Sid Ahmed Agoumi

The life of a Middle-East family of immigrants in Europe. The father carries the heavy burden of banishment. To rescue his culture, his traditions, is mandatory, so he remains faithful to his past, his origins, to himself. His daughter is now a grown-up. He worries and wishes she would get married soon. The young woman leaves the family home every morning, but changes her clothes in a bar before she goes to work, her hair down. She puzzles the young boss of the company that employs her. He fell in love and is ready to do anything to marry her. But the young woman keeps her freedom of choice, just like her mother had done with her father. She won’t have time to introduce the only man for her to her parents. A friend of her father’s catches them. In a cafe.

Dino Fabrizzi is the number one seller of the Maserati dealership in Nice. At 42, he arrives at a turning point in his life, the position of director is openly proposed and his companion for a year, Helen, has the firm intention to marry her. For Dino, life is great, except that this perfect life was built on a lie. Dino is actually called Mourad Ben Saoud. Neither his boss nor Helen and even less his parents are aware of this false identity. In ten days begins Ramadan and Mourad who passes every year will this time assume the promise made to his sick father. Taking part in Ramadan, For Dino - the Italian - it will not be easy.

A poor man rescues a rich man from burglars. as a way for thanking him The rich guy invite him and his family to come and live in his luxurious hotel. The poor family's life turns upside down in their new home.

En 1988, alors que tout le monde rêvait d'aller faire fortune en Amérique, Johnny Leclerc, lui, ne rêvait que de devenir petit épicier en Algérie. Voici l'histoire de sa réussite !

Algerian journalist Sahafi is faced with a dilemma. If he returns to Algeria, he's almost certain to be assassinated. If he takes political asylum in the Netherlands, he is treated like a pariah.

This film deals with the aftermath of the Algerian war of liberation. Georges Montero, an Algerian-born Frenchman, manages an olive canning factory in Oran. He travels to Paris for a cataract operation. Marinette, his sister, and Belka, his friend and a recent immigrant, want him to return to France permanently. Friction develops between the two friends as Georges is pressured to sell his factory. Friendship developed between Georges and his surgeon, who as a French Arab has severed ties with his culture and country of origin.

The story of the film revolves around the epic of Sheikh Bouamama, a leader of the national resistance in Algeria during the French colonial era. The events are taking place in southwestern Algeria. The film also tells about different stages of the resistance, especially about one of the uprisings of the Algerian people, namely "the battle of the sons of Sidi Sheikh Bouamama", in which French General Leuti was appointed to try to suppress and end this resistance.

Directed by Ahmed Rachedi.

Rabie is a kid from Sétif in 1980, trying to collect money to buy a wheelchair for his paralyzid sister Sassia, so she can get out of the house.

A revolutionary militant is killed during the repression of May 1945. His son, who is unaware of the real circumstances of the murder, ends up being attached to the ideal for which his father died.

오랫동안 정치적 망명을 떠났던 과학자 제트가 고국으로 돌아온다. 1963년 5월, 그는 핵실험을 반대하는 연설을 하던 도중 원인 모를 습격을 받아 중태에 빠지게 된다. 정부에서는 그 사건의 진실을 묻어두기 위해 판결을 조작한다. 그러나 제트의 희생이 정부 관료에 의해 꾸며진 음모라는 것이 밝혀지고, 이 사건을 묵인하려 했던 정부 관료들이 실형을 선고받게 된다. 그러나 1967년 쿠테타가 발생하고 군사 독재 정권이 들어서자 이들은 다시 복권된다.

Partly influenced by the Western genre, the film tells the story of a small group of mountainous bandits (escapees of the prison) who fight, in their own way, against the absurdity of the colonialist powers' presence.

The Algerian War is seen through the eyes of a group of Algerian freedom-fighters who have been captured and incarcerated in French-run military prisons both in France and Algeria. In addition to attempts at escape, this prison drama also includes propaganda and brainwashing attempts by the French and scenes of torture. In what is possibly the most horrible torture of all, the inmates are forced to listen to broadcast speeches by General Charles de Gaulle -- speeches which illustrate the changing relations between the French and the Algerians.

The first Algerian fictional feature.

This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.