Philip Miller

Pushed to the brink after losing her job, a woman struggles to survive. As the months pass and her troubles deepen, she embarks on a perilous and mysterious journey that threatens to usurp her life.

Two kids and their dog must use all their skills to survive in the African bush after a plane crash.

The gangster Manysia is given a second chance after his release from prison. Reverend Jacob Musi takes him under his wings, both as a promise to Manysia’s father and as an act of benevolence. Reverend Jacob thinks that everyone deserves a fresh start and his family generously welcomes Manysia, especially the reverend’s son. But soon the past will cast its shadows over them again.

After engaging in an illicit affair with one of his pupils, teacher Parker Sithole spirals into an abyss of obsession that eventually turns to murder. A cinephile's passionate homage to classic film noir, Of Good Report is a serial killer origins story about how a social misfit turns into an inadequate man hellbent on satisfying his shameful lust. It is Little Red Riding Hood, told from the wolf's perspective.

Director Alfred Hitchcock is revered as one of the greatest creative minds in the history of cinema. Known for his psychological thrillers, Hitchcock’s leading ladies were cool, beautiful and preferably blonde. One such actress was Tippi Hedren, an unknown fashion model given her big break when Hitchcock’s wife saw her on a TV commercial. Brought to Universal Studios, Hedren was shocked when the director, at the peak of his career, quickly cast her to star in his next feature, 1963’s The Birds. Little did Hedren know that as ambitious and terrifying as the production would be to shoot, the most daunting aspect of the film ended up coming from behind the camera.

병을 고치러 도시로 갔던 엄마가 시체로 돌아오자 혼자 남은 럭키는 마을을 떠나 도시에 사는 삼촌을 찾아간다. 하지만 럭키를 돌봐 줄 생각이 없는 삼촌은 여동생이 맡긴 돈만 가로채고 조카를 내쫓는다. 삼촌의 이웃집에 살던 인도 할머니는 흑인을 질색하지만, 고아에게 정부 보조금이 나온다는 사실을 알고 아이를 도와 혜택을 받게 해 준다. 럭키의 딱한 사정을 알게 될수록 그 아이에게 마음을 열게 된 할머니는 럭키의 친아버지를 찾아주기 위해 백방으로 수소문한다. 그렇게 겨우 아빠를 찾지만 그는 럭키 엄마가 아이를 밴 상태에서 자신을 만났다며 친부가 아니라고 주장하는데...

남아프리카의 ‘아파르트헤이트’ 정권 시절의 분쟁을 사진으로 담고 있던 네 명의 포토저널리스트 케빈 카터(테일러 키취 분), 그렉 마리노비치(라이언 필립 분), 켄 오스터브룩(프랭크 라우텐바흐 분), 주앙 실바(닐스 반 자스벨드 분)는 우연히 촬영 현장에서 만나 사진을 통해 소통하며 우정을 키워나간다. 분쟁의 순간, 제 3자의 시선에서 관여하지 않고 묵묵히 사진으로 담아야 하는 그들의 삶은 열정으로 가득하지만 때론 고뇌의 순간과 마주쳐 그들을 갈등하게 한다. 과연 인간으로서 그리고 포토저널리스트로서 사건에 관여해야 하는가? 묵묵히 사건을 기록해야 하는가? 그러던 어느 날, 케빈 카터가 수단에서 찍은 기아 사진이 퓰리처 상을 수상하게 되고 전세계의 이목을 집중시킴과 동시에 케빈 카터에 대한 윤리적인 비난이 쏟아지기 시작하는데…

Confronted by Apartheid and a father who was Minister of Censorship, Ingrid Jonker searched for a home, searched for love. With men like Jack Cope and André Brink she found much love, but no home. Later, in his first speech to the South African Parliament Nelson Mandela read her poem "The Dead Child of Nyanga" and addressed her as one of the finest poets of South Africa.

According to the legend of the Shangaan, white lions are the messengers of the gods, but it has been years since one has been seen in their remote African valley. When a white lion is miraculously born into that valley, a young Shangaan named Gisani, finds himself destined to protect this rare and magnificent creature at all costs. This young lion, whom will be known as Letsatsi, is cast from his pride and forced to embark upon a perilous journey of survival.

1980년 남아프리카 공화국. 패트릭 차무소는 오일공장에서 일하면서 틈내어 어린이 축구팀 코치일도 즐기는 평범한 인물이었다. 하지만, 1980년 6월, 갑자기 패트릭과 그의 아내 프리셔스는 시쿤다 오일공장 파업주도 용의자로 지목, 체포되어 감옥에 끌려가 고문을 당한다. 갖은 고초 끝에 결국 풀려난 패트릭은 이때부터 반정부 운동에 관심을 가지기 시작한다. 그는 민중과 조국을 위해 급진적인 정치적 인물로 변신하는데...

Max Bua leaves his country life behind in hopes of becoming a doctor in Johannesburg, though the big city has different plans for him.

Felix in Exile introduces a new character to the 'Drawings for Projection' series: Nandi, an African woman, who appears at the beginning of the film making drawings of the landscape. She observes the land with surveyor's instruments, watching African bodies, with bleeding wounds, which melt into the landscape. She is recording the evidence of violence and massacre that is part of South Africa's recent history. Felix Teitelbaum, who features in Kentridge's first and fourth films as the humane and loving alter-ego to the ruthless capitalist white South African psyche, appears here semi-naked and alone in a foreign hotel room, brooding over Nandi's drawings of the damaged African landscape, which cover his suitcase and walls. Kentridge has commented: 'Felix in Exile was made at the time just before the first general election in South Africa, and questioned the way in which the people who had died on the journey to this new dispensation would be remembered'.

In 1974, four astronauts, silver shoe-clad Dorothy, overweight Doc, goofy Charlie, and wooden Steve, crash land on Mars when taking readings, with only four days of supplies. They must try to survive on the surface, which is barren except for some canals with huge maggots with fins. After embarking through a golden igneous cavern, braving a storm and finding an unmanned Earth vessel, they discover a golden road which leads them to the unchanging ruins of what was once a beautiful Martian city. The Martians are modeled on the Flatheads of Oz, and their collective consciousness, the "Wizard," forbids them to leave until they perform a very small task...