Sara Gómez

Sara Gómez

출생 : 1942-11-08, La Habana, Cuba

사망 : 1974-06-02

약력

Sara Gómez was a Cuban filmmaker, screenwriter, musician and journalist. She is recognized as the first Cuban woman to direct a fiction film: De cierto manera (1974).

프로필 사진

Sara Gómez
Sara Gómez

참여 작품

Oliver's Universe
Executive Producer
The year is 1985. Oliver, a boy with an overflowing imagination, moves with his family to the southernmost corner of Europe, just as Halley's Comet is about to pass by. These events will mark a before and after in the emotional life of Óliver, who will look to the stars for the solution to his problems in the new school, in the neighborhood and at home. To make matters worse, his grandfather, nicknamed "el majara" is encouraged to help him interpret the comet's message and take a step forward in his new Universe.
어떤 방법으로
Writer
혁명 이후 쿠바의 가난한 동네에서 살아가는 사람들을 그린다. 새로운 주택 단지가 건설된 후에도 이들이 추구하는 가치와 역할 모델은 바뀌지 않는다. 새로운 사회는 즉각 만들어질 수 없는 법이다. 초등학교 교사 욜란다와 승합차 생산 공장 노동자 마리오는 연인이 된다. 욜란다는 소외된 학생들을 통합하는 교육학적 접근을 위해 분투하다 동료 및 학부모 들과 마찰을 겪는다. 한편, 마리오는 가부장적 역할 모델을 내려놓기 어려워한다.
어떤 방법으로
Director
혁명 이후 쿠바의 가난한 동네에서 살아가는 사람들을 그린다. 새로운 주택 단지가 건설된 후에도 이들이 추구하는 가치와 역할 모델은 바뀌지 않는다. 새로운 사회는 즉각 만들어질 수 없는 법이다. 초등학교 교사 욜란다와 승합차 생산 공장 노동자 마리오는 연인이 된다. 욜란다는 소외된 학생들을 통합하는 교육학적 접근을 위해 분투하다 동료 및 학부모 들과 마찰을 겪는다. 한편, 마리오는 가부장적 역할 모델을 내려놓기 어려워한다.
Sobre horas extras y trabajo voluntario
Director
Opinions of workers of the textile industry on the theses of the XIII Labor Congress of the CTC.
De Bateyes
Screenplay
Documentary about the history of the bateyes, informal settlements surrounding the mills to house workers. Throughout the film, Sara Gómez recovers the political and cultural relevance of black migrants.
De Bateyes
Director
Documentary about the history of the bateyes, informal settlements surrounding the mills to house workers. Throughout the film, Sara Gómez recovers the political and cultural relevance of black migrants.
Poder Local, Poder Popular
Director
About the election in assembly of the President of the Poder Popular (Popular Power)
Mi Aporte
Director
An illustration of the difficulties women encounter when they seek to achieve economic integration and equality with men in a country at the height of revolution.
Isla del tesoro
Director
A short poetic evocation by Sara Gómez of Isla de Pinos, the island where Fidel Castro was imprisoned by Batista, where the revolution builds a new society. A juxtaposition of the Presidio Modelo prison with citrus production.
On the Other Island
Director
Loose collection of individual portraits of the inhabitants of the Isle of Pinos [now Isla de la Juventud], who tell their stories, share ideas and discuss topics such as racism and crime.
Una isla para Miguel
Director
In this film, Sara Gómez documents the everyday life of the Isla de Pinos, the discussions about the problems of construction, the school and the leisure activities of the youth in 1968 and contextualizes these images with Frantz Fanon's thoughts about the construction of a nation through decolonization.
We've Got Rhythm
Writer
A documentary that gives a lyrical introduction to Afro-Cuban rhythms. The short features interviews, footage of impromptu street performances, and studio recordings.
We've Got Rhythm
Director
A documentary that gives a lyrical introduction to Afro-Cuban rhythms. The short features interviews, footage of impromptu street performances, and studio recordings.
Guanabacoa: Crónica de mi familia
Writer
A pioneer in the genre of autobiographical documentaries, this film made by the renowned Cuban director Sara Gómez explores her family roots to offer a family portrait through photos, popular music, and women’s tales. It is also a powerful document of an age and a way of living: that of middle- or upper-class black families in Cuba, meeting in exclusive bars just before the Cuban Revolution.
Guanabacoa: Crónica de mi familia
Director
A pioneer in the genre of autobiographical documentaries, this film made by the renowned Cuban director Sara Gómez explores her family roots to offer a family portrait through photos, popular music, and women’s tales. It is also a powerful document of an age and a way of living: that of middle- or upper-class black families in Cuba, meeting in exclusive bars just before the Cuban Revolution.
Cumbite
First Assistant Director
A Haitian son returns from fifteen years in Cuba to find his home village afflicted with the double plague of drought and strife. A Cuban production from the director of Memories of Underdevelopment. In Spanish.
I’ll Go to Santiago
Writer
This black-and-white film is a loving portrait of Santiago de Cuba and its people. It provides a view of Cuba as a picturesque country, the product of an earthy mix of black and criollo cultures. The film uses historical images which portray the end of the eighteenth century when Haitian slave owners fled with their slaves to Cuba after the Haitian Revolution.
I’ll Go to Santiago
Director
This black-and-white film is a loving portrait of Santiago de Cuba and its people. It provides a view of Cuba as a picturesque country, the product of an earthy mix of black and criollo cultures. The film uses historical images which portray the end of the eighteenth century when Haitian slave owners fled with their slaves to Cuba after the Haitian Revolution.
Salut les Cubains
Self (uncredited)
A photo montage of Cubans filmed by Agnès Varda during her visit to Cuba in 1963, four years after Fidel Castro came to power. This black & white documentary explores their socialist culture and society while making use of 1500 pictures (out of 4000!) the filmmaker took while on the island.
Fábrica de tabacos
Director
Documentary short film that shows the manufacturing process of Cuban cigars.
Plaza vieja
Director