Bulldog
A man is killed and his friend is charged for the crime but he isn't guilty, he must now find the real murderer.
When Bobby Terón decides to return to the ring after retiring as a boxer, he faces opposition from his wife. While his wife believes that Bobby is not fit to fight, his manager Hernandez assures him that the boxer will regain his prestige. Hernandez arranges a fight, only this time he is not willing to submit to an unfair decision like the one that ended his pupil's career and decides to play with the same weapons.
El Tuercas
On Christmas Eve, three thieves brutally murder a woman and one of her daughters, leaving behind a second half-dead daughter named Elena (Patricia Rivera). When Elena recovers, she decides to change her identity with plastic surgery and hunt down the killers, dispatching of them in gory ways that involve a chainsaw, a drill and much more. Only a cop (Roberto 'Flaco' Guzman) can stop her by following the bloody trail she leaves on her suicidal quest for revenge.
Baltazar
The sequel to 'La muerte del chacal' finds the murderer from the first film still alive, and back to kill more unsuspecting victims. His brother is once again out to stop him.
If you have even the slightest interest in latsploitation, it’s only a matter of time before you come across El Día de los Albañiles (The Day of the Bricklayers). Released in 1984, this film embodies everything that was “wrong” with Mexican cinema in the 1980s. However, the film managed to become somewhat popular and was followed by three sequels, titled more or less the same, in 1985, 1987 and 1990.
Backstage comedy; singer-dancer and her songwriter husband pretend to have an open relationship, because it makes them look smart and modern.
