Tan Chui Mui

이혼 후 새 가정을 꾸린 중년의 신문기자 아캉은 영국 유학을 마치고 돌아오는 딸 아빙을 만나기 위해 전처의 집에 들른다. 하지만 아빙은 버스에서 졸업증명서가 담긴 가방을 잃어버렸고 함께 온 남자친구 아융은 버스기사에게 폭행당했다. 아캉은 경찰서와 병원을 오가며 정의를 요구하지만 현실은 냉정하다. 전처는 새 애인을 사귀며 은근히 아캉을 무시하고, 그와 아융도 서로 거리를 좁히지 못한다. 곧 대도시에 정착할 아빙을 위해선 잃어버린 가방을 찾아야 한다. 아캉은 직접 문제를 해결할 결심으로 암시장에 접근한다.

이혼 후 새 가정을 꾸린 중년의 신문기자 아캉은 영국 유학을 마치고 돌아오는 딸 아빙을 만나기 위해 전처의 집에 들른다. 하지만 아빙은 버스에서 졸업증명서가 담긴 가방을 잃어버렸고 함께 온 남자친구 아융은 버스기사에게 폭행당했다. 아캉은 경찰서와 병원을 오가며 정의를 요구하지만 현실은 냉정하다. 전처는 새 애인을 사귀며 은근히 아캉을 무시하고, 그와 아융도 서로 거리를 좁히지 못한다. 곧 대도시에 정착할 아빙을 위해선 잃어버린 가방을 찾아야 한다. 아캉은 직접 문제를 해결할 결심으로 암시장에 접근한다.

2017년 5월 18일 부산국제영화제 김지석 수석프로그래머는 칸영화제 출장 중에 심장마비로 갑작스레 세상을 떠난다. 예기치 못한 그의 죽음에서 오랜 영화인 친구와 동료들은 마지막 시기 그를 괴롭혔던 일들을 떠올린다.

차기작을 준비하는 로저는 오랫동안 함께 일한 문을 자신이 집필 작업을 하고 있는 바닷가 마을로 부른다. 문은 연기를 그만둔 지 10년이 지났지만, 최근 이혼을 한 터라 로저의 제안을 받아들이기로 결심한다. 주어진 역할은 동남아시아 버전 본 아이덴티티의 주인공으로, 직접 스턴트 연기를 소화해야 한다.

차기작을 준비하는 로저는 오랫동안 함께 일한 문을 자신이 집필 작업을 하고 있는 바닷가 마을로 부른다. 문은 연기를 그만둔 지 10년이 지났지만, 최근 이혼을 한 터라 로저의 제안을 받아들이기로 결심한다. 주어진 역할은 동남아시아 버전 본 아이덴티티의 주인공으로, 직접 스턴트 연기를 소화해야 한다.

차기작을 준비하는 로저는 오랫동안 함께 일한 문을 자신이 집필 작업을 하고 있는 바닷가 마을로 부른다. 문은 연기를 그만둔 지 10년이 지났지만, 최근 이혼을 한 터라 로저의 제안을 받아들이기로 결심한다. 주어진 역할은 동남아시아 버전 본 아이덴티티의 주인공으로, 직접 스턴트 연기를 소화해야 한다.

"Sometime, Sometime" peers into the uneventful everyday lives of Zi Kien and his single mother. One day he finds out that his mother has a new boyfriend, Mr Lee, and he is worried that he might lose her to this new stranger. Zi Kien decides to imitate adults like Mr Lee by copying their speech, their clothes, and smoking...

"Sometime, Sometime" peers into the uneventful everyday lives of Zi Kien and his single mother. One day he finds out that his mother has a new boyfriend, Mr Lee, and he is worried that he might lose her to this new stranger. Zi Kien decides to imitate adults like Mr Lee by copying their speech, their clothes, and smoking...

Fragment is an omnibus film celebrating the strength and diversity of South-East Asian independent cinema. Made up of a collage of ten stories, each story distinctively embraces the other's subjectivities through the collective sentiments of vulnerability and fortitude. This film is commissioned by the Asian Film Archive (AFA) for its tenth anniversary celebrations.

Chui Mui Tan's part in the anthology film Fragment. A sort of sequel to A Tree in Tanjung Malim.

Chui Mui Tan's part in the anthology film Fragment. A sort of sequel to A Tree in Tanjung Malim.

Six filmmakers present six short films about the experiences of Chinese immigrants. Shot across Malaysia, Thailand, Singapore and Myanmar, the anthology depicts the crisis of identity that accompanies international migration.

Six filmmakers present six short films about the experiences of Chinese immigrants. Shot across Malaysia, Thailand, Singapore and Myanmar, the anthology depicts the crisis of identity that accompanies international migration.

The film uses a documentary approach to tell the stories of 12 Chinese pioneers, chosen from the fields of business and the arts. The protagonists reflect upon their life journeys against the backdrop of modern China.

In a remote Malaysian fishing village, two boyhood friends reunite and take a night fishing trip to an uninhabited island. Through their journey and a series of flashbacks, the mysteries of their lives are slowly illuminated in a film hypnotic, tranquil, chimerical and steeped in the deep rhythms of the sea.

In a remote Malaysian fishing village, two boyhood friends reunite and take a night fishing trip to an uninhabited island. Through their journey and a series of flashbacks, the mysteries of their lives are slowly illuminated in a film hypnotic, tranquil, chimerical and steeped in the deep rhythms of the sea.

In a remote Malaysian fishing village, two boyhood friends reunite and take a night fishing trip to an uninhabited island. Through their journey and a series of flashbacks, the mysteries of their lives are slowly illuminated in a film hypnotic, tranquil, chimerical and steeped in the deep rhythms of the sea.

A first visit to South Africa seems to invite observation of the extremes or of folklore in society, but Tan Chui Mui initially chose a very different road. She intended to make a short science fiction film and not to focus on the occasionally grim reality of today's South Africa. With the help of local film makers, she set off in Durban looking for suitable locations and four actors who wanted to work on her film (preferably for free). With the locations, she also found her story. She used the futuristic architecture of the football stadium being built - designed by the German bureau GMP Architects - not only as background for her film No Woman Born, but she also turned the anonymous labourers into characters in her film. Tan discovered the talents of the Zulu actor and singer Muzi Mhlanga, who developed during the shooting into a very special man of the future.

The young local film makers of Durban inspired Tan Chui Mui to make the documentary Sarah and Omelga. Coming from Malaysia with its extreme racial divisions, she was curious about the views of her South African colleagues on the new racial 'equality' in their country. She looked up the white film maker Sarah Dawson and the black film maker Omelga Mthiyane in their own surroundings and listened to their stories.

In 2008, while developing her second film, Tan Chui Mui developed a project of shooting a short film every month. Tan Chui Mui managed to make only 7 short films which turned into "All My Failed Attempts".

In 2008, while developing her second film, Tan Chui Mui developed a project of shooting a short film every month. Tan Chui Mui managed to make only 7 short films which turned into "All My Failed Attempts".

We often fall in love first, and then look for reasons, to justify why we love someone. To ask "why you love me?", is as silly as to ask "why you don't love me?". There is no reason, and there is no logic.

We often fall in love first, and then look for reasons, to justify why we love someone. To ask "why you love me?", is as silly as to ask "why you don't love me?". There is no reason, and there is no logic.

In a powerful future world, everything is perfect but nobody is allowed to talk.

Fifteen short films with socio-economic subject matter by 15 directors of Malaysia's "New Wave" and "No Wave." 15Malaysia is a short film project. It consists of 15 short films made by 15 Malaysian filmmakers. These films not only deal with socio-political issues in Malaysia, they also feature some of the best-known faces in the country, including actors, musicians and top political leaders. You may think of them as funky little films made by 15 Malaysian voices for the people of Malaysia.

Two men -- one elderly, one in his twenties -- are touched by tragedies linked to a single source in this drama from Malaysian filmmaker Woo Ming Jin.

Ping has come from Penang in the north to Kuala Lumpur to work with her aunt. There she meets John, a young man who keeps trying to approach her. Ping feels increasingly attracted to John, and although she has a boyfriend in Penang she is drawn more and more into his world. Ping loses herself in her love and does all she can to keep John.

Ping has come from Penang in the north to Kuala Lumpur to work with her aunt. There she meets John, a young man who keeps trying to approach her. Ping feels increasingly attracted to John, and although she has a boyfriend in Penang she is drawn more and more into his world. Ping loses herself in her love and does all she can to keep John.

It has been a month Chang's wife Ling Yue has been missing. With no reasons one fine day she went to work as usual and then never returns. No one knows where she went or what had happened to her. Chang could not figure out why she disappears out of the sudden. She left no message of whatever kind or clues. One day a man named Tong shows up and claims to be Ling Yues lover. Apparently Tong is looking for Ling Yue too. In a turn of event both men formed an uneasy alliance in order to find Ling Yue

Four male friends meet at a pizza restaurant for a late night of boozing and talking.

A Chinese family lives in Kuantan, Malaysia in the 1980s. Because of the centuries of turmoil, their attitude towards eating almost became a ritual.

A Chinese family lives in Kuantan, Malaysia in the 1980s. Because of the centuries of turmoil, their attitude towards eating almost became a ritual.

The laundry girl & motorcycle girl are best friends since childhood. Over the years their relationship has slightly changed. The laundry girl is two-timing her boyfriend, the motorcycle girl continues to help keep it a secret. The motorcycle girl remains single and the laundry girl continues her search for true love. Or maybe due to some unforseen circumstances the girls will continue to keep their real feelings from each other and remain best friends.

This Tamil language film tells the story of a young Malaysian girl named Shantha, and her family, who live in a remote estate. Shantha dreams of pursuing an education in spite of the many challenges she and her family face from living in poverty.

In this black comedy about the disintegration of a love affair, a young woman's loneliness in the midst of Kuala Lumpur's metropolitan sprawl triggers a tenuous relationship with a naïve salesman who has a tendency to please and over-emote.

A woman on the brink of adulthood has a conversation with a world-weary older man during the course of one night.

A woman on the brink of adulthood has a conversation with a world-weary older man during the course of one night.

An omnibus of 4 contemporary ghost stories.

Personal memories of the director's fast-dwindling hometown.

Dream #3 We Need You to Save the World

Dream #2 He Slept Too Long

Dream #1 She Sees A Dead Friend

Nobody's Girlfriend (2009), starring Nadav Lapid.