Art Direction
Art Direction
Near the end of the nineteenth century, as the balance of power shifts from Shogunate towards the Emperor, Japan restlessly awaits the dawning of a new age. But not all are content...The Shinsengumi, a small army of samurai, farmers and peasants, band together to do battle against the tide of history. Their leader, Isami Kondo is a man who rises from farmer to fighter to head the fierce Shinsengumi brigade. Using a stern hand and a heart of gold, he rallies his men in defense of the tottering Shogunate. But bloodshed and treachery lurk around every corner.
Art Direction
Kansuke Yamamoto is a samurai who dreams of a country united, peaceful from sea to sea. He enters the service of Takeda, the lord of Kai domain. He convinces Takeda to kill the lord of neighboring Suwa and take his wife as a concubine. He then convinces the widow, Princess Yu, to accept this arrangement and to bear Takeda a son. He pledges them his life. He then spends years using treachery, poetic sensibility, military and political strategy to expand Takeda's realm, advance the claim of Yu's son as the heir, and prepare for an ultimate battle with the forces of Echigo. Has Kansuke overreached? Are his dreams, blinded by love, too big?
Art Direction
Sasaki Kojiro tells the story of the genius who staked his love, glory, and life on a duel with the supreme master of the sword, Miyamoto Musashi (Tatsuya Nakadai). Oscar winning Hiroshi Inagaki directs this epic motion picture based on Genzo Murakami’s fascinating story. Despite his humble birth, the orphan Sasaki Kojiro (Onoe Kikunosuke) is determined to become the foremost swordsman in all Japan, a title that traditionally belongs to a nobleman. At fencing school, young Kojiro receives the contempt of his classmates because of his superior swordsmanship. When rumors of the upcoming civil war between Toyotomi and Tokugawa clans spread, Kojiro leaves the school and sets out, seizing every opportunity to realize his dream.
Art Direction
In Hong Kong an International Secret Police (ISP) Agent is murdered while investigating ZZZ, a group bent on assassinating the Prime Minister of Buddhabal. ISP Agents Carter and Kitami are assigned to the case. When the Prime Minister arrives in Tokyo for a friendship visit, Carter and Kitami are on hand to protect him. On hand, too, are assorted ZZZ blackguards. Several attempts on the Prime Minister's life fail, until finally the ZZZ introduces a new device designed to eliminate not only the Prime Minister but the ISP Agents as well: THE KILLING BOTTLE, then, is a pocket-sized container filled with a substance that can expand to thousands of times its size and throttle its victim, then disappear leaving only the corpse.
Production Design
Farmer Abare Goemon is confronted by brigand-like samurai. He raises an army of farmers to fight them and does so brilliantly. When Lord Asakura sees the success Goemon has achieved, he attempts to recruit him to fight in a conflict between Asakura and another clan. Goemon refuses, and Lord Asakura sets out to destroy him.
Production Design
In comic Woody Allen's film debut, he took the Japanese action film "International Secret Police: Key of Keys" and re-dubbed it, changing the plot to make it revolve around a secret egg salad recipe.
Production Design
Osami, a soldier-of-fortune from Japan, joins with priest Ensai in a quest for the ashes of the great Buddha. Their journey takes them to a kingdom in the Middle East, where they find intrigue and romance in the court of an evil king.
Art Direction
Kokusai himitsu keisatsu: Kagi no kagi is the fourth instalment of five films in the "Kokusai himitsu keisatsu" series. The film is a parody of James Bond-style spy movies, and was used by Woody Allen, along with footage from the third instalment, in one of his first films, "What's Up, Tiger Lily?", in which the original dialogue is redubbed in English to make the plot about a secret egg salad recipe.
Art Direction
In the third installment in the "Kokusai himitsu keisatsu" series, agent Jiro Kitami investigates the mysterious disappearance of a prominent scientist. Edited into Woody Allen's "What's Up, Tiger Lily?" along with the 4th film in the series, "Key of Keys".
Production Design
The sixth film of the desperado outpost series directed by Takashi Tsuboshima
Art Direction
This Japanese action-adventure is set in the 17th century when all forms of swordplay were banned. One fighter, an excellent swordsman believes the law is unfair. His brother keeps his opinions about the law to himself. The swordsman vents his frustration by cutting off the thumbs of an enemy. The fighter is then banished. To live, he becomes a thief. To restore the family's lost honor, the other brother is forced to challenge the fighter to a duel.
Production Design
A brave, highly principled warrior resigns his post as a body guard to the head of a powerful clan after he learns that his employers have been smuggling arms to the enemy. The remaining samurai try in vain to coerce him back, but their efforts are thwarted by crooked warriors who launch an attack...
Art Direction
아코낭인 사건 이라고도 하는 이 사건은 도쿠가와 막부의 제 5대 쇼군 도쿠가와 쓰나요시가 집권하고 있던 1701년 에도성에서 일어났다. 칙사 접대를 담당한 아코성의 성주 아사노 다쿠미노카미가 의전 담당인 기라 고즈케노스케를 칼로 쳤으나 미처 죽이지 못하였지만, 그날로 할복을 하고, 가옥과 성이 몰수된다. 도쿠가와 막부의 조치에 불만을 지닌 아코성 가신인 오이시 구라노스케 이하 낭인 46, 총 47명이 그 다음해 12월에 기라의 저택을 급습하여 그를 죽인 후, 그 목을 아사노가 묻혀있는 센가쿠지(泉岳寺)로 들고가 복수를 완성하고, 1703년 3월 도쿠가와 막부의 결정에 따라 46명 할복했던 실제 사건을 그린 영화이다.
Production Design
During the raging war between the Toyotomi and Tokugawa clans, the swordsman Mohei (whose family has been completely decimated) is recruited by Toyotomi to overcome the seat of power, Osaka Castle. Mohei's daredevil skills will be put to severe tests.
Art Direction
Tatsuya Nakadai plays a scheming low-level executive who plays labor against management and uses anyone he can to further his career in this moral drama. When things get too hot, he bails and goes to work for a prominent politician (Koreya Senda). Soon he has impregnated the daughter (Yoko Tsukasa) of his boss, but he figures marriage will solve his current problems. His happiness is short-lived when he is stalked by a union radical he once double-crossed who now seeks vengeance.
Production Design
The legend of the birth of Shintoism. In Fourth Century Japan, the Emperor's son Ouso expects to succeed his father on the throne, but Otomo, the Emperor's vassal, prefers Ouso's stepbrother, and conspires to have Ouso die on a dangerous mission he has contrived. But Ouso prevails in the mission and returns to his father's castle under a new name, Prince Yamato Takeru. Otomo plots to have the Prince sent into even greater danger, but Otomo is unaware that the gods have favored the Prince and the outcome is far from what any of them expected.
Art Direction
인력거인으로 '불사신 마츠', '무호마츠'로 불리우던 마츠고로(미후네 토시로)가 오랜만에 고향인 오쿠라에 돌아왔다. 노일 전쟁의 승리에 열광하던 즈음, 나무에서 떨어져 다리를 다친 소년 토시오를 구한 것이 연이 되어 마츠고로는 소년의 아버지 요시오카 대위(아쿠다가와 히로시)의 집에 드나들게 된다. 대위는 무지하긴 하지만 호탕하고 너그러운 마츠고로를 신뢰한다. 대위가 가족을 마츠고로에게 부탁하고 죽자 마츠고로는 일심으로 토시오와 미망인(다카미네 히데코)에게 전력을 다한다. 고교 진학을 위해 토시오가 오쿠라를 떠나자 마츠고로는 눈에 띄게 늙고 술에 빠지게 된다. 어느 여름 기온 축제의 날 귀성한 토시오를 위해 마츠고로는 기쁜 나머지 축제 수레 위에 올라가 일생 일대의 기온의 북을 친다. 몇일 후 요시오카 부인 앞에서 마츠고로는 '전 마음이 더러워요!' 라고 오랫동안 키워왔던 부인을 향한 사모의 마음을 고백하고 운다. 어느 눈이 내리는 날, 교정의 한 켠에 미소를 머금은 채 마츠고로의 사체가 발견된다. 남겨진 짐 속에는 요시오카 집에서 받은 축하 선물과 모자 명의의 저금 통장이 있었다.
(2003년 한국시네마테크협의회 - 일본영화의 황금기 1950년대 거장 15인전)
Production Design
An adaptation of the popular Sazae-san comic strip. The first entry in Toho's Sazae-san series.
