Nils Aréhn

King Christian II rides busy street by Sweden which he now put under him, while he remembers what he did against the Swedes at the Stockholm Bloodbath. In dala heels walk a lonely man, dressed as a peasant. It's the one the Danes would prefer to get hold of - Gustaf Eriksson Vasa . He goes from Rankhyttan to Ornäs , where he is kindly received by the farmer Arendt Persson, but Arendt is a deceitful man who has thought enter Wasa to the Danish bailiff. But Arendt's wife helps Wasa to escape and he continues his long journey.

This the story of a wizard elk - Rauten, as people called him. He was a human being in animal guise. The story begins in Ré Valley, which lies like a yawning gap between mountains, long and flat with borders of forests so dark that they look as though part of the blackness of night lingered in them. A river moves sluggishly along the bottom of the valley, making its way slowly and carefully between stretches of light-red sand. It runs northwards, a rare thing in Norway.

Ragnhild is a girl who enjoys dancing. Her school teacher forbids her to go to the dance hall. She rebels against the ban by setting the hall on fire. The outbreak of fire becomes extremely violent.

여학생 카챠 코크가 남동생의 연미복을 입고 무도회에 참석했다가 추문을 일으키는 내용을 담았다. 카린 스반스트룀 감독이 작은 마을 바드셰핑의 절대 군주 ‘학장 미망인’을 연기한다.

"The Ingmar Inheritance". The story of a group of farmers who choose to leave their homes and follow the preacher Helgum to the Holy Land.

The young adventurer Signature Hjelm meets one day a runaway carriage, and succeeds by a resourceful and daring intervention to avert an accident. The rig belongs to Gustav III's favorite, Baron Armfelt, and as a reward for his feat will Ture service of the king's guard. Conspirators trying maple certainly entice him over to the king's enemies, but Ture reports Gustaf receiving a grim and determined expression on his face: "Spies even here!" His confidence Signature increases.

A shoemaker purchases a lottery note with two friends, and hides it from his wife for safekeeping. He soon learns that their ticket has the winning numbers but is afraid to tell his colleagues it is missing. Based on the play by Algot Sandberg.

Three boys steal a sailboat and sail away for a summer adventure on Lake Mälaren. Based on Sigfrid Siwertz's novel.

The jeweler Edmond gets a competitor, Mr. Snyder, who specializes in imitations. Snyder challenges him and claims he can make a perfect imitation of a pearl Edmond chooses.

Paul is a student does not devote to much time for studies. He enjoys the pleasures of life. Babette is a girl who dreams about a life in luxury. Paul falls in love with Babette.

새해 전날 밤, 부인에 대한 증오심으로 자기파괴적 성향을 지니게 된 다비드 홀름은 공동묘지에서 술을 마시며 저승사자에 대한 전설을 떠들다 싸움이 붙어 동료에게 살해당한다. 저승의 규칙에 따라 새로 유령마차를 끌게 된 이 남자는 지난 해의 마부에게 자신의 운명에 얽힌 두 여인의 이야기를 듣게 되는데...

'Pojken' (The Boy) has been a student in Uppsala for many, many years. Many years ago he found a baby girl outside the fraternity house during a party. 'Pojken' made sure that the girl could grow up in the countryside and has ever since sent money to the foster mother. However, the girl, Carolina, has moved back to Uppsala. She now lives with her real mother who has married the nutty professor Hambreus. Carolina does not know anything about 'Pojken' or the money he has sent. But now he has decided to reveal the truth for her.

Karin Daughter of Ingmar is a 1920 Swedish silent drama film directed by Victor Sjöström. It is the second part in Sjöström's large-scale adaption of Selma Lagerlöf's novel Jerusalem, following Sons of Ingmar from the year before, and depicting chapter three and four from the novel. The critical reception was however unenthusiastic and Sjöström decided to not direct any more parts.

A series of family entanglements develop around the changing will of Roger Bernhuses de Sars (Karl Mantzius), who wants his heritage to go to his illegitimate daughter Blenda (Greta Almroth). But love and fate also plays their cards. One of the most surprising films of Sjöström, close to Stroheim and some of the silent comedies of Lubitsch. Belonging to the golden age of Swedish film, this comedy offers one of the earliest explorations of the relationship between masters and servants on the screen, later developed by French masters like Renoir and Guitry. After acting in the diptych of Thomas Graal, Sjöström shows that he also dominates the “light genre” as director.

At the Stora Morgonbladet newspaper office the daily work has started, at the same time the journalist Maggie Frisch has just noticed how late she is and what a great position in the paper her article from yesterday has received. She hopes to use the success of her article to lessen the anger of her boss when she gets to the office.

A stranger comes to work at widow Halla's farm. Halla and the stranger fall in love, but when he is revealed as Eyvind, an escaped thief forced into crime by his family's starvation, they flee and become two of the many outlaws of Iceland's mountains.

A 1917 Swedish drama film directed by Victor Sjöström, based on a 1913 novel by Selma Lagerlöf. It was the first in a series of successful Lagerlöf adaptions by Sjöström, made possible by a deal between Lagerlöf and A-B Svenska Biografteatern (later AB Svensk Filmindustri) to adapt at least one Lagerlöf novel each year. Lagerlöf had for many years denied any proposal to let her novels be adapted for film, but after seeing Sjöström's Terje Vigen she finally decided to give her allowance.