Pedro Bastos

The art of memory is a classic technique that associates images with places through a process of remembrance and meaning. From the memory of places and their context, the documentary delves into the creative process of three contemporary visual artists: Daniel Blaufuks, Pedro Bastos and José Rufino. Despite the different expression approaches of each author, we find points of communication in the way memory operates in their works. By rummaging through the hazards and disorder, we arrive at the director's personal mythology, assuming that memory is a fiction like any film.

시코락스는 누구일까? 셰익스피어 『템페스트』의 등장인물 중 가장 먼저 섬에 발을 들여놓은 자이지만, 안타깝게도 시코락스의 대사는 나오지 않는다. 프로스페로는 그녀를 공기의 정령 아리엘을 나무에 가둔 교활하고 사악한 늙은 마녀라고 간략히 설명한다. 그녀는 왜 아리엘을 나무에 가뒀을까? 프로스페로의 말을 믿어도 되는가.

A decadent and symbolist Portuguese poet, António Nobre died of tuberculosis at the age of 32 (1900), having published only one book (Só, 1892). A symbolist Brazilian poet, Augusto dos Anjos died of pneumonia at the age of 30 (1914), having published only one book (Eu, 1912).

A decadent and symbolist Portuguese poet, António Nobre died of tuberculosis at the age of 32 (1900), having published only one book (Só, 1892). A symbolist Brazilian poet, Augusto dos Anjos died of pneumonia at the age of 30 (1914), having published only one book (Eu, 1912).

Teresa evokes a memory. A memory as a place of resistance. A memory suspended in space and time. A place one can return to. The fragmented image of an intimate record. The impression of moments forgotten in time but ready to emerge from oblivion—moments that allow us to build a possible history: the history we want to see. – Tânia Dinis

I am the double of the shadow of my own image. An allegory that occupies my place. This is my act of contrition. Beyond good and evil, I stand as an equation: Its result cannot be manipulated By morals or ethics. In mathematics there is no place for beliefs Just as life and death Are a certain fate.

Your past already is the projection of your future. However, it was never more than a light in the sky.

It’s like soot that rests on the walls of our head. We can’t see it. It belongs there already.

A carousel-esque pocket-movie set in a Florentine piazza.

An effervescent painterly film tribute – replete with driving organ soundtrack – to 18th-century poet and satirist António Lobo de Carvalho, otherwise known as The Wolf of Madragoa.

An effervescent painterly film tribute – replete with driving organ soundtrack – to 18th-century poet and satirist António Lobo de Carvalho, otherwise known as The Wolf of Madragoa.

An effervescent painterly film tribute – replete with driving organ soundtrack – to 18th-century poet and satirist António Lobo de Carvalho, otherwise known as The Wolf of Madragoa.

Caught in time, a trio of prehistoric characters lives around a dolmen. One of them, who is hyperactive, tries to stir his mates emotions with inventions and works of art. A strange object made out of bone, which re frames reality, will trigger greed and envy in them. Super 8 allegorical on Portugal, and the collective behavior of its people.

It is not the landscape that changes. Every service station is a service station. What changes is being in movement.

A pocket movie on a train between two stations in Berlin.