Paul Cowan

Through stop-motion animation, drawings and interviews, directors Amer Shomali and Paul Cowan recreate an astonishing true story from the First Palestinian Intifada: the Israeli army’s pursuit of eighteen cows, whose independent milk production on a Palestinian collective farm was declared "a threat to the national security of the state of Israel."

Through stop-motion animation, drawings and interviews, directors Amer Shomali and Paul Cowan recreate an astonishing true story from the First Palestinian Intifada: the Israeli army’s pursuit of eighteen cows, whose independent milk production on a Palestinian collective farm was declared "a threat to the national security of the state of Israel."

For ancient Mayans, cocoa was as good as gold. For subsistence farmer Eladio Pop, his cocoa crops are the only riches he has to support his wife and 15 children. As he wields his machete with ease, slicing a path to his cocoa trees, the small jungle plot he cultivates in southern Belize remains pristine and wild. His dreams for his children to inherit the land and the traditions of their Mayan ancestors present a familiar challenge. The kids feel their father's philosophies don't fit into a global economy, so they're charting their own course. Rohan Fernando's direction tenderly displays a generational shift, causalities of progress in modern times and a man valiantly protecting an endangered culture. Breathtaking vistas of lush rainforests contrast with the urban dystopia that pulled Pop’s children away from him. Will one child return to carry on a waning way of life

The last shots had been fired in the First World War — but peace had yet to be made. Inspired by Margaret MacMillan’s acclaimed work of popular history, Paris 1919 takes us inside the most ambitious peace talks in history, revisiting the event with a vivid sense of narrative. Evoking a pivotal moment when peace seemed possible, director Paul Cowan reflects upon the hard-learned lessons of history.

The last shots had been fired in the First World War — but peace had yet to be made. Inspired by Margaret MacMillan’s acclaimed work of popular history, Paris 1919 takes us inside the most ambitious peace talks in history, revisiting the event with a vivid sense of narrative. Evoking a pivotal moment when peace seemed possible, director Paul Cowan reflects upon the hard-learned lessons of history.

From cinema-verite; pioneers Albert Maysles and Joan Churchill to maverick movie makers like Errol Morris, Werner Herzog and Nick Broomfield, the world's best documentarians reflect upon the unique power of their genre. Capturing Reality explores the complex creative process that goes into making non-fiction films. Deftly charting the documentarian's journey, it poses the question: can film capture reality?

With unprecedented access to the UN Department of Peacekeeping, The Peacekeepers provides an intimate and dramatic portrait of the struggle to save "a failed state" The film follows the determined and often desperate maneuvers to avert another Rwandan disaster, this time in the Democratic Republic of Congo (the DRC). Focusing on the UN mission, the film cuts back and forth between the UN headquarters in New York and events on the ground in the DRC. We are with the peacekeepers in the "Crisis Room" as they balance the risk of loss of life on the ground with the enormous sums of money required from uncertain donor countries. We are with UN troops as the northeast Congo erupts and the future of the DRC, if not all of central Africa, hangs in the balance. In the background, but often impinging on peacekeeping decisions, are the painful memory of Rwanda, the worsening crisis in Iraq, global terrorism, and American hegemony in world affairs.

With unprecedented access to the UN Department of Peacekeeping, The Peacekeepers provides an intimate and dramatic portrait of the struggle to save "a failed state" The film follows the determined and often desperate maneuvers to avert another Rwandan disaster, this time in the Democratic Republic of Congo (the DRC). Focusing on the UN mission, the film cuts back and forth between the UN headquarters in New York and events on the ground in the DRC. We are with the peacekeepers in the "Crisis Room" as they balance the risk of loss of life on the ground with the enormous sums of money required from uncertain donor countries. We are with UN troops as the northeast Congo erupts and the future of the DRC, if not all of central Africa, hangs in the balance. In the background, but often impinging on peacekeeping decisions, are the painful memory of Rwanda, the worsening crisis in Iraq, global terrorism, and American hegemony in world affairs.

In this feature documentary, filmmaker Paul Cowan offers an innovative, moving account of the Westray coal mine disaster that killed 26 men in Nova Scotia on May 9, 1992. The film focuses on the lives of three widows and three miners lucky enough not to be underground that day when the methane and coal dust ignited. But their lives were torn apart by the events. Meet some of the working men, who felt they had no option but to stay on at Westray. And wives, who heard the rumours, saw their men sometimes bloodied from accidents and stood by them, hoping it would all turn out all right. This is a film about working people everywhere whose lives are often entrusted to companies that violate the most fundamental rules of safety and decency in the name of profit.

In this feature documentary, filmmaker Paul Cowan offers an innovative, moving account of the Westray coal mine disaster that killed 26 men in Nova Scotia on May 9, 1992. The film focuses on the lives of three widows and three miners lucky enough not to be underground that day when the methane and coal dust ignited. But their lives were torn apart by the events. Meet some of the working men, who felt they had no option but to stay on at Westray. And wives, who heard the rumours, saw their men sometimes bloodied from accidents and stood by them, hoping it would all turn out all right. This is a film about working people everywhere whose lives are often entrusted to companies that violate the most fundamental rules of safety and decency in the name of profit.

런던 토박이임을 자랑으로 여기는 바이올렛(Violet Kray: 빌리 화이트로 분)은 1934년 쌍둥이 아들 로날드(Ronald Kray: 게리 켐프 분)와 레지날드(Reggie Kray: 마틴 켐프 분)를 낳는다. 전쟁의 혼란 속에서도 두 아이를 끔찍히 키웠지만, 성장한 두 아들은 거리를 주름잡는 불량배 조직의 두목으로 부상한다. 처절한 싸움 끝에 쌍둥이 형제가 런던을 장악한 것이다. 동생 레지날드는 양가집 규수와 결혼도 하지만, 아내 프란시스(Frances: 케이트 하디 분)가 암흑가 내부 생활에 적응하지 못해 자살한다. 레지날드는 폐인이 되다시피하고, 조직을 떠나 슬픔에 빠진다. 자연히 조직의 기강은 해이해지고 여지껏 쌍둥이의 위력에 숨죽이던 세력들이 기지개를 켜기 시작한다. 위기를 느낀 로날드는 동생과 조직을 구하기 위해 반대 세력의 소탕작전을 펴서 두 세력을 철저하게 응징한다. 그러나 쌍둥이도 결국은 법망에 걸려 종신형을 선고받고, 현재 수감 중인데..

Donald Marshall is imprisoned for a murder he didn't commit.

Donald Marshall is imprisoned for a murder he didn't commit.

Donald Marshall is imprisoned for a murder he didn't commit.

Paul Cowan's film captures the spirit of the legal battle over abortion waged by Dr. Henry Morgentaler in Quebec and in federal courts between 1970 and 1976. Using a combination of newsreel footage, interviews and re-enactments, this docudrama unravels the complexities of the case that began as a challenge to Canada's abortion laws and turned into a precedent-setting civil rights case.

Paul Cowan's film captures the spirit of the legal battle over abortion waged by Dr. Henry Morgentaler in Quebec and in federal courts between 1970 and 1976. Using a combination of newsreel footage, interviews and re-enactments, this docudrama unravels the complexities of the case that began as a challenge to Canada's abortion laws and turned into a precedent-setting civil rights case.

With Israel as an example, the reality of how military force is deemed necessary to maintain national sovereignty and the price involved is examined.

In this Oscar Winning documentary short film, students in their final year at the National Ballet School of Canada are seen learning the flamenco from Susana and Antonio Robledo, who come to the school every winter to conduct classes which are held after the day's regular schedule has ended.

All soldiers belong to the same profession, no matter what country they serve, and it makes them different from everybody else. They have to be different, for their job is ultimately about killing and dying, and those things are not a natural vocation for any human being. Yet all soldiers are born civilians. The method for turning young men into soldiers-people who kill other people and expose themselves to death-is basic training.

NFB short documentary

NFB short documentary