But no sooner are the foundation walls complete than an unsympathetic policeman ad...
Screenplay
Two brothers and their little sister are thrown out of their flat because they haven't paid the rent. The orphans pack up their few possessions and go out to the country, where the family owns a small plot of land. The children set up camp, knowing they have to fend for themselves. But this solution is insecure, too: they are told, in no uncertain terms, that all plots will shortly pass to the state unless at least the foundations of a house have been laid. The threesome get down to work, making night-time visits to neighboring sites to 'borrow' tools and materials, then building by day. But no sooner are the foundation walls complete than an unsympathetic policeman ad...
Director
Two brothers and their little sister are thrown out of their flat because they haven't paid the rent. The orphans pack up their few possessions and go out to the country, where the family owns a small plot of land. The children set up camp, knowing they have to fend for themselves. But this solution is insecure, too: they are told, in no uncertain terms, that all plots will shortly pass to the state unless at least the foundations of a house have been laid. The threesome get down to work, making night-time visits to neighboring sites to 'borrow' tools and materials, then building by day. But no sooner are the foundation walls complete than an unsympathetic policeman ad...
Screenplay
Darik, a young man, wastes his life enjoying drinks, women and casinos. Suddenly he gets into the past, in a very strange and dangerous ancient time, surrounded by very strange and particular people.
Director
Darik, a young man, wastes his life enjoying drinks, women and casinos. Suddenly he gets into the past, in a very strange and dangerous ancient time, surrounded by very strange and particular people.
Director of Photography
Short course work by Adilkhan Erzhanov
Editor
Short course work by Adilkhan Erzhanov
Screenplay
Short course work by Adilkhan Erzhanov
Director
Short course work by Adilkhan Erzhanov
