Paulo Gustavo

This film is for those who really miss Paulo Gustavo! 'SON OF A MOTHER' shows the delightful complicity between the actor and Dona Déa, his inspiration to create Dona Hermínia. With never-before-seen footage, the film follows the funny and exciting backstage of the artist's last tour. Get ready to laugh, cry and remember why Paulo Gustavo is unforgettable.

Dona Hermínia and other renowned characters from Paulo Gustavo, such as Senhora dos Absurdos and Maria Enfisema, are in the '220 Volts Special New Year'.

Dona Hermínia and other renowned characters from Paulo Gustavo, such as Senhora dos Absurdos and Maria Enfisema, are in the '220 Volts Special New Year'.

Dona Hermínia will have to rediscover and reinvent herself because her children are forming new families. This supermom will have to deal with a new life scenario: Marcelina is pregnant and Juliano is getting married.

Dona Hermínia will have to rediscover and reinvent herself because her children are forming new families. This supermom will have to deal with a new life scenario: Marcelina is pregnant and Juliano is getting married.

With the help of her best friend, Fernanda now has to deal with the perks of being married, or perhaps unmarried.

With the help of her best friend, Fernanda now has to deal with the perks of being married, or perhaps unmarried.

Ângela Cristina, mother of teenager Maria de Lourdes, has to deal with the difficulties and delights of guiding her daughter during one of the most complicated stages of life.

The 1990s marked the success of the boy-band Chocante. Twenty years later, the group has disbanded and the members took different paths in life. The old colleagues gather for an unexpected event, the death of one of the group members.

Dona Hermínia is back, but now rich and famous since she is the host of her own successful TV show. However, the overprotective character will have to deal with her children's departures, as Marcelina and Juliano decide to move out. In counterpart, she will welcome, as a visitor, her sister Lúcia Helena, who's been living in New York.

Dona Hermínia is back, but now rich and famous since she is the host of her own successful TV show. However, the overprotective character will have to deal with her children's departures, as Marcelina and Juliano decide to move out. In counterpart, she will welcome, as a visitor, her sister Lúcia Helena, who's been living in New York.

Valdomiro gets involved in yet another scheme, this time involving the same people that tricked him into losing everything - and he brings everyone from Ms. Jô's hostel along.

Valdomiro gets involved in yet another scheme, this time involving the same people that tricked him into losing everything - and he brings everyone from Ms. Jô's hostel along.

Successful at work, Fernanda is an example of women of the third millennium, free to make their choices and independent. Yet in her personal life she finds herself struggling to find a husband. Like other women of her generation, Fernanda put her personal life on hold to devote herself to her career and now suddenly feels her love life situation has become an emergency. Being single at 39 is quite different from being single at 29, after all "the fertile egg has an expiration date"!

브라질 전역에 걸쳐 1백만명이 넘는 관객을 끌어들인 파울로 구스타보의 동명 연극을 영화한 작품으로, 2013년 자국 박스오피스에서 경이적인 흥행 성적과 더불어 비평가들의 호평을 받은 코미디 영화이다. 정년퇴직한 중년 여성인 에르미니아 부인의 가장 큰 걱정은 홀로 아이들을 돌보는 것이다. 하지만 이제는 훌쩍 자란 아이들이 자꾸만 부인과 대립하게 된다. 부인은 아이들과 말다툼 이후, 아이들과 잠시 떨어져 있기로 하고, 집을 나오기로 한다. 직장도 없고, 동반자도 없는 에르미니아 부인은 늙은 이모의 집으로 가 마음의 짐을 덜기로 한다. 이모의 집으로 온 에르미니아 부인의 마음은 점점 더 무거워진다. 아직도 그녀의 돌봄이 필요한 아이들을 떠나온 죄책감과 아이들에 대한 그리움이 밀려오는데...

브라질 전역에 걸쳐 1백만명이 넘는 관객을 끌어들인 파울로 구스타보의 동명 연극을 영화한 작품으로, 2013년 자국 박스오피스에서 경이적인 흥행 성적과 더불어 비평가들의 호평을 받은 코미디 영화이다. 정년퇴직한 중년 여성인 에르미니아 부인의 가장 큰 걱정은 홀로 아이들을 돌보는 것이다. 하지만 이제는 훌쩍 자란 아이들이 자꾸만 부인과 대립하게 된다. 부인은 아이들과 말다툼 이후, 아이들과 잠시 떨어져 있기로 하고, 집을 나오기로 한다. 직장도 없고, 동반자도 없는 에르미니아 부인은 늙은 이모의 집으로 가 마음의 짐을 덜기로 한다. 이모의 집으로 온 에르미니아 부인의 마음은 점점 더 무거워진다. 아직도 그녀의 돌봄이 필요한 아이들을 떠나온 죄책감과 아이들에 대한 그리움이 밀려오는데...

Based on the book O Fantástico Mistério de Feiurinha, the story combines real world and fantasy, dream and determination, with a surprising end, even for a fairy tale. The movie shows the fight of the fairy tale characters, now adults, who come together to recover the fable of the Little Ugly Princess, a beautiful Princess with a strange name, which only makes sense for those who know her story. The problem is that children and adults have forgotten the story of the Little Ugly Princess, which is as wonderful as other major fables for children. Cinderella brings together other fairy tale characters to meet the writer who keeps, lost in a small notebook, the Little Ugly Princess story.

In Rio de Janeiro, the forty and something years old Mercedes (Lília Cabral) goes to the psychoanalyst and tells the story of her life since she was a girl and lost her mother. Along the three years of analysis, her life changes and she divorces from her husband Gustavo (José Mayer) and has love affairs with the younger Theo (Reynaldo Gianecchini)

Clumsy old lady Dina Rocha lives with her son Marcelo. After a series of incidents at home, she moves to her house in Santa Teresa. She meets her friend Nonô and she pays a visit to her old friend. Her sons do not know where she is and they go to the hospitals and morgues. Coincidently there is the body of an old lady smashed by a truck and they believe that she is their mother. Meanwhile two smalltime thieves break in Nonô's house and keep the two old ladies locked in the bathroom. During the funeral of Dina Rocha, the dysfunctional families have a quarrel disputing their heritage.