L'Africain
엘리아스는 그리스를 떠나 파리로 가기 위해 밀항선을 타지만, 중간에 경찰을 피해 무작정 바다에 몸을 던진다. 우여곡절 끝에 ‘불안한 에덴’, 파리에 입성하게 되는데... 1970년대 등 정치영화로 명성을 떨친 거장 코스타 가브라스의 베를린 출품작으로, 현재 유럽의 첨예한 문제를 건드린다.
"Adrénaline" proposes a string of short surrealist films presenting at various levels an interesting mix of mild gore, cynical humor and absurd surrealism.
Al and Elsa have been a couple for some time, but the chances that their relationship will be long-lived are few. For one thing, Al is appallingly dependent on Elsa for his every emotional need. For another, Elsa is an incredibly elusive person, extremely difficult to pin down about anything - especially whatever is bothering her. How they have managed to survive this long is a cause for wonder. When Al gets an opportunity to be cast in a movie role, complete with no-cost occupancy in the casting agent's ugly but fashionable apartment, he jumps at the chance to provide a little material satisfaction for his beloved Elsa. But what exactly does she want?
Man
A man's car somehow becomes completely autonomous and takes the powerless driver, to a scrap yard, or a 'cemetery for cars', where several more vehicles are waiting to be crushed by powerful reducing machines, their passengers still inside.
A man's car somehow becomes completely autonomous and takes the powerless driver, to a scrap yard, or a 'cemetery for cars', where several more vehicles are waiting to be crushed by powerful reducing machines, their passengers still inside.
