Anucha Boonyawatana

Anucha Boonyawatana

출생 : 1981-05-04, Nakhon Pathom, Thailand

약력

Anucha Boonyawatana (Thai: อนุชา บุญยวรรธนะ) is a Thai independent filmmaker. Her thesis film, Down the River, won the Young Thai Artist Award and has been shown at several film festivals. Her first feature film, The Blue Hour, premiered at Berlinale Panorama in 2015. In 2017, she won the Best Director award at the Singapore International Film Festival for her second feature film Malila: The Farewell Flower.

프로필 사진

Anucha Boonyawatana

참여 작품

Not a Time to Celebrate
Director
A young filmmaker has just unsatisfyingly captured the last shot for her film. While the crew encourages her to celebrate, she fears that the battle has just begun. Thankfully, she knows that worrying is never the answer. Instead, she turns to a traditional, evil-warding, garland-scattering ritual to direct all misfortune away from her film.
마릴라: 이별의 꽃
Producer
과거 동성 연인이었던 셰인과 피치는 만남과 이별을 거쳐, 각각 가정을 이루고 살다가 재회한다. 피치는 불치병으로 죽음을 준비하고 있고, 속세를 떠나 중이 되려는 셰인은 사랑하던 이의 죽음을 화두로 삼아 고행과 정진을 이어가지만…. (2017년 제22회 부산국제영화제)
마릴라: 이별의 꽃
Editor
과거 동성 연인이었던 셰인과 피치는 만남과 이별을 거쳐, 각각 가정을 이루고 살다가 재회한다. 피치는 불치병으로 죽음을 준비하고 있고, 속세를 떠나 중이 되려는 셰인은 사랑하던 이의 죽음을 화두로 삼아 고행과 정진을 이어가지만…. (2017년 제22회 부산국제영화제)
마릴라: 이별의 꽃
Writer
과거 동성 연인이었던 셰인과 피치는 만남과 이별을 거쳐, 각각 가정을 이루고 살다가 재회한다. 피치는 불치병으로 죽음을 준비하고 있고, 속세를 떠나 중이 되려는 셰인은 사랑하던 이의 죽음을 화두로 삼아 고행과 정진을 이어가지만…. (2017년 제22회 부산국제영화제)
마릴라: 이별의 꽃
Director
과거 동성 연인이었던 셰인과 피치는 만남과 이별을 거쳐, 각각 가정을 이루고 살다가 재회한다. 피치는 불치병으로 죽음을 준비하고 있고, 속세를 떠나 중이 되려는 셰인은 사랑하던 이의 죽음을 화두로 삼아 고행과 정진을 이어가지만…. (2017년 제22회 부산국제영화제)
The Blue Hour
Screenplay
Tam, a bullied loner, finds solace in the arms of Phum, a boy he meets at a haunted swimming pool. Phum reveals that his family's land has been stolen and the new found lovers imagine a perfect life together on the disputed land. Haunted by a ghostly presence, Tam struggles to stay connected to reality.
The Blue Hour
Producer
Tam, a bullied loner, finds solace in the arms of Phum, a boy he meets at a haunted swimming pool. Phum reveals that his family's land has been stolen and the new found lovers imagine a perfect life together on the disputed land. Haunted by a ghostly presence, Tam struggles to stay connected to reality.
The Blue Hour
Director
Tam, a bullied loner, finds solace in the arms of Phum, a boy he meets at a haunted swimming pool. Phum reveals that his family's land has been stolen and the new found lovers imagine a perfect life together on the disputed land. Haunted by a ghostly presence, Tam struggles to stay connected to reality.
Erotic Fragments No. 1, 2, 3
Producer
Three is the rule. The film has three parts. Each part has three shots and each shot is thirty seconds in length. Three characters share their erotic desires from the point of view of a third class citizen in contemporary Thai society.
Erotic Fragments No. 1, 2, 3
Screenplay
Three is the rule. The film has three parts. Each part has three shots and each shot is thirty seconds in length. Three characters share their erotic desires from the point of view of a third class citizen in contemporary Thai society.
Erotic Fragments No. 1, 2, 3
Director
Three is the rule. The film has three parts. Each part has three shots and each shot is thirty seconds in length. Three characters share their erotic desires from the point of view of a third class citizen in contemporary Thai society.
Down the River
Director
Krit is openly gay, but his closest friend, Win, is questioning. As they grow older, their love is tested when the two finally explore their passion. Down the River is a daring exploration of friendship and intimacy.
Down the River
Writer
Krit is openly gay, but his closest friend, Win, is questioning. As they grow older, their love is tested when the two finally explore their passion. Down the River is a daring exploration of friendship and intimacy.