João Moreira

Maduro, D. Lourenço manages to take away Joao Bolandas, to be with the woman, Florinda, his old love, that returns that feeling to him. Simão discovers the mother's connection with D. Lourenço and, from then on, only one desire guides him: to kill Florinda's lover.

Rui, a young musician, is writing poems for the vaudeville company.

After a fatal crash involving her brother, Elsa tries to escape her corrupt & prejudiced background, making Francisco (the victim’s dad) – a wealthy family’s driver – resign himself with the unavoidable so as not to compromise his employer’s son, thus trying to gain something from the tragedy.

The characteristic loves of Margarida and Clara, the distinct moral of Pedro and Daniel, the goodness of João Semana, and the dissidents, sensibility, tenderness, rituals and landscape involvement of the Minho.

The struggle between two friends: one, symbolizes the deepest incredulity about religion; the other, priest Manuel, endures insults with stoic resignation, but doesn't give up on installing words of faith in the hope of recovering his soul for God. In a pathetic atmosphere, in which everyone defends the primacy of their beliefs, they feel surrounded by a bundle of circumstances linked to a secret of love, with an unexpected and disconcerting outcome ...

Tó and Pedro are cyclists from rival clubs, sponsored by small, highly competitive local companies: Famel (bicycles) and Caves (wines). Their competition extends to girls. Clara, the school teacher, ends up by marrying Tó, after he suffers a nasty accident which Pedro was involved - or that may have been Pedro's fault. 1 year later, it's again competition day when Clara gives birth to a son, and a similar head-to-head race finish...

Rosa Maria, whose father is a sailor, was picked up by Tomé, having a child of her son Renato, who is expelled from home.

The sea, often treacherous, is the only source of living of the people of Nazaré. The film tells the story of António and his family, where no dreams are allowed. There is also the mourning of the woman in black wailing silently on the beach or waiting for their children lost in the sea.

Melancholic and atheist bank clerk Manuel is stuck in a love triangle with two women, the fiery art model Albertina and the quiet and religious Ana Maria. After spending several years working in Africa, Manuel returns to Portugal only to find both women already married, and his life marred by problems.

The tragedy of a woman who - after seven years of vain searches - gave up hope of finding her husband, a knight lost in battle in Marroc with Sebastião, king of Portugal. She marries, has a daughter by her second husband, and endures the silent reproach of an aid, Telmo Pais, the only who kept his hope that his master shall return, as well as the king... One day, a mysterious pilgrim arrives at the mansion.

Ana Maria loves a modest guitar player, Júlio; when she herself in a 'retiro' (typical fado tavern), public and critics rend major applause. Fame brings about new friends, namely bohemian young who play and sing the fado with her, and not so young men but who rich and powerful enough to patronize her, promote her, and wish to become intimate with her. Júlio the guitarist feel betrayed, and he sets his mind to depart to the African colonies, to leave her forever. Knowing that he's going to embark, Ana Maria's heart between her first love, and the appeal of the rich and famous.

16세기에 활동한 포르투갈의 대표적 작가인 루이스 드 카몽이스의 삶을 그린 영화. 그는 전쟁에서 한 쪽 눈을 잃고, 억울하게 감옥에 갇히고, 거친 항해 도중 사고로 사랑하는 사람을 잃기도 하지만 지치지 않는 열정으로 아름다운 시를 써낸다.

The fatalism caught up and the amorous tragedy between Teresa de Albuquerque and Simão Botelho, who survives the intolerant litigation of her noble families.